T
tripstan
New member
Any Marshall cab? What about a MG412AD-Rock":q2mbyqso said:Regardless, Killertone can make any Marshall cab have KILLER TONE!



Any Marshall cab? What about a MG412AD-Rock":q2mbyqso said:Regardless, Killertone can make any Marshall cab have KILLER TONE!
It's good to have a cab that sits in the right EQ spectrum for stage sound. Yeah after that they all sound pretty much the same out front.nevusofota":1gwzcw28 said:All cabs sound the same to the FOH when mic'ed.
Ummm....you must not have heard Killertones clips. He could make a wet paper bag sound metal.tripstan":2zbhhmqj said:Any Marshall cab? What about a MG412AD-Rock":2zbhhmqj said:Regardless, Killertone can make any Marshall cab have KILLER TONE!![]()
Any well built cab can give you killertones. I sadly played a MG cab like 5 yrs ago as my only experience with Marshall cabs. Poopy brown tone. I recently tried out a buddies late 70's Marshall with 25 GB's and it RIPS
He's got a couple and I'm trying to talk him into selling me one.
D-Rock":1uw5djua said:FL'd cabs definitely have a chirpy, weird highend. Not really overkill or an abundance of highend, just...not a proper high end.
Marshall cabs have a nice...flex to their sound and response. Sweet is a good word. I like em too.
metalmaniac93":1e98vhhl said:I am interested in going to Marshall 412 cabs. How are the Marshall 1960BHW cabs with the Heritage G12H30s?
cnote":vx0n406m said:People so often talk about the 1960BV and AV cabs today like they're crap. But then they talk about the Silver Jubilee cabs and other late 80s cabs with Vintage 30s like they're great.
But there is no difference between a new one and an old one except broken in speakers right?
They went to mdf backs in the 70s, but has anything else changed since the 80s? The new ones still have birch ply sides and baffle, right?
richedie":1pyj3rer said:I don't like Marshall cabs. My Stone Age 212 and Bogner 212 both sounded better than either my Marshall 1960 a or 1960b. Favorite 412 cabs are Bogner and Splawn. Smoother, richer and more full than Marshalls, unless maybe you find one from the 70s.
RockNRun":2b1wso8q said:Question about the older Marshall cabs (crica '75)...are the handles the same size as the newer ones? I might pull the trigger on a vintage cab that happens to be missing one of the handles. Could I simply yank one off an extra Marshall 1960a to replace it? Thanks.
HEY GREAT! Thanks for that help.blackba":ku547har said:RockNRun":ku547har said:Question about the older Marshall cabs (crica '75)...are the handles the same size as the newer ones? I might pull the trigger on a vintage cab that happens to be missing one of the handles. Could I simply yank one off an extra Marshall 1960a to replace it? Thanks.
According to Jim they are the same size. People rave about the scumback metal handles, I wish he offered them for my Marshall 212... http://www.scumbackspeakers.com/handles.html
The 1960's will have 16 ohm speakers.Kapo_Polenton":9pghj5ts said:I'd like to go the 1960 slant cab route. Been debating some custom offerings like mojo or other but at the end of the day, getting a 1960 cab used for 4-500$ (or cheaper sometimes) WITH speakers, seems like you come out ahead. Two questions for you veteran marshall cab users though. Are you ever satisfied with the G12t75's once broken in so much that you leave two of them in an X pattern with another speaker? I guess there are rules for matching speakers but i was maybe going to try two lynchbacks in with two g12T-75's. Also, are the cabs wired with 8 ohm speakers or 16 ohm in most cases? (the lynchbacks being only 8 ohm) Finally, any word on those g12-70 speakers? My quick search seamed to indicate that these sound like shit. They seem to be found in a lot of the 1960 cabs with the JCM800 label and a few have popped up locally for reasonable prices..