Gainfreak":5a75f said:My friend Fankie had a Caswell modded marshall in the 80's and it absolutely sucked balls IMHO. I jammed with him once and I used my JCM800 2210 with a graphic EQ in the loop and he used his Caswell Modded Marshall. That jam session caused him to sell the Caswell and Buy a 2210.
I have experiance with Mark Cameron mods,Lee Jackson Mods,Caswell Mods, Jose Mods, Heavy Metal Joe mods and Harry Kolbe mods.
The Cameron Marshall mods smokes them all IMHO.
The Lee Jackson mods were hit or miss. I owned one for many years and had it re-modded by Dave Bray. My Lee Jackson mod sucked whereas this other guys sounded amazing. Lee basically did one mod at the time and it seems as if he did not take the time to make sure they all sounded the same becuase they did NOT.
The Caswell mod sounded crunchy in a bad way. It was very shrill and had a more gain then stock but it was in no way a musical sounding amp. I have only heard one so that's not to say that someone else had a different experiance.
The Old Jose Mods were also hit of miss iMHO and Jose had more then a few mods. Not just one. The one I heard sounded like ass and pretty much sounded like the tone Mick Sweeda got on the first Bullet Boys disc. Sounded cool for rhythm but when you went for a solo, The amp choked out.
The Jose modded amps that John Sykes uses are killer IMHO. I would be willing to bet that it was a different mod then the one I tried.
I believe Steve Sah5150 has a lot of experiance with the Jose mods and so Deos Mark cameron of course!! I think Steve and Mark can chime in although so we can hear some stories about the master!
I wont even mention Harry Kolbe's mods. I don;t think Kolbe gets high gain and his marshall mods were horrible sounding IMHO. That said, Harry worked on all my amps in the 80's just re-tubing and biasing / service. His service was top notch and my Stock amps always came back sounding better. I hear that his Fender mods are killer but I never heard them.
Heavy Metal Joe was my tech after Harry Kolbe. He worked for Marshall in the late 80's and did worl on the side for me and many others. Joe was rumored to have designed the Jcm900 series but he never got the recognition nor did they use his design. I think they just used his idea of a high gainer. IMHO it was a shame because his amp killed the 900 series hands down. That said, his amps were based on diode clipping just like the 2210 but with much more gain on tap. The problem was that it had a sizzle to it that could not be dialed out thus making me look elsware in the mod world![]()
Gainfreak":5aeb9 said:My friend Fankie had a Caswell modded marshall in the 80's and it absolutely sucked balls IMHO. I jammed with him once and I used my JCM800 2210 with a graphic EQ in the loop and he used his Caswell Modded Marshall. That jam session caused him to sell the Caswell and Buy a 2210.
I have experiance with Mark Cameron mods,Lee Jackson Mods,Caswell Mods, Jose Mods, Heavy Metal Joe mods and Harry Kolbe mods.
The Cameron Marshall mods smokes them all IMHO.
The Lee Jackson mods were hit or miss. I owned one for many years and had it re-modded by Dave Bray. My Lee Jackson mod sucked whereas this other guys sounded amazing. Lee basically did one mod at the time and it seems as if he did not take the time to make sure they all sounded the same becuase they did NOT.
The Caswell mod sounded crunchy in a bad way. It was very shrill and had a more gain then stock but it was in no way a musical sounding amp. I have only heard one so that's not to say that someone else had a different experiance.
The Old Jose Mods were also hit of miss iMHO and Jose had more then a few mods. Not just one. The one I heard sounded like ass and pretty much sounded like the tone Mick Sweeda got on the first Bullet Boys disc. Sounded cool for rhythm but when you went for a solo, The amp choked out.
The Jose modded amps that John Sykes uses are killer IMHO. I would be willing to bet that it was a different mod then the one I tried.
I believe Steve Sah5150 has a lot of experiance with the Jose mods and so Deos Mark cameron of course!! I think Steve and Mark can chime in although so we can hear some stories about the master!
I wont even mention Harry Kolbe's mods. I don;t think Kolbe gets high gain and his marshall mods were horrible sounding IMHO. That said, Harry worked on all my amps in the 80's just re-tubing and biasing / service. His service was top notch and my Stock amps always came back sounding better. I hear that his Fender mods are killer but I never heard them.
Heavy Metal Joe was my tech after Harry Kolbe. He worked for Marshall in the late 80's and did worl on the side for me and many others. Joe was rumored to have designed the Jcm900 series but he never got the recognition nor did they use his design. I think they just used his idea of a high gainer. IMHO it was a shame because his amp killed the 900 series hands down. That said, his amps were based on diode clipping just like the 2210 but with much more gain on tap. The problem was that it had a sizzle to it that could not be dialed out thus making me look elsware in the mod world![]()
Digital Jams":d0d46 said::|::QBB:
Heavy Metal Joe could quite possibly be the coolest freaking name on the planet![]()
Chubtone also knows his way around the Jose mod.
Pretty cool read Ralph!
Gainfreak":db728 said:Another thing that I must mention is that the caswell Mod my friend Frankie had sounded nothing like slashes sound or the Soundclip clips posted. So you can take that for what it's worth.
voodooamps":3d82b said:YEAH they are good. i see you forgot Jerry, oops. Jerry is the man. As are a few of the above.
Regarding the rest of your post; I am very much aware of you are, we've always gotten along fine and never had any problems with one another. I've seen your other posts here and this negativity you seem so willing to display with regards to us has only come about since you had Jerry do work for you. That fact that you are happy with Jerry's work is by no means the point of contention but rather the obvious manner in which you seem to try and down us when ever the opportunity presents itself.
Trace
BURNTHISCORPSE":d59b6 said::|::QBB:
my negativity...... i throw out alot of it for everything. dont think your getting individual attention
. and umm......i down you whenever the opportunity presents itself?? i throw in my .02 just like everyone else here. and have been doing it here and HC longer than i have been having Jerry do work for me. "i am very much aware of who you are" .......well......good for you. and???? the fact that i chose jerry had alot to do with me checking alot of references locally as i did for two "other" mod people and getting by far the best feedback on his work and the quality of it. and how he chooses to do business. so dont flatter yourself by thinking i have a vendetta with voodoo amps.
jonny toetags":7f2c1 said:
Gainfreak":33779 said::|::QBB:
Excellent News!! I would really like to know what you think. After going to his site I'm positive that the mods that he is doing now are way different then what My friend had. The mod that My friend Frankie had was done way before Guns came out, So I'm sure they were different!
jonny toetags":f1dc7 said::|::QBB:
Guess I'll need to find an old LP, throw in some Alnico Pros and make some clips
Either way, I'll let you guys know.
I might play with it stock for a bit, see what it sounds like and it'll give me some time to get some $$ saved up for the mod![]()
Odin":1eaa1 said:Do people actually seel out the "Appetitie for Destruction" amp tone? It sounds thin and buzzy with too much gain to my ears.
Not only that, it's very easy to achieve with just about any Marshall and an OD pedal, or pretty much any Marshall clone high gain amp, I just try not to dial my Splawn in to sound like that because the amp is capable of much better sounds.