
skoora
Well-known member
I actually love the lead tones on KEA. Just very raw and percussive, cranked, boosted Marshall with “gasp”, tasty wah. The layered tones they went for on Ride and Master are also fantastic. That loping, smooth lead tone in the mellow breakdown of Orion is downright beautiful.I think there is so much going on in "Sad But True" on the recording, that it would be hard to reproduce that live. Thick, stacked, tone.
Alot of times we all discuss rhythm tones on this albums but the lead tones were sweet on RTL and MOP. I still remember hearing the solo during the slow part in MOP for the first time. Gave me chills. Same for that into solo on "Fade to Black".
I still think "Holier Than Thou" is one of the most underrated songs ever and the tone kills on that one as well.