Is the USA bored of hard rock?

  • Thread starter Thread starter thiswaythatway
  • Start date Start date
guitarmike":2xawsh00 said:
fender126":2xawsh00 said:
The days of the Beatles, Stones, Led Zep, or even Metallica are over. Musicians will not get wealthy off of their music any more. If they are luck they will be able to exist on it. Most successful musicians of the future will work day jobs and do music as a hobby.

Which is just as how the majority of musicians were, in fact all of them, for most of human history.

It's only since the commercialism of music from the mid 20th century that has given it any opportunity to be a method to earn a living.
 
You guys got Justin Beiber right? :)
In Europe we are gang raped with gangsta rap (which is beyond weird because no one has clue what they sing about) and euro techno.
 
ratter":3gtftorl said:
The whole cell phone thing is so fucking annoying.
Yep, it use to be you had a beer or a lighter in your hand
 
squank":2a0b7swr said:
BrokenFusion":2a0b7swr said:
I think those big stadium shows are pretty boring. I mean who here is going to go nuts screaming like a teenage girl seeing 60 year old dudes from a quarter mile away playing songs that have been drilled into your head for the past 30 years? That being said I saw Megadeth in a 1500 seat theater last month and you would think the roof was going to come off that fucker and people were going absolute batshit crazy,so I think the band and the venue makes a big difference.
I agree that it all depends on the band. Back when record companies signed musicians who wrote great songs, it made people really want to see them live.

I saw U2 last summer in a stadium. That's the first time I've seen them since the Joshua Tree tour. It was incredible. Brought it all back, from a time when people wrote songs that mattered, that actually connected with people.

I agree.

I like cookies. I can't understand or connect with Cookie Monster vocals.

Edge had the ability to play notes and chords too. Not too much of a drop Z drone a note or 5 kind of player. No Hendrix, but still had cool sounding stuff. Boy was a cool old song.

I also think the high comfort level with stealing by so-called fans matters. People bitch about the state of music, then rip off artists by downloading the music. So yeah, dedicate your life to being a musician, buy a ton of gear, tour your life away....for my entertainment....then I will say fuck you and steal all your had work.

Some Fans helped kill off music. I wonder how many bitching about the state of modern music have stolen music in their possession?
 
benduncan":2krltug1 said:
id say that it has to do with the cultural differences,

I've gotta think this has at least something to do with it.
I recall an interview with Roger Taylor (Queen's drummer) where he made a point of how different crowds were throughout the world.
I don't remember what he said exactly, but it was something to the effect of: In Japan they like to clap along, in Germany they like to sing along, in the US they stand with their arms folded, stone-faced with a look saying "impress me." haha...
 
hellaboogie":pnpzqv2d said:
ratter":pnpzqv2d said:
The whole cell phone thing is so fucking annoying.
Yep, it use to be you had a beer or a lighter in your hand

Yep it seems lately everyone is more interested in recording the show on their smartphone and posting it on youtube than actually watching the show. I went to a concert a few weeks ago and the guy next to me stood there and recorded the whole freakin show. That must have been a blast. :thumbsdown:
 
BrokenFusion":2eugbhh2 said:
hellaboogie":2eugbhh2 said:
ratter":2eugbhh2 said:
The whole cell phone thing is so fucking annoying.
Yep, it use to be you had a beer or a lighter in your hand

Yep it seems lately everyone is more interested in recording the show on their smartphone and posting it on youtube than actually watching the show. I went to a concert a few weeks ago and the guy next to me stood there and recorded the whole freakin show. That must have been a blast. :thumbsdown:

What happened to getting buzzed and coping a feel off a friendly chic in the crowd? It was just a party. It all gets lost when kids today film a documentary of life around them instead of being a part of it.

My first concert with my buddies... We rode up to see KISS in a restored 56 Chevy, got a buzz, squeezed a boob... Life was grand at 15.

All without the aid of Facebook or an iPhone.

:rock: :rock: :rock:
 
Remember when it was illegal to videotape or take photos at a show? I remember buying 4"x8" photos of my favorite bands live. Imagine that.
 
Heritage Softail":3ltc5zg5 said:
squank":3ltc5zg5 said:
BrokenFusion":3ltc5zg5 said:
I think those big stadium shows are pretty boring. I mean who here is going to go nuts screaming like a teenage girl seeing 60 year old dudes from a quarter mile away playing songs that have been drilled into your head for the past 30 years? That being said I saw Megadeth in a 1500 seat theater last month and you would think the roof was going to come off that fucker and people were going absolute batshit crazy,so I think the band and the venue makes a big difference.
I agree that it all depends on the band. Back when record companies signed musicians who wrote great songs, it made people really want to see them live.

I saw U2 last summer in a stadium. That's the first time I've seen them since the Joshua Tree tour. It was incredible. Brought it all back, from a time when people wrote songs that mattered, that actually connected with people.

I agree.

I like cookies. I can't understand or connect with Cookie Monster vocals.

Edge had the ability to play notes and chords too. Not too much of a drop Z drone a note or 5 kind of player. No Hendrix, but still had cool sounding stuff. Boy was a cool old song.

I also think the high comfort level with stealing by so-called fans matters. People bitch about the state of music, then rip off artists by downloading the music. So yeah, dedicate your life to being a musician, buy a ton of gear, tour your life away....for my entertainment....then I will say fuck you and steal all your had work.

Some Fans helped kill off music. I wonder how many bitching about the state of modern music have stolen music in their possession?

I'm with you on the stealing music thing. I'm proud to say I don't have any. I'll listen to a song on YouTube, and if I like it, I buy it. And not just one song. I buy the CD. I can't stand the crappy quality of downloads.
 
squank":2qyxqbot said:
Heritage Softail":2qyxqbot said:
squank":2qyxqbot said:
BrokenFusion":2qyxqbot said:
I think those big stadium shows are pretty boring. I mean who here is going to go nuts screaming like a teenage girl seeing 60 year old dudes from a quarter mile away playing songs that have been drilled into your head for the past 30 years? That being said I saw Megadeth in a 1500 seat theater last month and you would think the roof was going to come off that fucker and people were going absolute batshit crazy,so I think the band and the venue makes a big difference.
I agree that it all depends on the band. Back when record companies signed musicians who wrote great songs, it made people really want to see them live.

I saw U2 last summer in a stadium. That's the first time I've seen them since the Joshua Tree tour. It was incredible. Brought it all back, from a time when people wrote songs that mattered, that actually connected with people.

I agree.

I like cookies. I can't understand or connect with Cookie Monster vocals.

Edge had the ability to play notes and chords too. Not too much of a drop Z drone a note or 5 kind of player. No Hendrix, but still had cool sounding stuff. Boy was a cool old song.

I also think the high comfort level with stealing by so-called fans matters. People bitch about the state of music, then rip off artists by downloading the music. So yeah, dedicate your life to being a musician, buy a ton of gear, tour your life away....for my entertainment....then I will say fuck you and steal all your had work.

Some Fans helped kill off music. I wonder how many bitching about the state of modern music have stolen music in their possession?

I'm with you on the stealing music thing. I'm proud to say I don't have any. I'll listen to a song on YouTube, and if I like it, I buy it. And not just one song. I buy the CD. I can't stand the crappy quality of downloads.

Agree. Proud to say, I don't have any stolen music. Of course, I haven't heard anything since about 91' worth stealing.
 
threadkiller":ov1b3ctt said:
squank":ov1b3ctt said:
Heritage Softail":ov1b3ctt said:
squank":ov1b3ctt said:
BrokenFusion":ov1b3ctt said:
I think those big stadium shows are pretty boring. I mean who here is going to go nuts screaming like a teenage girl seeing 60 year old dudes from a quarter mile away playing songs that have been drilled into your head for the past 30 years? That being said I saw Megadeth in a 1500 seat theater last month and you would think the roof was going to come off that fucker and people were going absolute batshit crazy,so I think the band and the venue makes a big difference.
I agree that it all depends on the band. Back when record companies signed musicians who wrote great songs, it made people really want to see them live.

I saw U2 last summer in a stadium. That's the first time I've seen them since the Joshua Tree tour. It was incredible. Brought it all back, from a time when people wrote songs that mattered, that actually connected with people.

I agree.

I like cookies. I can't understand or connect with Cookie Monster vocals.

Edge had the ability to play notes and chords too. Not too much of a drop Z drone a note or 5 kind of player. No Hendrix, but still had cool sounding stuff. Boy was a cool old song.

I also think the high comfort level with stealing by so-called fans matters. People bitch about the state of music, then rip off artists by downloading the music. So yeah, dedicate your life to being a musician, buy a ton of gear, tour your life away....for my entertainment....then I will say fuck you and steal all your had work.

Some Fans helped kill off music. I wonder how many bitching about the state of modern music have stolen music in their possession?

I'm with you on the stealing music thing. I'm proud to say I don't have any. I'll listen to a song on YouTube, and if I like it, I buy it. And not just one song. I buy the CD. I can't stand the crappy quality of downloads.

Agree. Proud to say, I don't have any stolen music. Of course, I haven't heard anything since about 91' worth stealing.

Did you ever have a cassette copy of an album? Back in the day we traded tapes all the time. I do understand the difference but I suspect 90% or more of the music lovers over 40 had copies of albums they didn't buy.

The real source of the problem was/is record company and radio station greed. In the 80's they saw how much money could be made by over saturating the public with whatever music was popular. Radio stations started buying blocks of music from the record companies of bundled music that was designed to attract a specific audience so advertising is more effective and then more profitable. That is why the hair metal scene collapsed so fast. There were a lot of bands writing quality songs in the early 90's but when the record companies decided the money was in grunge music, heavy music, hair metal was dead. This has been repeated over and over in all genres since, that is the #1 reason we are were we are.

Bands today do not have the long term backing and support to develop, so the product (in most cases) delivered to the consumer is weak and does not have much perceived value. This is what led to file sharing and the mess we have today.

If we somehow could get record companies and radio stations to behave like they did from 1966-94 ish record sales would go up through the roof (Yes I realize there were big problems then too). There will always be file sharing but there will also be incentive to buy your own copy of the music just like in the album/cassette days.

Otherwise the Internet will continue to be the great leveler in the music world. Over the air broadcast stations are being replaced by narrow casters that focus on specific genres. I personally like this way but it reduces the chance of an artist breaking big on a national or global scale to 0.
 
guitarmike":3qoun6ph said:
threadkiller":3qoun6ph said:
squank":3qoun6ph said:
Heritage Softail":3qoun6ph said:
squank":3qoun6ph said:
BrokenFusion":3qoun6ph said:
I think those big stadium shows are pretty boring. I mean who here is going to go nuts screaming like a teenage girl seeing 60 year old dudes from a quarter mile away playing songs that have been drilled into your head for the past 30 years? That being said I saw Megadeth in a 1500 seat theater last month and you would think the roof was going to come off that fucker and people were going absolute batshit crazy,so I think the band and the venue makes a big difference.
I agree that it all depends on the band. Back when record companies signed musicians who wrote great songs, it made people really want to see them live.

I saw U2 last summer in a stadium. That's the first time I've seen them since the Joshua Tree tour. It was incredible. Brought it all back, from a time when people wrote songs that mattered, that actually connected with people.

I agree.

I like cookies. I can't understand or connect with Cookie Monster vocals.

Edge had the ability to play notes and chords too. Not too much of a drop Z drone a note or 5 kind of player. No Hendrix, but still had cool sounding stuff. Boy was a cool old song.

I also think the high comfort level with stealing by so-called fans matters. People bitch about the state of music, then rip off artists by downloading the music. So yeah, dedicate your life to being a musician, buy a ton of gear, tour your life away....for my entertainment....then I will say fuck you and steal all your had work.

Some Fans helped kill off music. I wonder how many bitching about the state of modern music have stolen music in their possession?

I'm with you on the stealing music thing. I'm proud to say I don't have any. I'll listen to a song on YouTube, and if I like it, I buy it. And not just one song. I buy the CD. I can't stand the crappy quality of downloads.

Agree. Proud to say, I don't have any stolen music. Of course, I haven't heard anything since about 91' worth stealing.

Did you ever have a cassette copy of an album? Back in the day we traded tapes all the time. I do understand the difference but I suspect 90% or more of the music lovers over 40 had copies of albums they didn't buy.

The real source of the problem was/is record company and radio station greed. In the 80's they saw how much money could be made by over saturating the public with whatever music was popular. Radio stations started buying blocks of music from the record companies of bundled music that was designed to attract a specific audience so advertising is more effective and then more profitable. That is why the hair metal scene collapsed so fast. There were a lot of bands writing quality songs in the early 90's but when the record companies decided the money was in grunge music, heavy music, hair metal was dead. This has been repeated over and over in all genres since, that is the #1 reason we are were we are.

Bands today do not have the long term backing and support to develop, so the product (in most cases) delivered to the consumer is weak and does not have much perceived value. This is what led to file sharing and the mess we have today.

If we somehow could get record companies and radio stations to behave like they did from 1966-94 ish record sales would go up through the roof (Yes I realize there were big problems then too). There will always be file sharing but there will also be incentive to buy your own copy of the music just like in the album/cassette days.

Otherwise the Internet will continue to be the great leveler in the music world. Over the air broadcast stations are being replaced by narrow casters that focus on specific genres. I personally like this way but it reduces the chance of an artist breaking big on a national or global scale to 0.

Thanks for the insights. I like the gear talk, and the living rock history pictures shared here. There are so many facets to music and then the beast called the industry.

I had cassette recordings of albums I had to play in the car or take to a friends for practice or going to the lake at night. I may have had a tape of something that was not al album I had... Maybe a rare few.

But iTunes is a great music store. The search lets you find way more artists in a type of music than spending hours looking at album covers in a music store.

I have always loved rock,metal, blues and played with friends and bought albums and supported friends in the biz. I am extremely lucky to have a friend that is in the dreaded RRHOF, and go jam at his place on the lake once every month or so. I just love music and it has a place in my life and my kids life now. The way some have helped kill it off makes me sad. Of course greedy record companies own the excesses that helped cause public numbing to rock and metal for a while. But on the flip side, there are bands wanting to hit that commercial success. They just want to do it and feel good about themselves in the process. I know some that compare that to an aspiring actress that gets into porn as a way to be discovered, and tells herself what she need to hear to feel good about it. I don't agree with that necessarily. Sometimes it is the ugly truth. It is a different perspective from talking to someone on the other side. The funniest thing is having this person say, you are good enough to make it, you just have to write the song. Millions of players, only a handful of great songwriters.

But it is on the way back in. As you said it will be influenced by what the media promotes. I guess if a person has the goal of being in an arena group, you gotta play the stuff for people that will fill an arena, for the arena promoters, and tickling the cultural fancy. We had never talked about the music blocks being sold to radio stations before. I did not know that. Makes sense.

Always cool to hang on Rig Talk and learn about the history and culture of this metal phenomenon. It may not be the most popular, but it will not die.
 
Heritage Softail":92ptu5xb said:
guitarmike":92ptu5xb said:
threadkiller":92ptu5xb said:
squank":92ptu5xb said:
Heritage Softail":92ptu5xb said:
squank":92ptu5xb said:
BrokenFusion":92ptu5xb said:
I think those big stadium shows are pretty boring. I mean who here is going to go nuts screaming like a teenage girl seeing 60 year old dudes from a quarter mile away playing songs that have been drilled into your head for the past 30 years? That being said I saw Megadeth in a 1500 seat theater last month and you would think the roof was going to come off that fucker and people were going absolute batshit crazy,so I think the band and the venue makes a big difference.
I agree that it all depends on the band. Back when record companies signed musicians who wrote great songs, it made people really want to see them live.

I saw U2 last summer in a stadium. That's the first time I've seen them since the Joshua Tree tour. It was incredible. Brought it all back, from a time when people wrote songs that mattered, that actually connected with people.

I agree.

I like cookies. I can't understand or connect with Cookie Monster vocals.

Edge had the ability to play notes and chords too. Not too much of a drop Z drone a note or 5 kind of player. No Hendrix, but still had cool sounding stuff. Boy was a cool old song.

I also think the high comfort level with stealing by so-called fans matters. People bitch about the state of music, then rip off artists by downloading the music. So yeah, dedicate your life to being a musician, buy a ton of gear, tour your life away....for my entertainment....then I will say fuck you and steal all your had work.

Some Fans helped kill off music. I wonder how many bitching about the state of modern music have stolen music in their possession?

I'm with you on the stealing music thing. I'm proud to say I don't have any. I'll listen to a song on YouTube, and if I like it, I buy it. And not just one song. I buy the CD. I can't stand the crappy quality of downloads.

Agree. Proud to say, I don't have any stolen music. Of course, I haven't heard anything since about 91' worth stealing.

Did you ever have a cassette copy of an album? Back in the day we traded tapes all the time. I do understand the difference but I suspect 90% or more of the music lovers over 40 had copies of albums they didn't buy.

The real source of the problem was/is record company and radio station greed. In the 80's they saw how much money could be made by over saturating the public with whatever music was popular. Radio stations started buying blocks of music from the record companies of bundled music that was designed to attract a specific audience so advertising is more effective and then more profitable. That is why the hair metal scene collapsed so fast. There were a lot of bands writing quality songs in the early 90's but when the record companies decided the money was in grunge music, heavy music, hair metal was dead. This has been repeated over and over in all genres since, that is the #1 reason we are were we are.

Bands today do not have the long term backing and support to develop, so the product (in most cases) delivered to the consumer is weak and does not have much perceived value. This is what led to file sharing and the mess we have today.

If we somehow could get record companies and radio stations to behave like they did from 1966-94 ish record sales would go up through the roof (Yes I realize there were big problems then too). There will always be file sharing but there will also be incentive to buy your own copy of the music just like in the album/cassette days.

Otherwise the Internet will continue to be the great leveler in the music world. Over the air broadcast stations are being replaced by narrow casters that focus on specific genres. I personally like this way but it reduces the chance of an artist breaking big on a national or global scale to 0.

Thanks for the insights. I like the gear talk, and the living rock history pictures shared here. There are so many facets to music and then the beast called the industry.

I had cassette recordings of albums I had to play in the car or take to a friends for practice or going to the lake at night. I may have had a tape of something that was not al album I had... Maybe a rare few.

But iTunes is a great music store. The search lets you find way more artists in a type of music than spending hours looking at album covers in a music store.

I have always loved rock,metal, blues and played with friends and bought albums and supported friends in the biz. I am extremely lucky to have a friend that is in the dreaded RRHOF, and go jam at his place on the lake once every month or so. I just love music and it has a place in my life and my kids life now. The way some have helped kill it off makes me sad. Of course greedy record companies own the excesses that helped cause public numbing to rock and metal for a while. But on the flip side, there are bands wanting to hit that commercial success. They just want to do it and feel good about themselves in the process. I know some that compare that to an aspiring actress that gets into porn as a way to be discovered, and tells herself what she need to hear to feel good about it. I don't agree with that necessarily. Sometimes it is the ugly truth. It is a different perspective from talking to someone on the other side. The funniest thing is having this person say, you are good enough to make it, you just have to write the song. Millions of players, only a handful of great songwriters.

But it is on the way back in. As you said it will be influenced by what the media promotes. I guess if a person has the goal of being in an arena group, you gotta play the stuff for people that will fill an arena, for the arena promoters, and tickling the cultural fancy. We had never talked about the music blocks being sold to radio stations before. I did not know that. Makes sense.

Always cool to hang on Rig Talk and learn about the history and culture of this metal phenomenon. It may not be the most popular, but it will not die.

One thing is certain, metal will never die. It may never be mainstream like it was in the 80's but it will always exist. Once you feel it, it grabs you for life. :rock: :rock: :rock:
 
guitarmike":3csxuya8 said:
Heritage Softail":3csxuya8 said:
guitarmike":3csxuya8 said:
threadkiller":3csxuya8 said:
squank":3csxuya8 said:
Heritage Softail":3csxuya8 said:
squank":3csxuya8 said:
BrokenFusion":3csxuya8 said:
I think those big stadium shows are pretty boring. I mean who here is going to go nuts screaming like a teenage girl seeing 60 year old dudes from a quarter mile away playing songs that have been drilled into your head for the past 30 years? That being said I saw Megadeth in a 1500 seat theater last month and you would think the roof was going to come off that fucker and people were going absolute batshit crazy,so I think the band and the venue makes a big difference.
I agree that it all depends on the band. Back when record companies signed musicians who wrote great songs, it made people really want to see them live.

I saw U2 last summer in a stadium. That's the first time I've seen them since the Joshua Tree tour. It was incredible. Brought it all back, from a time when people wrote songs that mattered, that actually connected with people.

I agree.

I like cookies. I can't understand or connect with Cookie Monster vocals.

Edge had the ability to play notes and chords too. Not too much of a drop Z drone a note or 5 kind of player. No Hendrix, but still had cool sounding stuff. Boy was a cool old song.

I also think the high comfort level with stealing by so-called fans matters. People bitch about the state of music, then rip off artists by downloading the music. So yeah, dedicate your life to being a musician, buy a ton of gear, tour your life away....for my entertainment....then I will say fuck you and steal all your had work.

Some Fans helped kill off music. I wonder how many bitching about the state of modern music have stolen music in their possession?

I'm with you on the stealing music thing. I'm proud to say I don't have any. I'll listen to a song on YouTube, and if I like it, I buy it. And not just one song. I buy the CD. I can't stand the crappy quality of downloads.

Agree. Proud to say, I don't have any stolen music. Of course, I haven't heard anything since about 91' worth stealing.

Did you ever have a cassette copy of an album? Back in the day we traded tapes all the time. I do understand the difference but I suspect 90% or more of the music lovers over 40 had copies of albums they didn't buy.

The real source of the problem was/is record company and radio station greed. In the 80's they saw how much money could be made by over saturating the public with whatever music was popular. Radio stations started buying blocks of music from the record companies of bundled music that was designed to attract a specific audience so advertising is more effective and then more profitable. That is why the hair metal scene collapsed so fast. There were a lot of bands writing quality songs in the early 90's but when the record companies decided the money was in grunge music, heavy music, hair metal was dead. This has been repeated over and over in all genres since, that is the #1 reason we are were we are.

Bands today do not have the long term backing and support to develop, so the product (in most cases) delivered to the consumer is weak and does not have much perceived value. This is what led to file sharing and the mess we have today.

If we somehow could get record companies and radio stations to behave like they did from 1966-94 ish record sales would go up through the roof (Yes I realize there were big problems then too). There will always be file sharing but there will also be incentive to buy your own copy of the music just like in the album/cassette days.

Otherwise the Internet will continue to be the great leveler in the music world. Over the air broadcast stations are being replaced by narrow casters that focus on specific genres. I personally like this way but it reduces the chance of an artist breaking big on a national or global scale to 0.

Thanks for the insights. I like the gear talk, and the living rock history pictures shared here. There are so many facets to music and then the beast called the industry.

I had cassette recordings of albums I had to play in the car or take to a friends for practice or going to the lake at night. I may have had a tape of something that was not al album I had... Maybe a rare few.

But iTunes is a great music store. The search lets you find way more artists in a type of music than spending hours looking at album covers in a music store.

I have always loved rock,metal, blues and played with friends and bought albums and supported friends in the biz. I am extremely lucky to have a friend that is in the dreaded RRHOF, and go jam at his place on the lake once every month or so. I just love music and it has a place in my life and my kids life now. The way some have helped kill it off makes me sad. Of course greedy record companies own the excesses that helped cause public numbing to rock and metal for a while. But on the flip side, there are bands wanting to hit that commercial success. They just want to do it and feel good about themselves in the process. I know some that compare that to an aspiring actress that gets into porn as a way to be discovered, and tells herself what she need to hear to feel good about it. I don't agree with that necessarily. Sometimes it is the ugly truth. It is a different perspective from talking to someone on the other side. The funniest thing is having this person say, you are good enough to make it, you just have to write the song. Millions of players, only a handful of great songwriters.

But it is on the way back in. As you said it will be influenced by what the media promotes. I guess if a person has the goal of being in an arena group, you gotta play the stuff for people that will fill an arena, for the arena promoters, and tickling the cultural fancy. We had never talked about the music blocks being sold to radio stations before. I did not know that. Makes sense.

Always cool to hang on Rig Talk and learn about the history and culture of this metal phenomenon. It may not be the most popular, but it will not die.

One thing is certain, metal will never die. It may never be mainstream like it was in the 80's but it will always exist. Once you feel it, it grabs you for life. :rock: :rock: :rock:

Damn right!!! I will bleed metal until I am on my off to another world or in the grave!!! It is my religion for sure!!! THE METAL GODS!!!! :rock: :rock: :rock: :rock: :rock: :rock: :rock: :lol: :LOL: :lol: :LOL: :lol: :LOL:
 
Which is just as how the majority of musicians were, in fact all of them, for most of human history.

It's only since the commercialism of music from the mid 20th century that has given it any opportunity to be a method to earn a living.

A very small blip in human history. The advent of the vinyl record and later other limited mediums allowed businesses to define a collection of musical work as an "album" that would reasonably fit the medium and market/package/distribute it.

The artificial boundries of those mediums being circumvented by technology in a way has served as a market correction to that brief period of time in history.

Musicians before that period were retained by the wealthy for their services, and/or performed publicly prior to this for money. Or wrote music that was performed/duplicated by others.

I'm not trying to act as an apologist for those who download music for free, but the whole paradigm was an artificial market creation of the 20th century created and profited by many in part due to the limited recording mediums of that time period. Music is too powerful a force to be stopped by this, it will just survive in a different way.
 
So much cynicism in this thread.

Almost every generation has said that rock was dead after what they grew up with went out of style. 80's and 90's hard rock/metal is hugely popular around here, but the things that are being said about more modern metal were said about 80's/90's stuff by people who grew up with 60's stuff.

Metal is alive and well. You just have to go looking for it now, much like you had to with non-spandex metal in the 80's before Metallica blew up.
 
BrokenFusion":2eoatwlw said:
Remember when it was illegal to videotape or take photos at a show? I remember buying 4"x8" photos of my favorite bands live. Imagine that.
That's funny :lol: :LOL: because I remember doing the exact same thing. Some of the photos I specifically remember buying were live shots of Alice Cooper before I had a chance to see him in concert.
 
It seems that all the hard rock listeners in the 80's moved to country music where the music still has prominent guitars and solos...
 
Not sure about the overall US market, I have been at odds with the popular trends for decades now. I do like the new hard rock albums from Slash and Alder's Back From the Dead.

As for the overall state of music, I have mixed feelings. The net has been a big help to me. I locate and preview bands whose CD's I would never find locally all the time. When I buy CD's I'm now certain that I'm getting music I want, rather than taking a risk. Bottom line, if I like the music then I'll buy the album because I want the band to succeed and make more.

examples
A couple months ago I found Glass Hammer, a Yes influenced prog band. I listened to a bunch of tracks on youtube and have purchased 3 of their CD's directly from the band's website. The 3rd disk I got was their new album, which I preordered. They signed it before shipping it out.

The negative is that it is harder to get CD's. A decade ago Best Buy and Circuit City were great at stocking music I wanted. Best Buy is near useless now, CC is gone, and there is only one CD store left in town and they have always been overpriced. I get CD's at gigs or through bands websites whenever possible. Last resort is iTunes.

For me, the overall state of music is good because I have no trouble finding new music I enjoy.
 
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