
Gainiac
Well-known member
stompboxfreak72":18wwzkn6 said:[/quoteGainiac":18wwzkn6 said:Aww, crap.... I was gonna suggest you carefully get it home and 'apart' and look in neck pocket and behind pickguard, for internal marks, serial numbers, paint or date codes, ANYTHING you could shoot a pic of and send off to FMIC for help or piece of mind and then could always return the following day with a reciept...
But, alas.... NO sale...![]()
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I so want to love this guitar but fear I wont. Its the scallops that are the unknown. Ive always wanted run......ugggh. I might send one of my two splawn guitars in for a blackmore scallop. That would be cheaper. I tried to have a second neck made but after a falling out I think I have to move on to another company. Jon Hill in Cleveland is my thought now. If he can make me a neck to fit my Splawn and I scollop it and hate it I still have my original neck. Im leaning that way.
Hey, some thoughts,
Do you REALLY need the entire neck scalloped? I've found an incredible, truly useful benefit to be gained from simply scalloping from the last 4 (on a 24 fret, ala Jem) or from the '12th forward' and still retained the density and thickness (= original tone on a custom piece you LOVE?) on the lower bouts of an original board by NOT scalloping there, where it wasnt needed...
For me, while still getting the benefits of having easier bends and more 'finger-pad area' on the upper frets, on a few (5) of the necks I've scalloped myself, using small round files, keeping a sharp eye on the curvature and radius of the board, working SLOOOWLY and smoothly as I go, and finishing up with smaller sandpaper grits and finally 0000 steel wool, and I started this whole 'learning experience' by looking at a brand new JEM as a starting point, and, frankly, under close up scrutiny, the work was kinda... well,... not precise... or precise enough from fret to fret to make me think I couldnt do a bit better in terms of height, width and depth graduating from fret to fret...
My results were actually VERY satisfactory, better than the seeming 'rush job' I've seen on some commercially produced guitars (Jems included). DISCLAIMER: I'M NOT CRAPPING ON ANYONES FAVORITE JEM!!!


I'm just suggesting if you have any experience with woodworking and a few files/sandpaper, you could probably achieve great results on a neck if you wanted to...
AGAIN, this is only on the small wood removal of the Upper frets, I've NEVER gone further, since, frankly, I never found the need, but it might be worth considering if the neck(s) you buy or come across dont have the feel or the snap or the tone you might LOSE by bolting on a piece of lumber that isnt quite up to the same feel/fretwire/wood quality as your Spalwn, while keeping your neck pocket bone stock and all original...
Just adding more thoughts to the mix....
Although most of my favorite guitars are non-scalloped, and most of my scalloped work has actually been sold off (guitar GAS IS a NASTY DISEASE!!!)


I DO have a commercial, (wont say who...) aftermarket full scalloped board bolted to an old crackle paint Dimarzio body and I will admit I love ripping on it once a while... nothing quite like playing with a lite touch and feeling the Yngwie vibe.....


