"Eins Zwei Drei Fear": Closing the loop on the Genome 2.0 software

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nightlight

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"Eins Zwei Drei Fear" is a set of riffs that I wrote to close the loop on the series of videos I've been doing on TwoNotes Genome software. There are still bugs when it comes to captures, so in hindsight, I'd wait a bit more before committing fully to the ecosystem *as your main rig*.

That said, being able to play on an iPad while travelling and the ease of capturing an amp's sound merit a big thumbs up to what's been achieved so far. It's tonnes of freaking fun and I've been having a blast.

The guitar used was a James Tyler and the bass was a Warwick Vampyre SN-6. I ran that directly into my audio interface, with Genome loaded as a plugin on guitar and bass tracks. Hope anyone considering Genome gets some good ideas from this. Peace.

 
:rock:Sounds great @nightlight . I'm digging Genome too. I didn't realize that I had access from buying a Two Notes Captor a few years back. I dig it so much that I picked up the $99 upgrade to get some more amps and effects. Genome is the best NAM player that I've tried yet. The EQ shaping makes a world of difference.
 
:rock:Sounds great @nightlight . I'm digging Genome too. I didn't realize that I had access from buying a Two Notes Captor a few years back. I dig it so much that I picked up the $99 upgrade to get some more amps and effects. Genome is the best NAM player that I've tried yet. The EQ shaping makes a world of difference.

Thank you! It's quite a neat innovation. It can completely change a tone without making it sound digital or sterile. The exciter and graphical EQs are also quite useful.

Have started messing with the FX and the studio reverb is quite neat. I might use it next time I want to record a guitar by itself.

Need to mess around with the in-built amps as well, but I've been busy with the capture features, which is kind of silly given that it's in early development and there are bugs. I captured the Brit channel of my VHT Sig:X last night and was having a tonne of fun with it.
 
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