Ok - the only difference between the two clips is that Clip 1 has stereo micropitchshift (+9 cents L/-9 cents R, 5ms delay L/10ms delay R) from my Axe-FX Ultra mixed in. I can hear it, but it is just slightly there in the mix. It sparkles it up a bit to my ears... I wanted to see if anyone would hear it, but I guess it would need to be higher in the mix.
This clip is actually 5 mics/pres mixed together:
Heil PR20/Great Rivers MP-2NV
Beyerdynamics M-160/Seventh Circle Audio A12
Beyerdynamics M-500/Great Rivers
MP-2NV
Sure SM57/Seventh Circle Audio N72
Audix i5/Seventh Circle Audio J99
I was hooking up some new mics and pres and just recorded them all at once for the hell of it. The mics were just randomly positioned around the front of the speaker cab to test them, but I thought it sounded interesting even though I hadn't tried to position the mics properly. I now have each of them positioned well for recording.
I actually think this sounds kinda cool... what do I know though...
One the Axe - since I haven't found a micropitchshifting plugin to replace
SoundBlender when I went native, I wanted to try using my Axe-FX since it does what I want. I got it routed right through my interfaces and Logic and finally was able to get the Axe-FX processing on the track, but every time I bounced down, the effect was gone. I spent hours trying to figure it out and finally posted on the Logic Pro Forum. I had been bouncing offline, which of course, does not send any audio to an outboard unit. When I bounced real-time, of course it worked fine. I spent like 3 hours trying to figure out what I was doing wrong... What an idiot!
Steve