I'll preface this by saying that I'm a fan. I agree with the above post that his strongest material is covering songs I didn't even know existed. Songwriting is never going to be why I listen to JB. He's not going to win any awards for his lyrics. He makes Adam Levine sound like a poet. But in all honesty, that's not why I listen to JB. I listen to hear his guitar tone, some cool riffs, and of course, his solos.
I pre-ordered his latest effort and it's.... well, Joe. Some of it definitely sounds familiar... almost like he borrowed from each album. Its not great and its not bad. I've bought worse, so I can't really complain. But it's certainly lacking something... but its the same thing that's been lacking from most of his CD's, live and studio. I'm not sure what exactly it is however. As mentioned above it may be Shirley's fault, but for whatever reason JB's recordings usually lack feeling. There is no fire in his playing.... or maybe its washed out during production or it isn't captured on CD
To be honest, I prefer his demo's or instructional clips over his records... or even when he's in a small club sitting in with a band. I keep waiting to hear THAT captured on CD. Just him and a guitar plugged directly into a tweed amp playing some blues. Man, that stuff sounds great to me. . That being said, I really love the stuff he did with Beth Hart and Jimmy Barnes.
JB has in essences captured a market who seems to be ok with his formula for rock/blues. He's like when you watch a movie and the actor gets hit in the groin. We've seen and heard it all before. It's sometimes an OK way to spend an evening but some of us just hope... that maybe THIS time they've really captured what a brilliant player he is. And that's why I keep buying his CD's... hoping one day they get it right.