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Sure thing, nice to hear you tearing it up. Recording is fun and sometimes frustrating. HCAF was when first getting into computers and recording. Learning, trying things and posting stuff. Recording sure has come a long way. Glad to see you jumping in.

Sounds good Jason. JVM’s are cool amps. Some modes are way too much gain for me, but with a different guitar/ pickups etc might be great. I liked OD2 Orange alot. Recorded a bunch of clips of it back in the day. Your clip sounds good, keep at it.

You have proof of this? I think you are wrong about this. Tickets for one day of Sonic Temple range from about $500 to $3500+. Iron Maiden Megadeth are nosebleeds for $300 up to $2000 from what I saw ( not even floor seats ).

My drummer got tix for Cleveland in the 2nd mezzanine. $450 a ticket. He wasn’t sure if that is before or after fees. Might be more.

Interesting, never know what can work till you try it. Had quite a few Twins over the years, all silverface. Never keep them very long, so heavy! This Princeton somehow keeps up with the drummer and has a pretty fat tone. Could be 6v6’s, sounds surprisingly good. We have a 65 Deluxe...

1965 Blackface Fender Princeton Reverb…TS-9 into Boss Blues Driver. Going to try a JHS AT + next time. I still can’t get over how good this sounds. I play rock, fusion, funk etc.

I’ve been doing something similar with my Tonex pedal. Captured three of my Marshalls and Wizard. Put the Tonex in a small pedalboard and running it into my Blackface Fender Princeton Reverb for band practice. Surprised it sounds good.

The Smallbox I played thru was great for all those tones you mentioned. The Metroplex if you want VH tone seems like it will do it. It’s on the way, maybe play it and see what it does. A friend has the SV20 as well as a 72 50watt and mid 70’s 100 watt Marshalls. He loves the SV20...

Playing on Kiss Alive I is pretty good imo. Ace’s solo album was good too. He plays terrible these days.

I picked up a 2010 Standard just like yours a couple months ago. Has the 50’s neck which is big and tall frets, stock pickups. Quite a bit different than my SG Custom neck. It is a fretless wonder. Way different feel.

It is surprising. It was filthy inside, took two solid afternoons cleaning the board and temoving the copper ground bus bar, it was black! WGS ET 65 speaker is in it for now.

That amp is hilarious. Bought it not working for cheap, easy fix to get working. Someone also tried to mod it, I put it back to stock and did a bunch of maintenance on it. Looking at the schematic, they basically borrowed heavily from a Mark II. A bunch of various videos of this model...

Found my tone long time ago. Probably 92-93. Modded a Marshall, ran it thru a loadbox, thru some fx then into two Marshall amp power sections into some 412 cabs. JC120 for cleans…lots to haul. Scaled it down to my 69 Plexi into a 412 and some pedals…ultimately landed with my Wizard MC1 Rick...

Yes found it many moons ago. Then wanted to scale it down.

Bought my first Cobra in ‘98 and has been my main guitar ever since. Refretted it 5 times over the years, finally with SS. Added another Cobra and Hollow T Classic. Great guitars. Have others but these see the most time.

I haven’t used those but I have the SPC in my old lipstick pickup Talman. Works great for fattening them up and more humbucking sounding. Also the PA2 and Afterburner preamps work good.

Probably best way to go about it. I don’t think there were many of these cabs made back in the day. Doubtful any logos would still be around, but maybe.

Material is somewhat like the plastic for flexible cutting board / placemats maybe.

I have two of those cabs. The logos are much larger than the current logos. Also the material is pretty thin to bend around the multi dispersion baffle.

The ghosting drives me nuts. Tried the 100/100 for mains filtering with zero difference. Put the 50/50’s back in. Seems to only do it on CH 1. Going to try replacing the coupling and bright caps and see if that fixes it.