I channeled my inner Zakk Wylde, just for you guys.

Any time you can sneak a dominant seven into your chord progression, it's generally advisable to do so - especially when there are leads going on.

Yes, and I'm always looking for opportunities to use secondary dominants in my music. It's very common for composers to use this "trick" but it can be very effective surprise for the listener.
 
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For anyone curious about the tone, it's quad tracked - a profile of my old dino 822 that Jeremy from ground zero has now, and a profile of dead-pan 's JLE, 2 on each side

Griff's "hunky dore" as a boost with the jake, no boost with the dino

IR I made myself of my Scumback BM75LD 2x12
 
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