Recto r-0022 rev C on ebay....

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Isn't one of the main points of forums like this to relate personal experience from our point of view, which is necessarily different from the perspective of the next guy? There is no "right answer" (unless you're small minded) so by listening to as many opinions as possible a person can generally get a feel what might make the most sense in their space. Then, at some point, you just have to go buy one & try it for yourself.

For example, I agree that the C+ is amazing at home and records well. We're actually recording our album with one. I also agree that it doesn't sit well in the live mix, which is ultimately why I have sold them all. However I disagree about the DRG. For metal in my context I think triode is soft & weak, and it's my least favorite iteration. That said I recognize for some styles it may be better- just not mine. To add some perspective my band is a 3 piece, we play loud and I want a guitar tone with HUGE BALLS. The destroyer of worlds in my space is the IIB Coliseum. Tonally it's more akin to a MkIV in aggression and it's sent 12 or 14 IIC+ & III packing. Only one I've kept is the IIC++ Coliseum because it does record better.
I have played said IIB Coliseum and it is in fact a horrifying beast. The most raw and brutal high gain amp I’ve ever played. More aggressive and raw then a C+. Not as liquid, but for sheer brutality, it’s jaw dropping.
 
Hold on to your hats bros, the “no really! The 2c+ is a great amp” police is here!! LMAO GTFOH.




The amp is shot. Completely shot.
I had a 60 watt IIC+ that was just ok. Owned a Mark III red stripe that was super aggressive BETTER for metal. But the IIC++ is just as aggressive and has a better tone. Complex and still aggressive. I have a Mark IV collecting dust in the corner and I decided to fire it up the other day after playing the IIC++ for awhile and i can’t believe the quality difference. The IV is fine and nice but something is missing I can’t quite put my finger on. The ++ feels like it’s about to explode but somehow stays together and very tight. It’s badass.
My experience exactly. My first Mark was a IV, and I loved it, still love them. But after I scored a Red Stripe ++, and a C+ SG, off it went. Then I had the SG ++ modded, and that took it next level just the way you explained. It’s such a furious little beast.
 
Isn't it great we all seem to really like the mesa's,?...... but for in slightly little different ways?
For instance,most coliseum blue stripe owners say that amp is too aggressive, too bright and too much gain...After some tube rolling in mine,I found the blue stripe coli to be a really fantastic amp,and very manageable....and it didn't cost me 15k to get it there.lol
 
Isn't it great we all seem to really like the mesa's,?...... but for in slightly little different ways?
For instance,most coliseum blue stripe owners say that amp is too aggressive, too bright and too much gain...After some tube rolling in mine,I found the blue stripe coli to be a really fantastic amp,and very manageable....and it didn't cost me 15k to get it there.lol
Those who say it’s too aggressive or bright just have wimpy ears or low tolerances for good aural assaulting metal tones. They should play the smoother, more polite amps instead. Kidding for those who don’t know. Some guys even feel the early revision Recto’s are too bright or aggressive, which is even more strange to me, but then again I used to like raw lemons when I was a little kid, so I like intensity

I had 2 blue stripe coli’s modded to ++’s by Mike B and still have a no stripe coli with that mod. They cost each cost me almost 1/10 of that
 
Offensive.

Humans have always been greedy, some more so that others. But these days, we have hit the era of greed that truly knows no bounds.
 
Isn't it great we all seem to really like the mesa's,?...... but for in slightly little different ways?
For instance,most coliseum blue stripe owners say that amp is too aggressive, too bright and too much gain...After some tube rolling in mine,I found the blue stripe coli to be a really fantastic amp,and very manageable....and it didn't cost me 15k to get it there.lol
One trick I've found in red / blue / green Mark IIIs is to run Tung Sol 12AX7 in V1-V4. It tames the harshness & makes them killer.
 
Those who say it’s too aggressive or bright just have wimpy ears or low tolerances for good aural assaulting metal tones. They should play the smoother, more polite amps instead. Kidding for those who don’t know. Some guys even feel the early revision Recto’s are too bright or aggressive, which is even more strange to me, but then again I used to like raw lemons when I was a little kid, so I like intensity

I had 2 blue stripe coli’s modded to ++’s by Mike B and still have a no stripe coli with that mod. They cost each cost me almost 1/10 of that


... they also wear tan pants, loafers with no socks, prefer it when their husband serenades them with Verdi's Rigoletto played by violin... while sipping a nice herbal tea.

CUCKS!!!! :D:D:yes::yes::emofag:
 
You know, Mark IIIs give me fairly bad tinnitus where Mark IIs don't. One of the reasons I'm a II guy.

Also, my Rev C is MUCH smoother / no fizz than any later Recto I've played with the exception of my early Tremoverb. There must be a lot of amp to amp variance in these early ones.
 
You know, Mark IIIs give me fairly bad tinnitus where Mark IIs don't. One of the reasons I'm a II guy.

Also, my Rev C is MUCH smoother / no fizz than any later Recto I've played with the exception of my early Tremoverb. There must be a lot of amp to amp variance in these early ones.
That's kinda why I switched from the Mark III to the IV. I found the III to be a bit harsh and cold sounding by comparison, it gave me ear fatigue at band volumes. I like a warmer sound.
 
That's kinda why I switched from the Mark III to the IV. I found the III to be a bit harsh and cold sounding by comparison, it gave me ear fatigue at band volumes. I like a warmer sound.
Agreed. I found the IVa to be not too far away in this regard, and I personally much preferred the IVb. That would have been a desert island amp for me if Colis didn't exist. Still one of the best PM clanks I've ever had. Example-
 
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... they also wear tan pants, loafers with no socks, prefer it when their husband serenades them with Verdi's Rigoletto played by violin... while sipping a nice herbal tea.

CUCKS!!!! :D:D:yes::yes::emofag:
Maybe it's because I'm more of a classical guitarist, but honestly I am many of the things that guys here hate on outside of my love of high gain amps. I'm not a TGP guy, but if they saw how I often dress I'd probably be stoned and excommunicated faster than Shawn Lane could shred. I really don't fit in here other than my interest in high gain guitar gear. I guess though the guys I've privately sent clips to here didn't seem to complain about my attire lol. I think maybe I just go for the most aggressive high gain sounds I can to contrast my other side. No Verdi or herbal tea for me though lol
 
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You know, Mark IIIs give me fairly bad tinnitus where Mark IIs don't. One of the reasons I'm a II guy.

Also, my Rev C is MUCH smoother / no fizz than any later Recto I've played with the exception of my early Tremoverb. There must be a lot of amp to amp variance in these early ones.
I've somehow never had tinnitus issues (maybe just briefly for a few minutes when I'm very very tired), but I do agree the III's have a harsh high end that I interpret as less musical. The C+ wins for me really because of the extra clarity, detail, complexity and much more going on in the mid and uppermids. I never really agreed with others saying III's are more aggressive. They are in the highs, but the C+'s have so much more growl and aggression in the mids that I hear them as more aggressive overall despite the smoother highs. It's like they're rough and smooth in the right places vs the III's and IV's

I have a Rev D and would be very curious to hear a C one day for comparison
 
Not a mesa guy but I was offered same year amp in 1993 for $750. I actually play through it at outdoor festival and did it`s job. Of course I dialed it in for modded marshall goodness.
 
One trick I've found in red / blue / green Mark IIIs is to run Tung Sol 12AX7 in V1-V4. It tames the harshness & makes them killer.
What’s the tube layout in those amps? Is the signal passing through V1 to V4 or are there some modes where this is changed or tubes are bypassed like in the triaxis?
 
I've somehow never had tinnitus issues (maybe just briefly for a few minutes when I'm very very tired), but I do agree the III's have a harsh high end that I interpret as less musical. The C+ wins for me really because of the extra clarity, detail, complexity and much more going on in the mid and uppermids. I never really agreed with others saying III's are more aggressive. They are in the highs, but the C+'s have so much more growl and aggression in the mids that I hear them as more aggressive overall despite the smoother highs. It's like they're rough and smooth in the right places vs the III's and IV's

I have a Rev D and would be very curious to hear a C one day for comparison
I kinda agree with you, I don't really think the III's are more aggressive than the IIC+'s either, just shittier, lol. They have some more abrasive high end frequencies going on that the IIC+'s and IV's don't have, but the mids on a IIC+ and even a IV are more growly than the III's IMO. There are clear reasons why the III's were never regarded as well as the IIC+ or the Mark IV.

I know you lump the IV in with the III's, but the IV can be a very aggressive sounding amp, with a nice smooth top end... It really depends on where you set your 6600 and presence though. It's got the most versatile lead channel of all the Marks.
 
Agreed. I found the IVa to be not too far away in this regard, and I personally much preferred the IVb. That would have been a desert island amp for me if Colis didn't exist. Still one of the best PM clanks I've ever had. Example-

Ya, that sounds great. I really love that clip you have of the IVb's pre-amp going into the power section of the IIB. That sounds perfect to me.
 
I kinda agree with you, I don't really think the III's are more aggressive than the IIC+'s either, just shittier, lol. They have some more abrasive high end frequencies going on that the IIC+'s and IV's don't have, but the mids on a IIC+ and even a IV are more growly than the III's IMO. There are clear reasons why the III's were never regarded as well as the IIC+ or the Mark IV.

I know you lump the IV in with the III's, but the IV can be a very aggressive sounding amp, with a nice smooth top end... It really depends on where you set your 6600 and presence though. It's got the most versatile lead channel of all the Marks.
The III’s vary from stripes. All of them seem to have a more abrasive high end ime, but the no stripes I found to me sounded best of the III’s and would for me take them over IV’s (A or B version) for the extra rawness, aggressive, and more openness. For my taste the IV’s were still too smooth, but still great amps (that I’d take over tons others) , but also when AB’ed vs my C+ found them even more lacking in the extra detail and clarity vs when I compared my III’s. I think the harsh high end of the III’s is just a deal breaker for many, but if I wasn’t able to have a c+ I’d get a iii no stripe as the next best thing to me. I would say a switchable c+/++ would be the most versatile mark amp lead ch
 
fwiw.... 3 different times, i owned iva's at the same time as real, loaded c+'s. 3 times out of 3, i sold the c+ and kept the IVa and a giant lump of cash. c+'s aren't 8k better than a IVa imo... same tonal flavor, just a slight variation that i can deal with just fine.
 
The III’s vary from stripes. All of them seem to have a more abrasive high end ime, but the no stripes I found to me sounded best of the III’s and would for me take them over IV’s (A or B version) for the extra rawness, aggressive, and more openness. For my taste the IV’s were still too smooth, but still great amps (that I’d take over tons others) , but also when AB’ed vs my C+ found them even more lacking in the extra detail and clarity vs when I compared my III’s. I think the harsh high end of the III’s is just a deal breaker for many, but if I wasn’t able to have a c+ I’d get a iii no stripe as the next best thing to me. I would say a switchable c+/++ would be the most versatile mark amp lead ch
Well I got a certain (very early) mid 90's Mark IVb that has more mojo and clarity to it than any other Mark I've owned, and it sounds and feels different than the later B revision Mark IV's I've tried. I've A/B'ed it with my old III red stripe and as soon as I did that I sold the red stripe, it just lacked the low end of the IV, it lacked the grind, it lacked the clarity and it was hard to dial the mid honk out of the III, as well as the harsh top end... The III's don't record nearly as well as the IV's do either IMO.

Don't get me wrong though, I still like the III's, but if I had a choice of a III or a IV I'd take the IV any day of the week. The fact that it is really hard to get a modern tone out of a III is kinda a deal breaker for me too.

I've only got to try a IIC+ once and it did sound great. It certainly sounded like an expensive amp and felt amazing to play through, but I didn't play it nearly long enough to judge it completely. IMHO though, I really don't think any amp is really worth that kinda cash.
 
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