
mentoneman
Well-known member
i'm not sure, but i think this may be one of those elusive skills that people react to, and yet not realize is happening.
i noticed it big time when i had zachman's fuchs ods100 for a while and let my friend play through it.
he just clobbered it and strummed chords and really defeated everything the amp was capable of in how he approached it. he tried to impose his will on the amp instead of suss it out and realize what it was all about, and failed.
he didn't make it speak because he did not understand the idea of those boutique dynamics which folks pay big money for.
mike landau and robben ford totally get it, like you can hear on their performance of mike's tune "rascal balls" here :
for the record mike used the suhr OD 100 classic and some pedals and a lexicon rack processor,
and robben used a super and a twin, and a zendrive on the floor and a boss rv3 for delay
allah hinds gets it too--notice how he controls the note dynamics with his left hand:
my friend danny donnelly is also a tone milker:
ej also masters that "thing":
and one thing in common with the heavy tone guys i admire is lower preamp gain for a thicker single note, lighter touch and economy of left hand motion, restraint on when to play fast and for what reason, an impeccable internal clock and control over meter, and unique improvisational phrasing which presents a personality on the instrument, not repetition just for the sake of an easy autopilot lick that falls under your fingers.
i'm totally inspired to improve my tone and musicality when i hear these guys.
peace!
i noticed it big time when i had zachman's fuchs ods100 for a while and let my friend play through it.
he just clobbered it and strummed chords and really defeated everything the amp was capable of in how he approached it. he tried to impose his will on the amp instead of suss it out and realize what it was all about, and failed.
he didn't make it speak because he did not understand the idea of those boutique dynamics which folks pay big money for.
mike landau and robben ford totally get it, like you can hear on their performance of mike's tune "rascal balls" here :
for the record mike used the suhr OD 100 classic and some pedals and a lexicon rack processor,
and robben used a super and a twin, and a zendrive on the floor and a boss rv3 for delay
allah hinds gets it too--notice how he controls the note dynamics with his left hand:
my friend danny donnelly is also a tone milker:
ej also masters that "thing":
and one thing in common with the heavy tone guys i admire is lower preamp gain for a thicker single note, lighter touch and economy of left hand motion, restraint on when to play fast and for what reason, an impeccable internal clock and control over meter, and unique improvisational phrasing which presents a personality on the instrument, not repetition just for the sake of an easy autopilot lick that falls under your fingers.
i'm totally inspired to improve my tone and musicality when i hear these guys.
peace!