
FourT6and2
Well-known member
I've never tried running a wet/dry rig before. But I wired up my SLO Clone's Slave Out. I'm going to try running it to my TC Flashback for delay. Then into the FX return of my Peters, to its own cab.
Questions:
1. I don't run the delay all the time. Just for certain parts of certain songs. So... how do I turn the Wet signal on/off? If I turn the delay off, I'm still going to get the dry sound from the Peters right? What if I don't want that? A potential solve might be to get some type of pedal that mutes the signal (like a tuner) and throw that before the delay?
2. TC has a killdry function. Should I use that or just turn the FX Level up to 100%?
3. If using killdry, how should I set the FX Level on the pedal? Turn it up to 100% and use the Slave Out level and the master on the Peters for levels? The Slave Out level should be adjusting how hot the signal is to the pedal. Then the pedal level is how hot the signal is to the power amp of the Peters. Then the Peters' master is the overall volume of the wet signal. Seems like a lot to juggle.
4. Should I even use the killdry or should I run it as normal and blend the wet/dry signal? I guess if I do it that way the setup would be SLO = dry, Peters = a mix of wet/dry. Vs. running the pedal 100% wet.
5. Would I be better off using something like the Suhr Buffer box, that has isolated out to reduce ground loops and a phase switch? http://www.suhr.com/buffer/
Questions:
1. I don't run the delay all the time. Just for certain parts of certain songs. So... how do I turn the Wet signal on/off? If I turn the delay off, I'm still going to get the dry sound from the Peters right? What if I don't want that? A potential solve might be to get some type of pedal that mutes the signal (like a tuner) and throw that before the delay?
2. TC has a killdry function. Should I use that or just turn the FX Level up to 100%?
3. If using killdry, how should I set the FX Level on the pedal? Turn it up to 100% and use the Slave Out level and the master on the Peters for levels? The Slave Out level should be adjusting how hot the signal is to the pedal. Then the pedal level is how hot the signal is to the power amp of the Peters. Then the Peters' master is the overall volume of the wet signal. Seems like a lot to juggle.
4. Should I even use the killdry or should I run it as normal and blend the wet/dry signal? I guess if I do it that way the setup would be SLO = dry, Peters = a mix of wet/dry. Vs. running the pedal 100% wet.
5. Would I be better off using something like the Suhr Buffer box, that has isolated out to reduce ground loops and a phase switch? http://www.suhr.com/buffer/