Les Pauls and Pickup Swaps

  • Thread starter Thread starter troublehead
  • Start date Start date
Yup... keep the originals (especially in an R8 or R9)...
 
Mr. Willy":3asisxzl said:
Guys, what's a good, bright Neck pup with a lot of bight for a LP Custom? Something with a relaxed bass and mids, and lots of treble?
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duncan screamin demon.
 
My Custom shop '54 Oxblood, and my 71 ES-175 are the only guitars I own with stock pups in them. Never once felt the desire to change them out.
 
I wasn't a fan of the BB3 in my Std Traditional Pro and swapped it out for a Duncan Pearly Gates which I'm pretty happy with. I'll probably switch it out in the future...still too tinny, but I love the '57 in the neck...wish I could find a '57+ I could coil tap for the bridge!
 
joepete77":2vnietz6 said:
I have tried many pickups also and really dig the gibson 500t in the bridge as it has the power to push an amp without pedals if needed and still sounds a bit traditional, cleans up well with the volume knob also. I remember liking the 498t in my old standard also, want to try a dirty fingers out also. 57's can be cool but I have played some bad ones that were just to weak but the ones in my sg were killer. I have an old custom that I am gonna try a new pickup as the orig is just too noisy, I have a sd custom custom and a mcp blisterbucker that I pickup up on here used that i wanna try.
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After playing literally thousands of Gibson's, I like their '57 Classic best. I never did like the 500T. It's just too gritty to my ears. Really diggin' MCP's lately. I installed a Detroiter set in my LP today, and they are great! Not quite as hot as the Afwayu, and not as much lowend, but still very nice! :rock:
 
I'm a big fan of the old Duncan Distortion in an LP too... tons of growl and thickness.
 
yeti":ksj8buxb said:
Mr. Willy":ksj8buxb said:
Guys, what's a good, bright Neck pup with a lot of bight for a LP Custom? Something with a relaxed bass and mids, and lots of treble?
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duncan screamin demon.
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That or a SD Jazz
 
I've had a Suhr Aldrich in my Les Paul for about two years, maybe longer. I just think it is an outstanding pickup. It has a classic tone that gets heavy without being harsh.

Back in the 90's, the Duncan Distortion was my go-to pickup. I had that pickup in two different Gibson SGs and it just killed. I don't know what it is exactly about that pickup that I love but it just has that certain something.
 
somebody posted this from another forum:

"Tom Holmes pickups remind me of a refined version of a 57 Classic. Which is understandable, since Tom actually designed the 57 Classic for Gibson.
I used to be a huge fan of them when there wasn't all these indie winders out there like there is nowdays. I still remember when I could mail Tom a check $75 and get a pickup. I also remember when he raised the price to $125 each. They are slightly more expensive nowdays. "

i remember speaking with TH prior to purchasing my 450 pickup, and mentioning i wanted to *upgrade* from a classic 57+ i had in the gtr at the time. i didn't know he had anything to do with the 57...
he asked what i thought of the 57+, and i told him it was a bit harsh/scratchy and generally annoying compared to the 450/455 i'd played recently.

got quiet for a moment, then he said he designed the 57/+

foot meet mouth :shocked:
but he was a good sport and sold me the 450 and i was stoked!
 
I gotta say of all the 'indie winders' out there (nice term :thumbsup: ), Tim from BKP has got it going on. Especially considering he's been in deep with Seth Lover and all the original approaches to the original PAF style pup. To each their own...

:dunno:
 
i believe my next few pickups will be BKP's...nailbomb, aftermath and rebel yells. cant wait to place that order.
 
troublehead":347ohin8 said:
Maybe I'm crazy but I think some of that LP "Mojo" gets lost when you go dicking around with non-Gibson pups.
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Now what fun is that? :)
 
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