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paulyc
Well-known member
Brian May uses the normal input with the treble booster, like Tipton and Downing did with NMV Marshalls back in the day, but May’s tone is that damn guitar and it’s weird pickups/wiring scheme IMHO.
That's a huge part of it, I think. I've heard that Brian had his touring AC30's modified to solid-state power. Is this true?paulyc":1ekb0xsv said:...May’s tone is that damn guitar and it’s weird pickups/wiring scheme IMHO.
paulyc":1d6irsil said:No, solid state rectifiers and the other channels of the amp are disabled. He runs a medical grade power supply for the voltage and the 50Hz frequency of the AC power.
I am a big vox fan (I have a ‘62 AC30 non-top boost and ‘63 AC30 Top boost). I’ve tried them all when it comes to modern and boutique vox style amps and honestly none of them hold a candle to a real deal ‘60’s copper panel vox. I agree the Vox definitely have that chime they’re known for, but I consider their overdrive to be smoother/less gritty than Marshall’s, but maybe more glassy in a way. That being said, my favorite recent made vox inspired amp I’ve tried was probably the Tex EF86 I used to own. Imagine something kinda like a vox (maybe a hint of Marshall there too) but a bit more gain, thoatier, more growl, and darker. My second favorite recent Vox type amp was maybe the Savage Schatten (didn’t like the Savage Glas as much). The Bad Cat’s would definitely be more modern and heavy if that’s what you’re looking for, but imo not as high quality tone. The Tex’s and Savage’s are still very vintage voiced
The Xits are also quite sought after, but haven’t tried one. Actually, also the Komet’s are worth considering. Those sounded awesome. They’re inspired more by Trainwreck, but I have a feeling they’ll still be great for what you’re describing
EDIT: Actually, what may be even better is to just get a real vintage vox like mine and install the new Hot Mod in it. They’re made for Marshall’s but can also work in Vox’s. I just got mine. Will give it a try later
For reference, I’ve tried Divided By 13’s, Top Hat’s, Matchless’s, Bruno’s, Sommatone’s, Reissue Vox’s, Bad Cat’s, Morgan’s, Star’s, and Todd Sharp. They almost all sucked compared to a real vintage vox Copperpanel. For my own selfish interest I wish those others didn’t exist so that I wouldn’t have wasted so much time and money trying and also owning some of them just to realize later how much better the old Vox’s really are. I’ve had the same experience with respect to Marshall’s and Fenders
Bogner Metropolis
First time I plugged into a Cornford Hellcat, I thought........ sounds like a killer modern high gain Vox!Hi everyone, long-time lurker, first-time poster.
I'm soliciting recommendations for an amp that sounds like a cranked AC30, but perhaps a touch more modern and with more gain available. I already have several hot-rodded Marshall-type amps, but to my ears, the Vox-style distortion offers something unique and different... chimier, grittier and with lots of treble. If I may make a crazy analogy, if I am to compare them to chainsaws, it sounds like the Vox has smaller teeth spaced closer together and the Marshall has larger teeth spaced further apart. So far, I am looking at the Victory VC35 copper, and the Bad Cat Hot Cat and Lynx. Anything else I should consider?
Definitely not. Not even close. The Tex EF86 was a darker, chewier sound. Not many amps can get as bright as my ‘63 Top Boost (at least how I have it dialed in). IMO different also than the non-top boost AC30’s. It had some Vox-ish characteristics because of its tubes, but was kind of its own thing. The Tex EF86 was a very good amp, still imo one of the better EL84 amps I’ve had, but I sold it (liked other stuff more) and have had lots of stuff come and go since I made that postWould you say the Tex EF86 is as bright/cutting as the Top Boost or more similar to the non-top boost?
I love these super well-informed posts that nail the issues at hand perfectly. ??If you're looking for the Vox vibe in an amp, it needs to have:
Cathode biased EL84's
No negative feedback
low filtering
really low value coupling cap between the first and second gain stage
those funky Vox treble cap / slope resister values.
The problem with your request is that it's not possible to retain the Vox vibe while changing the basic Vox circuit to produce more gain. A lot of that vibe comes from crushing the input to the phase inverter. Kinda like the Plexi vibe, but a different sound.
My suggestion would be to purchase a Heritage or HW Vox amp, and experiment with various boost pedals to get the gain you desire.
One of my favorite setups is an Exotic EP booster into my Vox AC30HW.
JCM800 levels of gain, but still retains the core tone.
I like the EP style boost for the added bottom end in this scenario, but a Klon type boost would work well too.
Hope that helps!