
Badronald
New member
Unfreakinbelievable.
Ibanez RGA121 (Mahogany body, maple cap, fixed Gibralter bridge) with Dimarzio Mojo at bridge (Didn't touch my Les Paul Custom all day). Straight in for most of it, but on single note stuff and heavier parts I boosted it with a Fulldrive II Mosfet (set real clean, just boost). Into a Hermida Audio ported 2x12 with Vintage 30's.
With the talk in another post about quadruple tracking, I intended on doing just that, but after I double tracked everything it seemed to me absurd to do two more tracks. It's the thickest tone I've ever recorded. Just unreal. Man that thing is ridiculous. Just amazing.
My band is a pop/rock band and the guys were floored after listening to the tracks today. I thought they might be unsure of it because the tracks are so heavy, but they absolutely loved it.
Sorry, no tracks yet. I just wanted to mention that that amp is just incredible. Old news, I know, but........

Ibanez RGA121 (Mahogany body, maple cap, fixed Gibralter bridge) with Dimarzio Mojo at bridge (Didn't touch my Les Paul Custom all day). Straight in for most of it, but on single note stuff and heavier parts I boosted it with a Fulldrive II Mosfet (set real clean, just boost). Into a Hermida Audio ported 2x12 with Vintage 30's.
With the talk in another post about quadruple tracking, I intended on doing just that, but after I double tracked everything it seemed to me absurd to do two more tracks. It's the thickest tone I've ever recorded. Just unreal. Man that thing is ridiculous. Just amazing.
My band is a pop/rock band and the guys were floored after listening to the tracks today. I thought they might be unsure of it because the tracks are so heavy, but they absolutely loved it.
Sorry, no tracks yet. I just wanted to mention that that amp is just incredible. Old news, I know, but........
