So I decided to move some stuff around. Except for the Diezel rig off to the right, here's what brings the noise...
The All Access controls all of the rack gear, the GCX and Patchmate, and all of the MIDI-capable heads (VH4, Switchblade, JVM410H, Trilogy, TriAmp MK II). The GCX has the top 5 switches set up for instant access:
#11 = Momentary for Vintage Modern Dynamic Range
#12 = Latching for Splawn Solo
#13 = Latching for Splawn OD1/OD2
#14 = Latching for Splawn Clean/Overdrive
#15 = Latching for Splawn Gear Selection
Amp activation is controlled by a VooDoo Labs Amp Selector and two A/B/Y boxes. The Trilogy and TriAmp are ganged, and the Vintage Modern and
the JVM410H are ganged--the Splawn and Diezel can be turned on/off individually and the Switchblade is always on via the tuner out as the Switchblade remembers knob positions so if you want it off for a patch, you just create a patch on the "Clean" channel with zero volume. Kinda cool.
When I get the room and cabs all mic'd up I'll start recording clips with different combinations and variations.
Oh, the lonely covered Marshalls in the corner are a 1974X on top, DSL401 underneath, and a vintage 4 x 10 on the bottom (that I paid an @$$-load for but it sounds like the dog's knob. If only it weren't 8 ohm...
Over to the left:
The Marshall HAZE 40 (currently for sale) and the Mesa Boogie Mark V combo.
I had to take that big-@$$ Furman EQ out of the rack to get the second spectrum analyzer in--will have to go in the satellite rack...
Anyhow, enjoy, and let me know what you think. I'm always trying to improve and always willing to learn from those more experienced than I.
Cheers,