crankyrayhanky":tmdaaqc9 said:
Thanks for helping me sift through this decision.....I just sold off a module and now have funds to make a move on this today - either Eleven, Interface (with Cab Sims), or the long shot sell more stuff and get the Fractal
At this point I may just get the Eleven, use it to learn ProTools and (if need be) flip it down the road- the time spent will probably be worth the devalue loss. But then I hear lolzgreg DOGSHIT and I hesitate!
Crap- I just went Charlie SheenGAS on you
There are freeware amp simulators by LePou that run on both PC and Mac that are worlds better than most units I've heard. There is also free cab emulation software that he offers where you can load up a cabinet simulator with tons of freeware impulses, including ones I have made, and that nearly an entire forum worth of metal lovers have used and enjoyed, and get a great sound right in your DAW.
If you want to get into recording stuff, you're pretty well off with something like
a Focusrite Saffire interface like this unit which is pretty damned solid ($300)
http://www.soundonsound.com/sos/nov09/a ... o24dsp.htm
Also, if you love the sound of your MTS rig, all you need is a dummy load, and you can run your head into the dummy load for silent recording, then run the preamp send into your newly acquired audio interface, use a cab sim to load up a great impulse response, and get your tones right from there. You can even just pull the power tubes, turn the amp on, and run the preamp send out to an interface. You won't be doing any damage to the OT this way, because there is no load on the transformer.
Here is a very shameless plug for a CUSTOM impulse I made for a gentleman on UMF named Ape (ApeScaleConflict). It is his 5150 directly into an audio interface into a cab simulator with my impulse and very minor EQ with no other processing:
It sounds real, and it's using YOUR gear if you choose. If you have some experience with soldering, you can make a load box for roughly $20, and have a great rig.
I'm not here trying to sell anything, but if you want to record, and you want good tone, do it the right way. There's nothing worse than starting out recording and being shoved in the wrong direction. I learned everything I know from someone else, or experience. I want to be able to help people who need it.
degenaro":tmdaaqc9 said:
That is an awful strong opinion for limited experience with the gear....
Yeah Ed, I forgot gear was supposed to sound subpar out of the box. I suppose your THD amps sounded terrible when you got them, as do your guitars, as did my Baron, My Mark IV, my Fortin, and my 5150 III...
Gear is supposed to be something that helps inspire you, not something that weighs you down. If an amp simulator does its damned job right, you can plug the preamp section of the simulator into the power amp section of the amp it is modeling, and it will sound like the unit right off the bat, and respond to the changes in the tone controls in the same manner. If it doesn't work that way, its not effective modeling, period. We create impulses based from power amp sections of amplifiers, with microphones on real guitar cabinets for a reason; that is because it is the closest current technology is going to get us to a near "real" guitar tone from modeling software. If the second half of the equation is right, the first half needs to be too, and that is getting the preamplification section of a simulator to react like a real amplifier.
So far, in a hardware unit, the AxeFx wins. Pete Thorn is a standout for making some VERY convincing clips.
Also, YOU CANNOT RETURN AN 11 RACK BECAUSE IT IS BUNDLED WITH PROTOOLS SOFTWARE, and since you have had access to that license, you own it. You have to fight with any company you buy this thing from to return it, like I know two friends of mine have at Guitar Center. It is the same with any piece of hardware bundled with non-freeware software.