Cameron clip

Sounds good! Want to experience one of these at some point to see how it stacks up against the good guys Marshall circuits.
 
technomancer said:
You've been here this long and aren't used to the guys that have to be a dick in every Cameron thread yet? lmfao
[/QUOTE
Click to expand...


i was hungover and had just gotten really baked off a strait bong hit of keef and might not have been seeing clearly, if im comparing that attempt to football on this superbowl sunday that was like an interception in the back of the end zone when its 1st and inches while your quarterback gets injured getting plowed over on the 109 yard touchdown return, just brutal.


Bram576 said:
Sounds good! Want to experience one of these at some point to see how it stacks up against the good guys Marshall circuits.
Click to expand...


You should, I can get close tone wise with other amps but the bounce is just special
 
Techdeth said:
It sounds great. I like the top end to cut through
Click to expand...
Drives me nuts how much people cut on eq these days in mixes because of all the YouTube coaches. Pass at 100-110 hz, then pass at 8k. Only focus on the mid tonal information…. That’s cool and all, but if it’s harsh and meant to be aggressive just turn down the volume and maybe make some notches.
 
Bram576 said:
Drives me nuts how much people cut on eq these days in mixes because of all the YouTube coaches. Pass at 100-110 hz, then pass at 8k. Only focus on the mid tonal information…. That’s cool and all, but if it’s harsh and meant to be aggressive just turn down the volume and maybe make some notches.
Click to expand...


It’s why I like the D2 so much, the eq curve works for me where I have to do very little if any eq’ing compared to other mics, all I did on this one was a couple db at the mesa 750hz with a tight bandwith for that thrash scoop
 
RaceU4her said:
It’s why I like the D2 so much, the eq curve works for me where I have to do very little if any eq’ing compared to other mics, all I did on this one was a couple db at the mesa 750hz with a tight bandwith for that thrash scoop
Click to expand...
Heck yeah man. Less eqing the better honestly IMO. Getting it the way you want on the way in is so important.
 
Bram576 said:
Drives me nuts how much people cut on eq these days in mixes because of all the YouTube coaches. Pass at 100-110 hz, then pass at 8k. Only focus on the mid tonal information…. That’s cool and all, but if it’s harsh and meant to be aggressive just turn down the volume and maybe make some notches.
Click to expand...
I agree.,this tone should a great because it’s cut feels alive
 
RaceU4her said:
heres the isolated guitars, i guess i should post them too

Click to expand...

That is such a cool sound..do you lowpass your guitar in the mix?..what is your freq?
I am still trying to find how to consistently have that low end that doesn't eat up the whole mix.
 
Skolphy said:
That is such a cool sound..do you lowpass your guitar in the mix?..what is your freq?
I am still trying to find how to consistently have that low end that doesn't eat up the whole mix.
Click to expand...


im still trying to figure that out too lol, its certainly not easy. this one im actually boosting 80hz 3db and 8k 1db and thats it for eq, i have a 1176 on it just moving the needle a tad to smooth out the palm mutes. all that might change though depending on the tempo and whats going on with the bass. getting all that to sit right with the drums which im using no samples can be fun. listening back to this one now with fresh ears im hearing some holes i could probably fix to glue it together a little better. snare is too loud. some producers use three or four tracks of bass eq'd and compressed differently and automated and whatever else.
 
You must log in or register to reply here.
Back
Top