FourT6and2":3m0j56d2 said:
Maybe nobody's "done it" because it honestly doesn't sound that great. If it were the end all be all, why hasn't Bogner made it a production model?
And as far as running a few pedals in front of a stock amp to get awesome tone, that's exactly how the majority of all the famous sounds on records everybody loves in the last 60 years were done. All the mystique and BS around the magical mojo of this or that amp... nonsense. Companies these days sell the idea that you can buy some boutique amp and it will make you a rock god. No. What separates the real rock gods from the wannabes is being able to plug into some beat up JMP that's probably not even biased properly and lay down some killer tracks and then go grab some bourbon at the local bar and not give two fucks about some Jorge mod or Scuba hot-rodded money sucker amp.
I'm obviously being a bit cynical here. Sure, cool gear is cool. And sure, cool gear can be fun. But man, people put way too much stock into this shit sometimes.
Thing is, New World Man here on RT confirmed with Ronnie C the producer of Facelift that the actual Rhythm tone on Facelift is a 60s Fender Bassman and NOT the Bogner Modded Marshall 4010. A goosed Bassman is the tone everyone chases on that album, NOT the Marshall. As much as I want it to be a 4010, it's not....
So let's all find a mid 60s Bassman and goose that bitch.