
Kapo_Polenton
Well-known member
Got my Traynor YBA-1 up and running with new filter caps and a proper 3 prong grounded power cord. (the tool before me just threw on a 3 prong receptacle on a 2 wire power cord so the death cap and ground lift were still very much active.)
I've modded the preamp slightly with some values to resemble more of a plexi circuit so at 4 this thing is shaking the house. (that's with hotplate set to -12db) If I take it past 4 the bass gets a tad too heavy and the gain a little to loose. Seems to just get thicker which I don't like. As mine came loaded with volume pots that are 500k linear, I think it might be a later 70's bassmaster, no choke. From 3-4 on volume II, it is Malmcolm tone/ thin lizzy rythm tone all day long. Seriously a nice powerful crunchy tone that would rival a real Marshall or HiWatt no joke. Anyway, problem is, that's all it really does. If I push it with a ZW-44, I'm not quite getting the quality of gain I'm looking for. Right now here is what I am thinking, maybe some of you guys with experience can chyme in.
Do I:
Go with the Bogner Blue pedal with the amp running clean ?
Get an OCD to sit on top of the amp crunching up? (would this be the most natural extention of the amp?)
Put a RR "one wire mod" on a switch
PPIMV ( this would be more for volume as I find the tone thickens up too much with gain pinned)
Wire up a switch between JCM800/NMV for when I want more gain and boost it?
Two tube screamers alla John Norum into Plexi's back in the 80's? Great for heavier rythms but on leads, gets too muddy as i prefer to lower the gain on my OD's.
I would really love to make this amp a go to for practices or even some small gigs as the tone is just monstrous through a 4 x 12. I also would prefer not to worry about my JCM800 and leave that in my home studio where it is safe from spilled beer, being knocked over etc..
Thoughts?
I've modded the preamp slightly with some values to resemble more of a plexi circuit so at 4 this thing is shaking the house. (that's with hotplate set to -12db) If I take it past 4 the bass gets a tad too heavy and the gain a little to loose. Seems to just get thicker which I don't like. As mine came loaded with volume pots that are 500k linear, I think it might be a later 70's bassmaster, no choke. From 3-4 on volume II, it is Malmcolm tone/ thin lizzy rythm tone all day long. Seriously a nice powerful crunchy tone that would rival a real Marshall or HiWatt no joke. Anyway, problem is, that's all it really does. If I push it with a ZW-44, I'm not quite getting the quality of gain I'm looking for. Right now here is what I am thinking, maybe some of you guys with experience can chyme in.
Do I:
Go with the Bogner Blue pedal with the amp running clean ?
Get an OCD to sit on top of the amp crunching up? (would this be the most natural extention of the amp?)
Put a RR "one wire mod" on a switch
PPIMV ( this would be more for volume as I find the tone thickens up too much with gain pinned)
Wire up a switch between JCM800/NMV for when I want more gain and boost it?
Two tube screamers alla John Norum into Plexi's back in the 80's? Great for heavier rythms but on leads, gets too muddy as i prefer to lower the gain on my OD's.
I would really love to make this amp a go to for practices or even some small gigs as the tone is just monstrous through a 4 x 12. I also would prefer not to worry about my JCM800 and leave that in my home studio where it is safe from spilled beer, being knocked over etc..
Thoughts?