
amiller
New member
I found out about the PR30 from Greazygeo on this forum. The description sounded like what I've been looking for in a mic. Most of the mics I have all "suffer" from the same issue...proximity effect. For example, move a 57 too far back and it gets thin and dull...too close and it's muddy and shrill at the same time. The idea is to get a good balance. Of course, moving the mic closer or farther away is just one variable. Other variables include off axis positioning and side to side placement.
The PR30 practically eliminates the proximity effect, i.e., it doesn't add a bunch of bass as you move closer to the cab. That's a big variable to get rid of and makes placing the mic so much easier. I've only been working with it for a couple of weeks now but already I've been able to get better recordings. In general, it sounds like what I'm hearing in the room. I would say that it may need a little more bass but I can add that with another mic. I still have to test a bunch of mics with the PR30 to see which one pairs the best.
Wordy way of saying ... THIS IS A GREAT MIC!
Oh, and thanks Greazygeo...now, tell me which mics you pair with the PR30 and how do you position your mics?
The PR30 practically eliminates the proximity effect, i.e., it doesn't add a bunch of bass as you move closer to the cab. That's a big variable to get rid of and makes placing the mic so much easier. I've only been working with it for a couple of weeks now but already I've been able to get better recordings. In general, it sounds like what I'm hearing in the room. I would say that it may need a little more bass but I can add that with another mic. I still have to test a bunch of mics with the PR30 to see which one pairs the best.
Wordy way of saying ... THIS IS A GREAT MIC!

Oh, and thanks Greazygeo...now, tell me which mics you pair with the PR30 and how do you position your mics?
