
bubbastain":mfun0zyy said:glassjaw7":mfun0zyy said:This is true. It's not all in the hands by any means. Both the technique/touch in the hands and the gear play a part.Zachman":mfun0zyy said:bubbastain":mfun0zyy said:You telling me with all that crap load of gear you have(and your hands) you can't get THAT tone?
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No matter how much guys want you to believe it's all in the hands... The gear matters, and no-- not all Marshalls sound like that.![]()
Zach, also agree that the Peters doesn't nail the brown sound like your clip, just posted it 'cause I thought it was pretty cool for an amp that most people get metal tones with.
![]()
Not what I was saying and I certainly didn't want to start ANOTHER tone is in the hands/gear disaster![]()
. I added the "and your hands
" because I know it's a combination of gear AND ability(recording ability too). If you can play those VH bits spot on like Eddie did 30 years ago or that dude in the clip and others out there(Zachman, I'm sure you have the skills) do, It just seems funny that with all that gear (I know not all Marshalls sound the same, but I bet some of those are close enough) you should be able to nail it too. I don't know the specifics of how that dude recorded those clips, like how much post eq and crap but it sounds like VH "album tones". Live and in person, I'm sure it's sounds much different. It was a great VH type tone. There are others out there that "nail it" using different gear and equally skilled hands.
bubbastain":2siylv0v said:jerrydyer":2siylv0v said:uh oh! hand v amp.....
its a balance no need to get this one started again. its been hashed diced quarted southered and smothered, rekindled, burned, bartered and exchanged, touched on, eluded too and talked about.
Tone is in the pick. It's the direct link between the hands and the guitar.![]()
![]()
So, the only question is. ..... How soon can you get it delivered? It sounds fantastic, you want it - done deal, right?Zachman":1ke8xwa4 said:bubbastain":1ke8xwa4 said:glassjaw7":1ke8xwa4 said:This is true. It's not all in the hands by any means. Both the technique/touch in the hands and the gear play a part.Zachman":1ke8xwa4 said:bubbastain":1ke8xwa4 said:You telling me with all that crap load of gear you have(and your hands) you can't get THAT tone?
![]()
![]()
No matter how much guys want you to believe it's all in the hands... The gear matters, and no-- not all Marshalls sound like that.![]()
Zach, also agree that the Peters doesn't nail the brown sound like your clip, just posted it 'cause I thought it was pretty cool for an amp that most people get metal tones with.
![]()
Not what I was saying and I certainly didn't want to start ANOTHER tone is in the hands/gear disaster![]()
. I added the "and your hands
" because I know it's a combination of gear AND ability(recording ability too). If you can play those VH bits spot on like Eddie did 30 years ago or that dude in the clip and others out there(Zachman, I'm sure you have the skills) do, It just seems funny that with all that gear (I know not all Marshalls sound the same, but I bet some of those are close enough) you should be able to nail it too. I don't know the specifics of how that dude recorded those clips, like how much post eq and crap but it sounds like VH "album tones". Live and in person, I'm sure it's sounds much different. It was a great VH type tone. There are others out there that "nail it" using different gear and equally skilled hands.
No worries...![]()
I just like the idea of having that amp set to pull up 'that' sound, while having the others set-- to pull up different sounds, and having them all available and ready w/ the press of a button.
bubbastain":1p6sj8ge said:Zachman":1p6sj8ge said:bubbastain":1p6sj8ge said:jerrydyer":1p6sj8ge said:uh oh! hand v amp.....
its a balance no need to get this one started again. its been hashed diced quarted southered and smothered, rekindled, burned, bartered and exchanged, touched on, eluded too and talked about.
Tone is in the pick. It's the direct link between the hands and the guitar.![]()
![]()
No way, Tone is in my pants. Here, pull my finger and I'll prove it.![]()
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Nice one. Those natural overdriven tones come mainly from the NOS burritos.
IndyWS6":1hzk09g1 said:So, the only question is. ..... How soon can you get it delivered? It sounds fantastic, you want it - done deal, right?Zachman":1hzk09g1 said:bubbastain":1hzk09g1 said:glassjaw7":1hzk09g1 said:This is true. It's not all in the hands by any means. Both the technique/touch in the hands and the gear play a part.Zachman":1hzk09g1 said:bubbastain":1hzk09g1 said:You telling me with all that crap load of gear you have(and your hands) you can't get THAT tone?
![]()
![]()
No matter how much guys want you to believe it's all in the hands... The gear matters, and no-- not all Marshalls sound like that.![]()
Zach, also agree that the Peters doesn't nail the brown sound like your clip, just posted it 'cause I thought it was pretty cool for an amp that most people get metal tones with.
![]()
Not what I was saying and I certainly didn't want to start ANOTHER tone is in the hands/gear disaster![]()
. I added the "and your hands
" because I know it's a combination of gear AND ability(recording ability too). If you can play those VH bits spot on like Eddie did 30 years ago or that dude in the clip and others out there(Zachman, I'm sure you have the skills) do, It just seems funny that with all that gear (I know not all Marshalls sound the same, but I bet some of those are close enough) you should be able to nail it too. I don't know the specifics of how that dude recorded those clips, like how much post eq and crap but it sounds like VH "album tones". Live and in person, I'm sure it's sounds much different. It was a great VH type tone. There are others out there that "nail it" using different gear and equally skilled hands.
No worries...![]()
I just like the idea of having that amp set to pull up 'that' sound, while having the others set-- to pull up different sounds, and having them all available and ready w/ the press of a button.Oh, and clips after you dial it in
![]()
Could you please not post list like this, I look at it and go, yeah I can do those, I just need 6 diff amps, 12 pedals, 1 rack and 5-7 various guitars with diff pickups, no problem!Zachman":1glzcsvv said:MississippiMetal":1glzcsvv said:Yeah look at the plethora of baby boomers chasing Clapton's 45 year old Cream/Bluesbreakers tone.
And...
Hendrix
SRV
Trower
Robben Ford
Holdsworth
Page
Knopfler
Gibbons
Angus
Malcolm
Gilmour
Landau
Lukather
Lynch
Metallica
Santana
The Edge
Andy Summers
Eric Johnson
etc... etc...
gibson08":2c3nljr9 said:Could you please not post list like this, I look at it and go, yeah I can do those, I just need 6 diff amps, 12 pedals, 1 rack and 5-7 various guitars with diff pickups, no problem!Zachman":2c3nljr9 said:MississippiMetal":2c3nljr9 said:Yeah look at the plethora of baby boomers chasing Clapton's 45 year old Cream/Bluesbreakers tone.
And...
Hendrix
SRV
Trower
Robben Ford
Holdsworth
Page
Knopfler
Gibbons
Angus
Malcolm
Gilmour
Landau
Lukather
Lynch
Metallica
Santana
The Edge
Andy Summers
Eric Johnson
etc... etc...![]()
Wow, that was damn close!emaushenric":3sfe5wis said:Here is a Swedish guy who nails the Van Halen tone!
https://soundclick.com/share.cfm?id=5806326
richedie":297ttxmy said:Sounds good. I was never a big fan of Van Halen's tone but hey...if it works for you!