Yep, that's a bit different from the 2 other versions I owned but it's a similar concept with more control over the gain/tone. I had one that inserted an FX loop at the PI point on a vintage Marshall for instance, worked pretty well. And one of the previous QM versions that was a little different design. The thing is it does add gain, but that tightness you get from a pedal isn't there with the QM or the original Hot Mod. That needs to be there IMO; which is why when I had them I still needed an EQ pedal to tighten things.RedPlated":1fej1x3w said:This is all I see on the Kasha site. Quick mod 3.
https://www.kashaamplifiers.com/product-page/quikmod3

Davidfloyd":3nbywtc7 said:The options on the Kasha are nice but it’s a $450 price point as well which is a big jump. Nothing bad to say about it though - all of us are passionate about our projects.
Just different approaches. All fun. Regarding the price point of this new one, remember too that we have to factor in a custom design casing rather than anything off the shelf, cost of JJ tubes and additional parts and everything is wires and assembled by hand at roughly 3.5 hours of labor to build each one. Not done on a PCB and the tubes are directly mounted on the enclosure as well. So $219 I thought was very fair all things considered.
Davidfloyd":11sq4i4x said:All good. It is a niche, for those who want to gain up but do so with a low noise floor and retaining pure tube circuitry. Nothing against boost pedals though - I in fact did one co-designed with Robert Keeley years ago (The Time Machine Boost). First versions of those were hand wired as well, two channels of boost (JFET and Germanium). That was a fun project as well and again, in those first units were hours of building time in each one as well. Early ones had guts modeled after the original Hiwatt amps, which were works of art inside.
All said, for those that want a pure tube “gain up” this will be a fun thing for them. I’m working on an additional model next with a master volume to run it in plexi/non-master circuits - IF I can get it to sound how I’d like it to. We’ll see how it goes.
Davidfloyd":1rxsqztf said:All good. It is a niche, for those who want to gain up but do so with a low noise floor and retaining pure tube circuitry. Nothing against boost pedals though - I in fact did one co-designed with Robert Keeley years ago (The Time Machine Boost). First versions of those were hand wired as well, two channels of boost (JFET and Germanium). That was a fun project as well and again, in those first units were hours of building time in each one as well. Early ones had guts modeled after the original Hiwatt amps, which were works of art inside.
All said, for those that want a pure tube “gain up” this will be a fun thing for them. I’m working on an additional model next with a master volume to run it in plexi/non-master circuits - IF I can get it to sound how I’d like it to. We’ll see how it goes.
psychodave":1joc1nej said:Davidfloyd":1joc1nej said:All good. It is a niche, for those who want to gain up but do so with a low noise floor and retaining pure tube circuitry. Nothing against boost pedals though - I in fact did one co-designed with Robert Keeley years ago (The Time Machine Boost). First versions of those were hand wired as well, two channels of boost (JFET and Germanium). That was a fun project as well and again, in those first units were hours of building time in each one as well. Early ones had guts modeled after the original Hiwatt amps, which were works of art inside.
All said, for those that want a pure tube “gain up” this will be a fun thing for them. I’m working on an additional model next with a master volume to run it in plexi/non-master circuits - IF I can get it to sound how I’d like it to. We’ll see how it goes.
I have one with a Master volume already. Mark Cameron made it for me close to 10 years ago. He made another 15 years or so ago. He's actually bringing it to market as I type it. I made a crappy video of it a few years ago using a 100% bone stock 1967 Plexi.
https://youtu.be/oClx8KBwz_E
EXPcustom":1naor585 said:psychodave":1naor585 said:Davidfloyd":1naor585 said:All good. It is a niche, for those who want to gain up but do so with a low noise floor and retaining pure tube circuitry. Nothing against boost pedals though - I in fact did one co-designed with Robert Keeley years ago (The Time Machine Boost). First versions of those were hand wired as well, two channels of boost (JFET and Germanium). That was a fun project as well and again, in those first units were hours of building time in each one as well. Early ones had guts modeled after the original Hiwatt amps, which were works of art inside.
All said, for those that want a pure tube “gain up” this will be a fun thing for them. I’m working on an additional model next with a master volume to run it in plexi/non-master circuits - IF I can get it to sound how I’d like it to. We’ll see how it goes.
I have one with a Master volume already. Mark Cameron made it for me close to 10 years ago. He made another 15 years or so ago. He's actually bringing it to market as I type it. I made a crappy video of it a few years ago using a 100% bone stock 1967 Plexi.
https://youtu.be/oClx8KBwz_E
Cool, best wishes with it! You've got some fans here for sure. I think I spoke with some of the folks here from back in the PlexiPalace forum days or perhaps it was the Metro board.
Anyhow, working off the cathode follower was definitely interesting and I'm not quite sold on the master volume just yet for my own version (always a compromise being pre-phase invertor in the circuit). That's also why I spent a long time tuning the original Hot Mod circuit as that one doesn't have the clarity or definition IMHO as well as being noisy vs. the HMV2. Working with Andy Marshall and Mike Soldano, we solved those problems and I'm super proud of the results.
Yup, what Dave says is a 100% true and we have been extremely busy putting out a quality product down to the housing of the unit. I think you guys will be impressed both visually and sonically.