
dooredge
Well-known member
Don't be so quick to dump it man! Took me a good week or two and some preamp tubes to fall in love with my Herbert! Glad I pulled it from the classifieds when I did. It is not going anywhere anytime soon. 

I am sure you guys assume I am insane, but I assure you I am not, well, maybe a little picky though.
cardinal":uu1xzh5c said:Agree with those saying give it time. First time I plugged into a VH4, I thought WTF? Very very strange feel to the amp. But after fighting with it a bit, I figured out how to adjust to it. They're great amps, and if you like the voicing, give the feel a bit more time.
mooncobra":2i8bvcu1 said:Rezamatix":2i8bvcu1 said:Did you get it from the dude I referred you to?
no, never got message from you? been having issues with rig talk messages.
I am not liking the VH4, used to have one with kt88s, this one has el34s. I am super picky about things, the amp sounds great, no doubt about it, but the feel is what gets me. I have some mcp black irons that sound great also, but they feel odd to me. I have an idea in my head, the way things feel like fretboard, pickups, amp, etc. if it is not how I like or am used to, I usually part ways with the gear, so you will see it shortly in the classifieds!!!
lolzgreg":1fjjdozz said:The VH4 comes alive with a boost in my opinion.
Not sure why someone Lol'd above. There are tones you simply cannot create without driving the input signal into a valve amplifier. I drive the input signal so that I don't have to use 'stupid amounts of (preamp) gain'. I get much better note/chord clarity & pick attack that way.
I have a VH4 and I understand what you mean. You can try to change all the tubes in the world and try all the boosts in the world but if the CHARACTER of the amp and the FEEL of it is not your thing you'll end up flipping it neither way.
IMO an amp must talk to you from the very beginning. If you can swap glass and make it even BETTER, then awesome, but the initial interaction must be flawless imo.
Shiny_Surface":30wfaih7 said:Not sure why someone Lol'd above. There are tones you simply cannot create without driving the input signal into a valve amplifier. I drive the input signal so that I don't have to use 'stupid amounts of (preamp) gain'. I get much better note/chord clarity & pick attack that way.
I agree, boosting adds a nice scrape edge to the pick attack that sounds different than an amp's high gain alone and can be appealing to some in certain circumstances.
I have a VH4 and I understand what you mean. You can try to change all the tubes in the world and try all the boosts in the world but if the CHARACTER of the amp and the FEEL of it is not your thing you'll end up flipping it neither way.
IMO an amp must talk to you from the very beginning. If you can swap glass and make it even BETTER, then awesome, but the initial interaction must be flawless imo.
I also tend to agree. The "best" modern production tubes tend to just be the least shitty/most reliable available. Modern day amp makers design their amps to sound good with whatever tubes currently available on the market that are reliable, sound good and are economically feasible to buy in quantity.
I expect subtle EQ shifts with tubes changes not a complete revoicing. Changing tubes when someone doesn't like an amp is turning into a cliche catch all response to remedy a negative opinion.
Although I can definitely see a problematic tube(s) out of operating spec making an amp sound bad.![]()
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