Rockman Rockmodules Introduction

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The Rockmodules are a line of professional quality, rack mount guitar effects, introduced in 1986. There are roughly three categories of Rockmodules, the amplifier simulators, the sound processors and the control devices.

The amp simulators include the Sustainor and Distortion Generator. The Sustainor was first released in 1986, along with the Stereo Chorus Delay, which I will describe later. The Sustainor includes a preamp/compressor, a noise gate, distortion and filters, along with a cabinet simulation. Another feature is the auto-clean circuit that allows controlling the guitar distortion by adjusting the guitar volume knob.

The Distortion Generator is a related product that that was released in 1987. Like many of the Rockman products, the Distortion Generator includes compression, distortion and cabinet simulation circuitry. Compared to the Sustainor, the Distortion Generator lacks the noise gate and external loop, but includes a three band pre-distortion EQ.

The sound processors include the EQ, Compressor, Smart Gate, Chorus, Echo and Stereo Chorus/Delay. The Stereo Chorus/Delay was released first (1986), so I will start with it. It can be used as either a chorus or delay. The chorus effect can be mono or stereo. The Chorus/Delay is used for doubling, slap-back and reverb-like short echoes. Combining the Stereo Chorus/Delay with a Sustainor provides a complete system for recording guitar. 1987 brought the Instrument EQ, Stereo Echo and Stereo Chorus.

The Instrument EQ was specifically designed for use with the Sustainor and Distortion Generator. The EQ frequencies were tailored for use with musical instruments, putting an emphasis on the mid range frequencies. Its intended place in a Rockmodule lineup is after the Sustainor or Distortion Generator, but before the chorus and echo effects. It can also be used as a pre-distortion EQ, when placed in the Sustainor effects loop.

The Rockman Stereo Echo is an analog delay. It can be used to provide "slap back" echo when no feedback is used. Increasing the delay time and adding feedback provides standard echo effects. It has stereo inputs, or a mono input if only the left input is used. One possible lineup is to put the Stereo Echo after the Stereo Chorus. The Stereo Chorus was introduced in 1987, following the Stereo Chorus/Delay in the Rockmodule lineup. It is a dedicated analog chorus and adds foot switchable controls for long-chorus and sweep stop.

The Rockman Guitar Compressor is a professional quality compressor tailored for use with guitars. Since many of the Rockman products include a compressor (Headphone amps, Sustainor, Distortion Generator, XP Series and Ultimatum based products), this effect is primarily intended to add compression when it's not provided by other equipment in the signal chain. The Rockman Smart Gate is a dedicated noise gate that builds on the noise gate technology in the Rockman Sustainor.

The control devices include the Midi Octopus and Dual Remote Loop. The Midi Octopus is used for controlling other effects. It could be used with a Midi pedal board, or be controlled by a Midi sequencer. The Dual Remote Loop is used to interface effects and amplifiers that can't controlled by other means. Only 50 were made and they are hard to come by.

The production of Rockmodules continued until approximately 1991. They continue to be used by musicians and traded by collectors.

References:

http://www.rockman.fr/Reviews/Rockmodules.htm
http://www.rockman.fr/Products/List.htm
http://www.tom-scholz.com/Manuals/index.html
 
I had the sustainer wish I never sold it !!
That thing was cool !!
 
The Sustainor is probably one of the most complete amp simulators ever made. You just need to add effects (chorus, echo, etc...) if you want them, and run the output to the mixing board.
 
My brother had the xp100 I think that was the name ?
100 watt rock man looked like a ghetto blaster !
Thing sounded great !!!
Tom Schultz has great tone !!
Thanks for posting this !!!
Took me down memory lane !!!
 
I'm not sure why people like to bag on the rock man stuff ?
In my opinion back when this stuff came out there was not much that could get those sounds and was very user friendly .
I like the sound quality of newer high end fx but do not like the complexity of them !!
I'm simple but like good sound !!
I mean man you need to spend as much if not more time learning to use the new effects as you did learning to play the guitar !!!
Not so with the rock man line of effects !!
 
I had all the little half rack units back in the day...

I still have my trusty Sustainor which is part of my office practice rig. It drives a red Marshall mini stack, lol.
 
Kidkramer71":g9joeqfx said:
I'm not sure why people like to bag on the rock man stuff ?
In my opinion back when this stuff came out there was not much that could get those sounds and was very user friendly .

I think the reason the Rockman line works so well for guitar players, is because the guy who created it was a guitar player. I believe it made a big difference with all the SR&D gear.

Best,

--Bruce
 
rbc":1cc24wvs said:
Kidkramer71":1cc24wvs said:
I'm not sure why people like to bag on the rock man stuff ?
In my opinion back when this stuff came out there was not much that could get those sounds and was very user friendly .

I think the reason the Rockman line works so well for guitar players, is because the guy who created it was a guitar player. I believe it made a big difference with all the SR&D gear.

Best,

--Bruce
THIS!...........
 
I just sold my Sustainor and Delay/Chorus a few months back. Cool units but I never used them anymore and a forumite was looking so I hooked him up. Better to be put to use than just sit in my toy box.
 
I plugged into a Rockman rack back in Dec., and knew right-away why I stopped using Rockman gear. Listen to Boston's first album tones, and then listen to Third Stage... Utterly plastic sounding, and no dynamics. The tones are so processed, it almost sounds like a guitar synthesizer. The X100 was cool as a 'packaged tone' if you pushed it with a gain pedal. Even if you minimize the compression of the Sustainor, they still have 'that' sound. I have however used the Sustainor as a biamp with great success...but not as a preamp.

A great example of awesome tube amp tone vs. a Rockman Sustainor can be heard on AIC's Dam That River.



"The shitty sounding guitar parts you hear on 'Dam That River' were done using a Rockman Sustainor."
- Jerry Cantrell

What's important to note, is that Jerry used the Rockman to add diversity to the overall structure of the composition... This is cool! I think he meant 'shitty' in an endearing sense.
 
Its all in how ya set her up.Ive heard gawd aweful rockman tones, and ive played some rockman rigs that darn near sounded like God himself.My F.O. H. guy says its his favorite tone from me when Im giggin in my 80s band.And Ive used a friedman,herbert,shiva, mk III, Mk IV,Badcat,& dual rec on that gig-and those amps really did sound good,he just preferred the Scholtz rig for various reasons.One of the biggest mistakes I think folks make with the rockman gear is they run it into the front of an amp head into a 4x12 cab.Maybe somebody got a good tone that way, but prob. not..I bought all the modules and a jcm 800 2203 back in the day,setup the modules properly, then ran em all into the 2203..pretty ugly,and not the boston sound, thats for sure...Sold it all..I have since bought it all back, this time with the rockman poweramp and full range cabs-and its all there now- killer boston tone, and even borderline death metal if set that way..The rockman gear may not be everybodys cup of tea,but theres no denying that Tom was onto something special( try to duplicate his hyperspace pedal-pretty much no one can),and I do love my other amps for sure.Rockman is just another flavor of cool, unique tones to enjoy and add to collection!
 

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Yep I had alot of that gear and still have the X-100-- it sounded good to me and made 4 track recording a breeze back in the 80s
 
rbc":qcsaf75y said:
Hey Little B, thanks for the pictures.

Best,

--Bruce
...Youre much welcome!.As long as Ive been a member here, I dont recall rockman ever gettin this much attention..and the old question; do you know anyone making the hyperspace pedal? Id pay to have one made.
 
Totally awesome little b !!
I'm on board with what you said about rock man gear !!
I think you do a lot more then most think !!
I have heard plenty of people sound pretty awful with great gear they just don't know how to dial it it !!
Anyone can make a mud pie !!!
Jim
 
Little B":1dy7979n said:
rbc":1dy7979n said:
Hey Little B, thanks for the pictures.

Best,

--Bruce
...Youre much welcome!.As long as Ive been a member here, I dont recall rockman ever gettin this much attention..and the old question; do you know anyone making the hyperspace pedal? Id pay to have one made.

Tom Scholz said he made two, and they they take some effort to keep working. I'm guessing that's why SR&D didn't sell them. I remember seeing a YouTube video. Here it is:

 
I used to love to go to the local music store when I was in high school and plug into the Rockman setup they had.
LOVED that Distortion generator. :rock:
Sounded so bad ass back in the day. :yes:
 
The Hyperspace pedal is just a mechanical linkage between a rocker pedal (like a wah wah) and the delay function of an Echoplex, BUT the rocker pedal pivots 360 degrees...not just forward and back, side to side too, like a ball and socket joint. I would imagine you could do something similar with an old analog delay pedal mounted in an old De Armond volume pedal, put the delay time and/or feedback pots on the rocker part of the pedal...when you want the "noise", roll the pedal forward...That's what I'm going to do. I bought an old DeArmond volume pedal and an old DOD analog delay, the DeArmond is huge...big enough to swallow a pretty big circuit board and it has areas for the other controls too.
 
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