Digital Jams":32vdcezv said:
Zachman":32vdcezv said:
glpg80":32vdcezv said:
Aloha Zack!
recap the dyno-sound and go through it with a fine tooth comb when you get it. they were very problimatic and the pots on them are notorious for wearing out and is not the best design with the off click mode. id recommend getting three switches hard on/off installed and putting high quality PCC carbon pots in their places.
whats the difference between a PC80 and 81?
as far as the investment goes its your rig and your roadies back
As far as the tone goes i have experienced W/D/W only once and it was too much for me, i am one of the ones that prefer two cabs stereo at most or only one cabinet. The sound is not the same 100% at all, too much for me to handle or justify.
I do have to ask though, with as much playing out what have you invested in mic wise for the cabinets? any high quality mic pre's?
Thanks for the tips re: the TSC
Live mics are Shure SM27, Sennheiser e609, or e906's (Usually SM27's). As far as mic pres go, nah... the sound Systems that the sound company's that we hire, use good stuff.
The pcm81 will allow me to do delay and reverb simultaneously.
Fortunately for me and the roadies, everything is on casters, and the only real lifting is in and out of the truck, and sometimes not even that-- because of the hydraulic lift gate on the truck.
One rack unit to do BOTH delays and verb?!?!?!?!?! My god what has this world come down to?!?!?!?!? Mentoneman probably read that and ran to the bathroom like he drank a quart of turbo flush!!!!
TC = delays
Lexicon = verbs
Come on Zach ya rack n00b
I did the monster rig one time, this past summer for the town annual picinic. 3 4x12s running w/d/w, Fortin, VHT 2/50/2, and 10u of roland, lexicon, and eventide and a pedaltrain pro pedal board.
I will never do that again but yeah it sounded awesome
Sup Bubba!!! I have "secret" "Custom" programming plans that Italo (The father of the H8000) and I have discussed. He's providing me with some custom algorithms for the PCM81 and the H8000FW, which are not available commerically.

Looking forward to implementing those.
I hear you, re: Big rigs being more involved than little rigs, but to me-- It's always been about the TONE, as a higher priority than the hassle of moving the gear. Probably just that I'm used to it. I've been using big rigs forever. In the late 70's I was using a combo, 4x12, and a ton of pedals-- and mostly moving gear by myself. In the mid/late 80's, the rack age began. I was running stereo and started w/ my 1st rack piece (Yamaha SPX90), and it just went wild from there. In '86 I got my 1st TC2290, and just about lost my mind. I ended up using a 18 space Flagg rack (TC, Yamaha, DBX, Rane, etc... Pat/mentoneman can tell you stories about that rig, (3) Boogies-- 1x12 combo + 1x12 cab, rack mounted MKIII, and my MKIII Coliseum, (2) Marshall JCM800 Cabs, and a few guitars (6). The 90's was a drag. I sold 99% of all of my gear to fund a child custody battle, which I won. For the next 15 years or so-- I was playing w/ a 1x12 cab, my MKIII Colseum, NO effects and plugging straight in. It took that long to build back up the gear I sold, and then attempt to achieve the goal I had in mind back in the early 90's. Finally in around 2000 I had enough of the key components to go w/d/w
Evolved to this:
Then the rig I have now...
and the next round of updates completes the mission that started back in the late 80's... FINALLY
The other benefit is, I HATE tap dancing my ass off (while singing), when using the pedal approach. I much prefer MIDI, changing the tonal landscape with one button press, so I can concentrate on performing.
I have done MANY MANY more gigs using smaller gear; Roland Cube 60 and Dyna Comp, TU2, TS7, DD2 or MKIII combo, Intellifex in the loop, Dyna Comp, TU2, or Fender Princeton Reverb w/ a Dyna Comp and TU2, or Line6 flextone3 1x12 combo, or Vox AC30, or Twin, or Band Master Reverb + pedals ,or
or
or
You get the idea....