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Be Well! I enjoyed your posts.

I'm still dialing it in! I added some Depth on the LX II. It reminds me of 90's Lukather. Just has that vibe to it.

I tried the Boss Pitch Shifter again this morning. It sounds good, but when activated the volume drops. The Free The ToneTri Avitar Chorus sounded huge and worked well. I got used to running Modulation pedals out front of the amp. After disliking it for years, I got used to it and like it that way.

The Boss Pitch Shifter worked well in the loop. It was Hugh actually. Kinda like an always-in effect. I might try it again. That’s why im taking a hard look into the VP4.

It’s just mildly on. Mix control was 10:00

That’s my MIM Strat with the EMG David Gilmore pu’s

I tried it. When turned ON, the output got lower. I always dial out low-end. I owned countless SLO‘s. I prefer this pre-amp. Way more versatile.

A test using the Crunch ch. with Boss SD-1 and Boss Pitch Shifter in front-

That’s how I adjusted each one. The Presence and the Depth. I saw what the range was, and I put it in the middle (noon) and the Depth I turned off, cause I don’t like Depth on an amplifier.

Yes, there’s a couple of holes on the top lid for adjustments to the Presence and Depth controls. That’s a total design flaw. It doesn’t affect me, but people that rack it are gonna have a problem. That being said it’s kind of a set and forget thing.

This

The LX II kicked the Power Station’s ass. Not fair because the PS was designed for something else, re-amping. The X88ir really came alive thru the LX II

I wanna thank you guys for the advice.The Fryette LX II arrived and it sounds awesome with the Soldano X88ir. There is indeed a difference from the Power Station. It is very audible.

Can you translate that?:dunno:

Me too! I saw him at Jones Beach, NY 1999, w/ Jennifer Batten

The VP 4 is the front-runner. I hope the learning curve isn't steep. Fryette LXII coming today, then on to the effects. Got the Soldano Midi Footswitch as well.

In the UK? You could buy some of the new "stab-resistant" clothes.

I know. There is a sound to it however. If there was no Jeff Beck connection, I would never have even noticed this guitar.

Before I moved to S.C. I had a purple SLO with the matching 4x12. Vintage 30’s. I loved it. I thought it was a good match.