Boutique Killer.

  • Thread starter Thread starter thiswaythatway
  • Start date Start date
mesa recto series. I seriously have 0 desire for any other hard rock sound.

I do however lust after two rock amps for their cleans. When it comes to crunch, you better believe I'm not looking anywhere outside of the recto family.
 
It is funny, I've had bunches of OD pedals in the past and almost always sell them after a while, but I just can't seem to part with the Bad Monkey!!! Had it for years.

Another one that I'm really liking is the MXR Badass Modified OD or whatever that is called. Pretty darn good.
 
No longer readily available but, inexpensive higher end Yamaha Pacifica's like my 921 can hang just fine with boutique superstrats.

Say what you will about reliability but, made in China Egnater amps sound GREAT!
 
Also never been able to get rid of the bad monkey. For pushing an amp it seemed cleaner, less noisy, more natural than the others i use. ZW-44 is also pretty good. BB preamp seemed better as a stand alone I agree. That thing just seemed to go from no gain to too much gain. Also added this colour to the tone that all xotic effects do that i just don't like.
 
I like my OCD but I'll be the first to tell you that the Joyo Ultimate Drive is pretty damn close..and it's 40$. Also the 20$ Danelectro 7 band pedal is quieter than any Boss or MXR I've had..and more transparent imo.
 
My DSL100 is a great amp. If ya can't get a couple great tones out of a DSL100 and a boost, it may be time to take up a different hobby.

That said... I got tracking info on my Gemini to be here Friday for Saturday jam session!

:rock: :rock: :rock:

I have no dog in the fight on gear snobs. I like people that buy nice gear and let it sit for a year or two and sell it. I have friends like that. Got one with a stunning Anderson drop top. I'm teaching him the second box in the pentatonic scale. I can play the guitar as often as I want. Cool...

I gotta get a Bad Monkey. That thing gets mad love. I'm a cheap gear snob then...
 
Racerxrated":2qbzazu7 said:
I like my OCD but I'll be the first to tell you that the Joyo Ultimate Drive is pretty damn close..and it's 40$. Also the 20$ Danelectro 7 band pedal is quieter than any Boss or MXR I've had..and more transparent imo.
All of the Joyo pedals I have tried are killer.
 
$599 street price. Sounds killer.

IMG_4499_zps5d08e9ae.jpg
 
PRS SE 30 combo.

I didn't get a chance to put it through all it's paces...but what I did hear could easily fool TGP I think.

A local Sam Ash has one for 799. So I don't THINK it's boteek.
 
I"ll take a stock Tubescreamer or SD-1 over most of these boutique versions. I didnt like the top end of the bad monkey though. it was kinda mushy sounding.
 
I've heard good thing about the Digitech Screamin' Blues..which is about the same price as the Bad Monkey
 
But if I had to stay within the confines of the presumed parameters of this thread and its respective question:

Peavey Classic 30 with some decent glass, and a new 12" speaker; maybe some BB Pre up front. Boom. Done. Game over.
 
Fryette Deliverance if it counts.

Peavey VTM series, 5150/6505.

Fender Blues Jr.

Egnater Rebel 20.

Anything Ceriatone. I have a 18W TMB that kills though needs a retube pretty badly at this point. Great recording amp.

ElectroVoice Cobalt SM57 knockoff. I prefer it to a 57. Slightly smoother, beefier sound.

Edwards guitars

Mako Mak4

Carvin X100B.
 
danyeo":3mu70bqu said:
So what's your piece of gear that's cheap and readily available that you feel does as good a job as the overpriced boutique gear the snobs hold up to such high esteem?
Let me preface this by saying you know I consider you a friend around these parts... and this is not just directed only at you - these comments come up all the time...

I gotta tell ya man. As a guy busting his ass building ultra high quality amps in small runs that I guess you could label as boutique, I really get tired of comments like this. If you knew what it costs me to build these amps in small runs, including custom head shells, custom, indestructible, powder coated and silk screened amp and footswitch chassis, custom waterjetted and painted faceplates, etc. etc. you wouldn't consider them "overpriced". In order to make a modest profit and pay for the parts and a lot of things that go even beyond the costs of the amps (advertising, etc.), I believe I charge a fair price. I think it's probably similar for most small batch builders, although I know some use "standard" parts (headshells, chassis, etc.) that allow them to sell their amps cheaper than mine...

I think it is fine for people to buy the cheaper mass produced amps that fit their budgets better and sound great as well. It's just that I don't think the folks willing to buy a small batch amp like mine are "snobs" buying an "overpriced" amp. If you view an amp as just a tool and are happy with a mass produced amp, that's great, but some people appreciate the workmanship and overall quality of a hand built amp like mine. Obviously, people buy my amps for the versatility and tones as well, but I'm sure it could be argued that there are cheaper amps that sound good enough given how subjective tone is anyway...

The mass produced amps are built by large companies that have the economies of scale to purchase large batches of parts, have cheap labor and therefore can charge much less than I can. Maybe I sell ten amps in a year, they sell thousands...

You can buy a nice Edwards Les Paul for around a grand. You can also pay ten grand for a painstaking re-creation of a '59 LP. Both are Les Pauls, both will do a fine job in the studio or on stage, but some people are willing to pay way more because they appreciate what goes into that instrument. Amps are no different...

I just see no reason to label things "overpriced" and the people buying them "snobs". Buy what makes you happy and don't judge other's purchases...

My 2 cents... and yes I'm taking this personally like a little baby... ;)

Steve
 
Back
Top