
Smash
Hack
Smoothest high gain amp I ever played was a Bogner Twin Jet. Before that, it was my Soldano Avenger, which I still own.
Tommy Von Voigt":1g4xbccz said:Hey all! I'm thinking of adding another amp to the arsenal. Whatever I add, I'd like it to be the smoothest, most polished high gain amp I can get. So, I thought I'd ask everyone their opinions! What I mean by smooth high gain - no harsh frequencies, nothing "sharp" about it, not overly stiff, etc.
I'm not looking for fuzz. I actually run screaming away from fuzz. I don't like buzzy, fuzzy or harsh distortion. I'm looking for an amp that, when tracking with it, already sounds as close to polished and produced as possible. I have STL Libra, and almost every IR that Celestion and OwnHammer make. I'd like to be able to go through my Suhr Reactive Load, and, with the right IR selected, already be right where I want to be. I'd like that "studio microscope" to not reveal anything unpleasant. Something that already sounds like it's double tracked. I'm looking for something super refined. Open, 3D, polished...these terms come to mind.
I dig this KSR Juno clip quite a bit:
https://www.youtube.com/watch?v=02JCh_CzZbE
But there aren't too many other clips of that head around, and the ones that I have found, don't really sound like that. It's hard to really know for sure what I'd be getting, and it's a heck of a risk to take for such a pricey head that I can't play through first and has a long turnaround time.
If you like the Juno clip, I'd check out the KSR Gemini or Artemis, as those are more American Style amps, and at least I always associate that meaning smoother. The Juno was made solely to be a "British style" KSR amp since all the others are American style.
There are tons of fancy high gain heads on the market, but finding demo clips that I dig is proving to be quite difficult. Nearly all of them seem to be brutal, modern metal sounds, which is not what I am trying to achieve at all. I'm going for the idealized 80s rock sound. You know, the way it sounds in your head, afterward, looking back on it with rose tinted glasses.
It would be ideal to have:
• A lush, pretty clean channel
• A kick ass high gain channel for the kind of rhythm guitar I play (I go beyond what I think most consider to be crunch rhythm...we're talking Tom Scholz levels of gain. Like, the opening power chords of "I Think I Like It" off of Boston's Third Stage record)
• A saturated, liquidy and full lead channel
Don't worry about budget, but I'd like to avoid anything that is just legit unattainable for whatever reason. So, nothing crazy like Trainwrecks or Dumbles, nothing really hard to find used, like a Cameron or a real Jose, etc. Let's stick to stuff that is either in current production, or that I can realistically and reasonably find on the used market.
Also, one more thing...please don't post "Soldano SLO" unless you can provide a clip of one doing exactly what I'm talking about!
Smashedguitarist":3tig7a1t said:Smoothest high gain amp I ever played was a Bogner Twin Jet. Before that, it was my Soldano Avenger, which I still own.
fusedbrain":2hs4rr5i said:I'm going to say BE-100, but the older the better.
The old ones with Mallory caps and the negative feedback on the speaker jack are about as polished as it gets.
Over the years, Dave has tweaked the BE-100 circuit to be a little brighter and a little more aggressive because the main beef you always heard with those amps circa 2014 / 2015 was " it's too polished" and "it sounds too much like a record"![]()
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fusedbrain":2hs4rr5i said:" it's too polished" and "it sounds too much like a record"![]()
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boogie1":ekhkx6lh said:Smashedguitarist":ekhkx6lh said:Smoothest high gain amp I ever played was a Bogner Twin Jet. Before that, it was my Soldano Avenger, which I still own.
I agree 100% The Bogner TJ is the one of the smoothest, well defined high gain amps I've played/owned.
I find the Diezel's (VH4 & Herbert) a little stiff and compressed even though they're very polished sounding.
Racerxrated":10eu5u8i said:Real 2C+s are the smoothest amps I've owned; the older BE100s are super smooth and polished but too much so for my taste. The Naylor clips I've listened to are VERY smooth and have a cool unique tone that I've never really heard before. But they seem pretty dark too; Jubilees are darker and smoother than any other Marshall and have a unique gain structure due to the LED clipping and EQ that is way more responsive than any other stock Marshall.
Personally, if I were after a smooth tone I'd go after that Naylor SD60 in the classifieds right now.
I have a Gjika 10N myself. It’s of the best amps I’ve ever played (top 3), but I don’t think it fits what the OP is asking for. It’s not really polished, but rather raw and organic and only 1 channelNigel":3awprecj said:Gjika 10n & matching 2x12.
/thread
Yup! When they made the move to the Synergy caps, they changed the filtering too.Purpleibby":e4v3ou7t said:fusedbrain":e4v3ou7t said:I'm going to say BE-100, but the older the better.
The old ones with Mallory caps and the negative feedback on the speaker jack are about as polished as it gets.
Over the years, Dave has tweaked the BE-100 circuit to be a little brighter and a little more aggressive because the main beef you always heard with those amps circa 2014 / 2015 was " it's too polished" and "it sounds too much like a record"![]()
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I'll echo this! It was perfect how it was IMO, I wouldn't change a thing about this amp!