So what is the Rigtalk view of PCB vs PTP

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No different. Use what sounds good or ask Soldano...

And if you're worried use a DHCP, or SAN, or DNS with a VPN. Also works well.
 
this is such an easy answer if guitars players would trust their ears and not forums.

if it sounds good, it is good. I could really give 2 shits how or when it was made. im a musician, first and foremost the more the gear lets me forget about gear the better it is for me. i just want to think about the playing and let the gear stay out of my way. thats why i like the brands i like, i feel like they allow me to work more efficiently. PTP vs. PCB, i say let the builders fight over that shit and let the guitar guys out in the trenches reap the benefits of their work. :D

A Wood
 
jasonP":2qo7h6ho said:
titanamps":2qo7h6ho said:
PCBs offer the greatest possibility of amps being consistent, i.e. two amps sounding the same. obviously, component values are going to vary, but the interelement capacitances will at least be the same. with a turret/eyelet built amp, it's near impossible to maintain that level of consistency.

true PTP is even worse.

that's my $.02 on the matter.


Can you explain why ptp would be less consistant then PCB? Interelement capacitances?
If you go back to my original post and follow the link you will get a very in depth explanation from one of the best builders in the business, Andy Marshall of THD Electronics. The tone of his amps may not be your cup of tea, but you'd be hard pressed to find a better built amp than what THD produces.
 
stratotone":33ll13b4 said:
Too bad my fab amp is in storage, I could take it apart and post pics on the gear page for all the point to point fans. :D


:lol: :LOL: :lol: :LOL: :lol: :LOL:
 
chunktone":2f9kbgls said:
jasonP":2f9kbgls said:
titanamps":2f9kbgls said:
PCBs offer the greatest possibility of amps being consistent, i.e. two amps sounding the same. obviously, component values are going to vary, but the interelement capacitances will at least be the same. with a turret/eyelet built amp, it's near impossible to maintain that level of consistency.

true PTP is even worse.

that's my $.02 on the matter.


Can you explain why ptp would be less consistant then PCB? Interelement capacitances?
If you go back to my original post and follow the link you will get a very in depth explanation from one of the best builders in the business, Andy Marshall of THD Electronics. The tone of his amps may not be your cup of tea, but you'd be hard pressed to find a better built amp than what THD produces.
Actually, MY original post :D
 
Do not really care. I am more interested in how it sounds and if it is reliable.
 
Still another opinion - or maybe even some enlightenment? Decide by yourself!

By principle it's possible, to design an awesome PCB with enough space between the components and with very low amounts of crosstalk between the traces, the layers and the components at all - as well as it's possible, to desing a poor and strange behaving PTP layout! This all depends on the knowledge & experience of the designer - by principle!

Another aspect is, that certainly some ~companies~ would like to build their amps on PCB, to save cost and labor time, to enhance their profit or to may offer their amps cheaper, to enhance the possible numbers of sale. But to those sometimes it appears, that it's not economical, to make a PCB design for their 5-10 amps, they're selling in a year. Or they've tried it in the past, but after the 5-th or 6-th not properly working PCB they've decided, to not longer waste time and nerves with the try on still more experiments - knowing, that on a PTP board you can swap parts easily, if you have an oscillation issue, damping or cancelling out effects, aso. Even with a just average knowledge you can experiment as long, until it 'works', though haven't recognized, 'why' it's working now - but a PCB is as it is, any experiments on it are extremely restricted.

Not seldom (or even almost always) cost & economical aspects come into play, when a company has to decide, whether this amp should be build PTP or PCB! The often heard argument of the higher or better consistency of a PCB amp by any means is fact, if you have only 'trained on the job' people, but otherwise not with that huge knowledge about tube amps, to assemble and complete the amps. But when a skilled person is building a PTP amp with all his knowledge about the stray fields occuring in amps and the knowledge & experience about, which cable's stray field is influencing the signal voltage in another cable, component, aso. in a bad way, then he's even able, to build this amp with a still higher consistency, than a PCB amp usually is built!

Keep in mind, that the electrons don't flow only in the cables and in the components! There are sometimes huge electro-magnetic fields around every conductor! Some areas inside a tube amp and sometimes only 'this' or 'that' single cable are highly sensitive for catching any stray field surrounding there - they're acting like antennas of a receiver. Other areas or certain cables, who contend eddy current and/or high voltages in contrast are acting like transmitters, who sometimes are straying out unbelievable far. Then you have to take in account the phase of any single cable, part, the phase shift produced by passing the signal through a cap and many more, what's impossible to describe here, if I don't intend to write a book.

And all these stray fields are influencing each other, from where sometimes some bad and unwanted results might occur, which i.e. are oscillating (audible & not audible), ringing (ice pick highs), intermodulations, dampening, cancelling out of some frequencies and many more. And because an amp, where nothing would influence another cable, component or area would be about 7 feet wide, 3 feet deep and 1 foot high (only the chassis), the designer must have huge knowledge about these fields and a lot of experience with tube amps at all, to be able to build a 'flawlessly working tube amp' inside a smaller space.

He must know concretely, what cable might be routed along the other, or across which component, in which space to each other - and which ones have to be avoided to only come close to this area, not to mention close to this cable or component. He further must know, which component might be placed next to the other, in which space... and which one never may be placed there at all on the PCB or on the turret/eyelet board. And this skills IMO are more important, than (the from reading other schems) acquired knowledge of determining the values of this cathode resistor, that coupling cap, the tube's supply voltages, aso.

You now can see, that tube amps are highly sensitive animals inside! And I'm sure, that if it would be possible, to make all those fields, phasings, phase shifts outside of the cables & components inside a tube amp's chassis visible, then among not less of the tube amp builders would occur an 'ah-ha effect' - and some of them would quit their business forever, they'd capitulate after this :student:

And now keep in mind, that not all and everything in a PCB amp is 'fixed' on the PCB! There are lots of cables from the PCB to the tube sockets, to the pots, to the jacks & switches. Moreover there are cables from the OT & PT - and all these cables, the entire lead dress might be routed today in this manner - and tomorrow different. Or 'Rick' does it always 'this way', whereas 'Nancy' always does it different... The final test result is: "amp is working" - so simply put it in the cardboard - ready for shipping ;)

Still another aspect, why i.e. I never will design and offer a PCB based amp is, that in my PTP eyelet-board based amps I'm able to fine-tweak and optimize the amp's sound even w/o swapping tube brands or component's values just by moving the cables back & forth. I'm using very stiff cables (not solid core), which stay in place even when the amp inside is heated up much after a 4h gig. The location of the cables anyway is optimal choosen, but by moving it a bit closer there, or a bit closer to (the shielding effect of) the chassis - or rather more away from the chassis and maybe closer to another cable, to get an expected influence from another field still more present... is similar to getting still the last 20...30 more horsepower out of a Formula 1 engine :D

But on a PCB I can't move any trace :confused:

The short version or lets say the resume of this above I've already written here in another topic 1.5 years ago. Here:

viewtopic.php?f=3&t=27434&p=332530

For those, who are interested in reading it once again, here pasted in:

novosibir":3qdzd059 said:
chunktone":3qdzd059 said:
jack butler":3qdzd059 said:
Larry's amps are PTP not PC board, look at the photo's---like a high end sports car.......typical German quality at it's finest!
So your saying since it's PTP instead of a PC, that justifys the cost. Diezel's use the highest grade components available, and from the look inside the Herbert, I'm not sure PTP would even be possible.

Check this link on PTP vs. PCB.

http://www.bogneramplification.com/cust ... index.html
Yes, a great explanation!

But almost every preacher with a good elocution could explain (and maybe convince) you, why his religion is better than all the others and why his church is the best at all ;)

Believe me, there's a reason, why I spend 80 hours of work in hand building a British Purist and even 100 hours of work in hand building a DINO - and this reason can't be replaced just with a PCB, maybe already completely assembled and delivered by another company! And I'd do it different, if I'd get the same results with a PCB, what I'm getting with my procedure :yes:

Larry

I very much hope, that you all could understand my German's English :)

Larry
 
And yes - now I'd like to read some other statements of PCB and PTP builders to this subject - no matter, whether oppositional or confirmative!

Larry
 
I think this debate deep down is more about emotions than technical arguments. Some want to keep the ways of old, and there is something to be said of being able to experiment with and fix the amp yourself, which becomes terribly difficult with PCB. You give up some control and buy more of a consumption product that would probably be discarded if it fails rather than fixed and cared for for many, many years like some of the vintage Fender and Marshall amps "with soul" (emotional argument).

Personally, I prefer something that sounds great and that I can afford, how it is made I care little about. PTP or PCB are construction methods and not a direct indicator of quality or reliability of a product – which I'd hope any reasonable person can readily admit.

I assume it has become next to impossible anyway to make a modern zillion channel PTP amp with boosts, switches, midi controllers (which are probably chip-based PCB products anyway) and whatever other function one can shove in a modern amp. If something has 10 solder points, I'd trust a human more. If something has 10000 solder points, my bets are on a machine...
 
This thread is getting interesting .....

novosibir":356pmdjr said:
I very much hope, that you all could understand my German's English :)

Larry

I could understand it better than a lot of peoples ideas on this with English being their first language.
 
duodecim":1sftgk0h said:
I think this debate deep down is more about emotions than technical arguments. Some want to keep the ways of old, and there is something to be said of being able to experiment with and fix the amp yourself, which becomes terribly difficult with PCB. You give up some control and buy more of a consumption product that would probably be discarded if it fails rather than fixed and cared for for many, many years like some of the vintage Fender and Marshall amps "with soul" (emotional argument).

Personally, I prefer something that sounds great and that I can afford, how it is made I care little about. PTP or PCB are construction methods and not a direct indicator of quality or reliability of a product – which I'd hope any reasonable person can readily admit.

I assume it has become next to impossible anyway to make a modern zillion channel PTP amp with boosts, switches, midi controllers (which are probably chip-based PCB products anyway) and whatever other function one can shove in a modern amp. If something has 10 solder points, I'd trust a human more. If something has 10000 solder points, my bets are on a machine...

i disagree. if you have had any technical background you know to triple check your work. also, if there is a problem - you will definately know.

in reality every single detail will affect the tone of the circuits. down to the material of the wire, the components you use, and the abilities of its designers.


as i have learned in college - there are equations for every single electrical phenomenon that can exist. but there are alot of assumptions because your getting down to a point that the changes you make on those little fine details effect the greater outcome almost to nothing.

and example would be calculating re prime on a BJT NPN/PNP solid state amplification stage. its the resistance that the diode inside the transistor has when a certain current is flowing when the transistor is saturated.

if you have no idea what i just said then you get the details i am talking about in this post. just HOW statisfied does the designer and yourself HAVE to be before you accept what you have built meets your expectations?

in some designs re' can be ignored like in a swamped amplifier. in other designs it cant. i dont think the proper way to tackle an amplifier is to do it cheaply and as poorly as you can. i do think spending 100 hours for 1 chassis to build is insane and you will get every penny you pay for it in the quality and craftmanship that is bar none.

BUT the other reason i want to bring up - is if it sounds good then who cares? obviously like i said its up to meeting expectations of SOMEONE in the design phase and the ability to pay attention to details both in the tone and also in the craftmanship.

again, if it sounds good - who cares. thats what i believe. i also could care less if it is PCB or PTP - ive converted alot of my amplifier to a mix of both so i can make as many repairs as i'd like without lifting traces or sacrificing quality. does it effect my tone? after doing this - i dont think so. but the topics i mentioned above play the largest part.
 
stephen sawall":2vx1rt7v said:
This thread is getting interesting .....

novosibir":2vx1rt7v said:
I very much hope, that you all could understand my German's English :)

Larry

I could understand it better than a lot of peoples ideas on this with English being their first language.

i agree - i wish my german was that good. theres no way i could say that much in german myself :thumbsup:
 
I am pretty sure the PTP amps in the Axe FX sound better than the PCB. Maybe I just like to stick with my old time thought process though......

:doh: :doh:
 
There was a write up on this matter done by one of the mesa boogie engineers I think. Does anyone have the link ?
 
liamlw":3a1xzo3m said:
There was a write up on this matter done by one of the mesa boogie engineers I think. Does anyone have the link ?
It's been written by Randy Smith himself, so gues what the owner of a company, who exclusively are building PCB based amps will elaborate :D

I've read it years ago,but haven't bookmarked it - but anyway my comment to this writing is the same as above:
Yes, a great explanation!

But almost every preacher with a good elocution could explain (and maybe convince) you, why his religion is better than all the others and why his church is the best at all ;)

;)

Larry
 
stephen sawall":31l09lwj said:
http://www.mesaboogie.com/US/Smith/point-to-point.html
I just read it once again and had to laugh so loud, that my wife woke up and asked, what's so funny on my computer :D
Yep - it's already 4:00 am here in good old Germany :yes:

But let's dig a bit into his writing, just picking out a few examples:

It is easy to demonstrate how moving some parts or lead wires as little as 1/4" can make a huge difference in the top end "transparency" of the sound--exactly where a lot of the magic lives--or dies.
Here he's absolutely right and obviously knows, about what he's speaking! But I want to supplement, that sometimes more than one inch left or right doesn't matter, but sometimes just 1/16 inch difference can affect the tone, the response and the dynamics of the amp a lot.

For example, the great top end of the Dual Rectifier has an aggressive bite but avoids the harshness by the way two very important traces are laid out on the board. One trace is on the top and the other runs right beneath it on the bottom side of the board. Thus the very small--but significant-amount of capacitance coupling these two together through the board performs a subtle filtering kind of negative feedback in a critical region where the harmonics can be made to line up just right.
1-st: I've never heard and couldn't hear myself yet, that a Dual Rectifier does have a great top end. The only what I could hear out of Rectifiers is a huge amount of background noise floor. So much, that the first time I've tried one myself I thought, that this amp is defective.

2-nd: It's nearly unbelievable, how he was able, to turn one of the most remarkable downsides of a PCB into a benefit! Really - IMO a good preacher got lost on him! I for myself like it better, to go the controllable way, if there's anywhere a capacitance required - then I simply solder in a cap and even can choose the cap's type after my liking. But what is, if it turns out after a while at M/B, that the cap better should have been a step bigger or smaller in value as thought at the beginning? Does he make then completely new PCB's?

Now go one step further and imagine trying to line up the letters on both the top and bottom sides of a sheet of paper--this time by writing longhand.
If he really feels himself in the situation, to must grasp to those poor and unsuitable comparasions, then anyway any objectivity already is gone.

... but we individually mount and point-to-point wire all jacks, switches, transformers and 8-pin power tubes. The reasons are increased reliability and...
But the preamp tube sockets are sitting on the PCB's - and are leading their heat into the PCB, especially when the tubes are hanging upside down! The PCB becomes warm, then hot, heating up the components -> then the component's values are drifting -> and after an hour or two the amp is sounding different to what it was sounding at the beginning, still cold. But who cares? Your ears anyway are hearing different after 2 hours rehearsing or gig :dunno:

Another aspect of the heated up PCB is, that the copper traces do have another coefficient of thermal expansion than the PCB's material ;)
The traces try to expand on the board, and shrink again after the PCB is cooled down - and again, and again... The moleculare structure of the copper is changing over time, it starts to crystalize - and anywhen (maybe during the nicest solo on stage) a trace is breaking :confused:

I must have repaired thousands of old Fenders (...) I finally found out why some of these noisy amps seemed incurable. The noise was originating in the point-to-point tag board itself! The board material can absorb moisture and become slightly conductive.
Is this his understanding for "freedom of press" or just a huge lack in fairness and objectivity?

He specifically choose the way worst example of a PTP eyelet board, to compare it to PCB - the Fender 'cardboard'! Ouch!
But I've never seen yet a PTP wired boutique amp with this paperboard inside - they've all used fiber boards, which doesn't absorb moisture.

Here's another: Tag boards warp, and the warpage increases the space between eyelets. (...) No sweat. I must have fixed a hundred black face Fenders where point-to-point board warpage had caused this problem.
Same comment as just beyond! Fiber boards don't warp!

Is a round copper wire better than a flat copper trace on a circuit board? Not according to Randall Research (no relation to me!) who has studied audio conductors under all conditions, including at the molecular level under an electron microscope. His opinion is that if there is any advantage either way, it would be with the circuit board trace whose profile offers far greater surface area. It is well established that audio signals (especially the higher frequencies) tend to flow on the surface of the conductor, not through its core.
Yes, a PCB trace offers a greater surface than a comparable round wire, hence it's a better antenna for catching any noise fields, if the trace is one of the sensitive ones, like the traces to the preamp tube grids. Maybe the reason for the Rectifier's background noise?

And yes again, high frequencies tend to flow on the conductor's surface - but this effect first becomes apparent from a frequency of 20 MHz onwards and is very important only in the GHz area. But we're speaking about audio amplifiers, and not about radio or TV transmitters ;)

Just my two ceramic caps to this writing.

Larry
 
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