Is a Sig:X The Answer?

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ape2000

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Clearly people will all have different opinions and there's a million ways to cut a cake.

Through some experimentation with pedals and listening, I've got more of an idea of what I want in my gain channels.

Cleans and a great effects loop will always be super important to me, thought idc if it's Fender or Hiwatt or Mesa cleans. Just need them to be good. But I haven't had a good dirty amp in a while. I can't afford a Diezel or SLO. But I've noticed I really love VH4 tones for aggressive hard rock/metal rhythm. And while all different, I like SLO and Mesa Mark tones. Shit, I could even appreciate a 5150 lead tone in a more modern context.

I like how tight yet massive the VH4 sounds, even just using the pedal version into a clean channel. The Sig:x is amp that's been recommended once or twice, and one that I've read about a bit. Other than going modelling or modular, no one amp is gonna cover all bases, especially with my pockets not running uber deep. Do you think the Sig:X is a good contender to cover a lot of bases and get at least in the ballpark of some of the more revered modern classics like the above mentioned? They seem to be attainable at a reasonable price point. I know some people call them "dry" but I'm not even sure I get what that means.

Just trying to land on an amp finally and lay the search to rest for a good while.

Edit: also considering Splawn and Rivera offerings.
 
I have a VH4 and a Sig X. The Sig X is very different to the VH4, in fact I can't really think of an amp that sounds like the Sig X does. It is it's own beast.

The Sig X is tight and refined sounding, definitely has tons of mids. It doesn't have a boomy low-end, and the high-end is very smooth. It isn't abrasive and nasty in the way that say a 5150 can be.

If you want to hear some Sig X tones, I actually put up some stems of my guitars from our last two albums.
Exegesis - https://www.dropbox.com/sh/56nf9uvyphkv ... beQqa?dl=0
Wires/Dream\Wires - https://www.dropbox.com/sh/0r0sh7hhcygf ... pZvwa?dl=0

Finally, the VH4 is great. It's got tons of low end density and it has the high-end aggressive thing going on, but it can be tamed with the presence control. It has lots of mids too, but I'd say the Sig X is tighter sounding.

If you love the VH4 sound, then you've gotta go with that really haven't you? Maybe a VH2, or a Paul? My VH4 cost me £1200 and my D-Moll cost me £1000, and my Sig X cost me £750. So there are bargains out there to be had. Just gotta save up and be patient.
 
I don’t have personal experience with anything other than the VH4, which I just looooove to death, but I have heard/read several people saying that the PRS Archon can be made to sound much like a VH4. Some claim indistinguishable when dialed correctly.

That may give you another lead to follow up on in the affordable realm. I see them used for slightly less than the Sig X
 
Amberience":39axjdq5 said:
I have a VH4 and a Sig X. The Sig X is very different to the VH4, in fact I can't really think of an amp that sounds like the Sig X does. It is it's own beast.

The Sig X is tight and refined sounding, definitely has tons of mids. It doesn't have a boomy low-end, and the high-end is very smooth. It isn't abrasive and nasty in the way that say a 5150 can be.

If you want to hear some Sig X tones, I actually put up some stems of my guitars from our last two albums.
Exegesis - https://www.dropbox.com/sh/56nf9uvyphkv ... beQqa?dl=0
Wires/Dream\Wires - https://www.dropbox.com/sh/0r0sh7hhcygf ... pZvwa?dl=0

Finally, the VH4 is great. It's got tons of low end density and it has the high-end aggressive thing going on, but it can be tamed with the presence control. It has lots of mids too, but I'd say the Sig X is tighter sounding.

If you love the VH4 sound, then you've gotta go with that really haven't you? Maybe a VH2, or a Paul? My VH4 cost me £1200 and my D-Moll cost me £1000, and my Sig X cost me £750. So there are bargains out there to be had. Just gotta save up and be patient.


I will check these out. Gave a few tracks a quick scroll through. Please let me know where I can listen to the full band stuff! Mostly cause I dig what I'm hearing and because it'll give me a good contextual idea.

As for Diezel - it's part of a sound I love but doesn't tick every box. I know I'll need to make a compromise somewhere, so I'm figuring out what might give me a little of each of what I want. I considered a VH2 or even a Lil Fokker.

That Sig:X sounds great in your stems though. So I'm intrigued.
 
RyeDaddy":229dvqd3 said:
I don’t have personal experience with anything other than the VH4, which I just looooove to death, but I have heard/read several people saying that the PRS Archon can be made to sound much like a VH4. Some claim indistinguishable when dialed correctly.

That may give you another lead to follow up on in the affordable realm. I see them used for slightly less than the Sig X


Good call. Oddly enough, I've seen those compared to Diezels, and some other amps (I want to say Recto, 5150, maybe a Bogner?). I know they have great cleans, so that's a plus.
 
I haven't ran my sig:x for a long time. But I do love it. Absolute beast. Some of my favorite cleans for a high gain amp. It's tight and wicked that is for sure. There is not really a comparison that i have tried. It's iys own thing
 
swamptrashstompboxes":2kn5zabw said:
I haven't ran my sig:x for a long time. But I do love it. Absolute beast. Some of my favorite cleans for a high gain amp. It's tight and wicked that is for sure. There is not really a comparison that i have tried. It's iys own thing

That's a solid endorsement. You seem to have a lot of amps and have played more. What's your favorite, just out of curiosity? You've got a few in your sig that I've considered at different points in time.
 
Sig X is the amp I use most. It's kind of a mix of Hiwatt and Mesa Mark....but it is it's own thing.
 
stephen sawall":2ek1k6gb said:
Sig X is the amp I use most. It's kind of a mix of Hiwatt and Mesa Mark....but it is it's own thing.


Yeah, I've heard that quite a bit. I've liked every clip I've heard and I know you've sung its praises. I think you and I have talked on tgp a few times about amps too, so I trust your taste.
 
With pedals and GEQ in the loop it can do about anything. I'm into the Deliverance too...but the Sig X is more versatile and easier to control lower volumes.

I like lots of amps....it just happens to fit how I play.
 
stephen sawall":1ov7byb6 said:
With pedals and GEQ in the loop it can do about anything. I'm into the Deliverance too...but the Sig X is more versatile and easier to control lower volumes.

I like lots of amps....it just happens to fit how I play.

Right on. Versatility is important to me with the type of music I play - and that's just in one band. I play in two, so having something that can kind of cover it all fairly well is helpful.
 
ape2000":1wi510gg said:
swamptrashstompboxes":1wi510gg said:
I haven't ran my sig:x for a long time. But I do love it. Absolute beast. Some of my favorite cleans for a high gain amp. It's tight and wicked that is for sure. There is not really a comparison that i have tried. It's iys own thing

That's a solid endorsement. You seem to have a lot of amps and have played more. What's your favorite, just out of curiosity? You've got a few in your sig that I've considered at different points in time.

I don't have a favorite. Lol. I tend to play the ktre, Rockerverb and Supersport the most. Mainly depends on how loud I want to be and what I feel like playing.

I need to buy KT88's then I will get the sig x back up in action.
 
Sig is amazing. I’m about to buy one for the THIRD time! Lol.
 
ape2000":25pc7ra3 said:
Amberience":25pc7ra3 said:
I have a VH4 and a Sig X. The Sig X is very different to the VH4, in fact I can't really think of an amp that sounds like the Sig X does. It is it's own beast.

The Sig X is tight and refined sounding, definitely has tons of mids. It doesn't have a boomy low-end, and the high-end is very smooth. It isn't abrasive and nasty in the way that say a 5150 can be.

If you want to hear some Sig X tones, I actually put up some stems of my guitars from our last two albums.
Exegesis - https://www.dropbox.com/sh/56nf9uvyphkv ... beQqa?dl=0
Wires/Dream\Wires - https://www.dropbox.com/sh/0r0sh7hhcygf ... pZvwa?dl=0

Finally, the VH4 is great. It's got tons of low end density and it has the high-end aggressive thing going on, but it can be tamed with the presence control. It has lots of mids too, but I'd say the Sig X is tighter sounding.

If you love the VH4 sound, then you've gotta go with that really haven't you? Maybe a VH2, or a Paul? My VH4 cost me £1200 and my D-Moll cost me £1000, and my Sig X cost me £750. So there are bargains out there to be had. Just gotta save up and be patient.


I will check these out. Gave a few tracks a quick scroll through. Please let me know where I can listen to the full band stuff! Mostly cause I dig what I'm hearing and because it'll give me a good contextual idea.

As for Diezel - it's part of a sound I love but doesn't tick every box. I know I'll need to make a compromise somewhere, so I'm figuring out what might give me a little of each of what I want. I considered a VH2 or even a Lil Fokker.

That Sig:X sounds great in your stems though. So I'm intrigued.

Albums can be heard at: www.bridgedisaster.co.uk
The other amp was a Laney VH100R.

Our last single, Truth Escapes, was all Diezel. The D-Moll, VH4, and Hagen.

Basically any of the amps listed are epic and well worth having.
 
Not to rain on the parade, but my experience with a Sig:X, which I sold a couple of months ago, was that it lacked certain qualities that you seem to be looking for.

While it's tight as a nun's arse, it's very, very, VERY dry sounding. Mesa Mark tones and Diezel tones have way more of that 'liquid smoothness' available and the grain of the highs is different as well.

The channel where I luuuuved the Sig:X for, was the Rhythm channel. If that Channel was the R2 channel of a Mark IV, it probably would be the amp to rule them all...well, if there was an R3 as well that could do SLO tones. :rock:
It could pretty much out-Marshall a Marshall, with the options of going either Plexi-ish, or hotrodded JCM, but more refined than a Marshall.

The clean channel to me sounded like a HiWatt/Fender/Matchless hybrid; it's more pushy than a typical Fender clean and you'd have to do some aggressive EQ-ing to get that mid-scoop and sparkly top going on. This is something where Mesa Marks and Engl (Invader and SE) have the Sig:X beat.

Finally, the lead channel; sure there's tons of gain on tap, but it's dry gain, less saturated/compressed, so it won't out-chug a 5150 and it lacks that big lead tone that an SLO could do.
 
Speeddemon":5m6gr0jg said:
Not to rain on the parade, but my experience with a Sig:X, which I sold a couple of months ago, was that it lacked certain qualities that you seem to be looking for.

While it's tight as a nun's arse, it's very, very, VERY dry sounding. Mesa Mark tones and Diezel tones have way more of that 'liquid smoothness' available and the grain of the highs is different as well.

The channel where I luuuuved the Sig:X for, was the Rhythm channel. If that Channel was the R2 channel of a Mark IV, it probably would be the amp to rule them all...well, if there was an R3 as well that could do SLO tones. :rock:
It could pretty much out-Marshall a Marshall, with the options of going either Plexi-ish, or hotrodded JCM, but more refined than a Marshall.

The clean channel to me sounded like a HiWatt/Fender/Matchless hybrid; it's more pushy than a typical Fender clean and you'd have to do some aggressive EQ-ing to get that mid-scoop and sparkly top going on. This is something where Mesa Marks and Engl (Invader and SE) have the Sig:X beat.

Finally, the lead channel; sure there's tons of gain on tap, but it's dry gain, less saturated/compressed, so it won't out-chug a 5150 and it lacks that big lead tone that an SLO could do.


Rain away my man. That's what this thread is for. I want the good and the less favorable. The dryness is something I've read a lot about and have some ideas that may help overcome it; but, I know that's something that as you said, won't touch a Mark, Diezel, or 5150. The clean I'm actually fine with. I like Hiwatts and Matchless and find myself wanting more warmth and mids from a fender clean. Ampegs and JTM50s actually have my favorite cleans.

Out of curiosity, what'd you replace the Siggy with? Or, anything you'd recommend based on what I've posted?
 
I've also considered Splawn and Framus offerings. The Archon is amn amp I've wanted to like cause of the great cleans, but when I played at a GC nearby, the gain had this fizzy nature to it. Might've been the cab or the volume?
 
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