What new cab and speakers? AND Scumbacks VS EVM12Ls

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needtopractice1

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Hey guys. I play Heavy Pop rock and I'm looking into getting a new cab, all prices would be considered. First I'm asking what cab is best for a huge sound that projects well is solid and well made. Very Wide "3D" sound. I like thick Tight Bottom End. Top Quality Stuff

The speakers I'm looking into are Scumbacks, not sure which series, and EVM12ls. I know that they might not be the same type of speaker but I think both would have their strong points. Maybe a cab for each speaker set... ;)
Can you guys give me your opinions on both of these types of speakers? :) It'd helps greatly.

The type of tone we go for in our situation is higain with a nice warm natural sounding High end that is detailed, "organic" for lack of a better term. Lot's of midrange is a must, and a nice Tight/thick bottom end that responds well to mutes.

Any opinions are welcome!
 
EarCandy BuzzBomb with Eminence Swamp Thangs (my own cab, actually). Or a Bogner 4x12 with Celestion/Warehouse 65s. Both will be very "3D", but the BuzzBomb will weigh and cost a lot less :D
 
What have you tried that you don't like for starters.
 
You mentioned as a requirement to "project well". Try a front loaded cab for "in your face" projection. The change in tone and stage mix will absolutely blow your damn mind. I have a room full of 4x12's, but the Diezel Front Load 4x12 with V30's is the tightest, most articulate cab around and built like a brick shit house. Highly recommended.

Try also a Bogner Uber cab. It has 2-V30's and 2-G1275's in it and gives a really good mono mix of tones without all the flub of a typical rear load V30 cab.

No opinion on the Scumbacks or EVM's you mention.

Steve
 
You mentioned as a requirement to "project well". Try a front loaded cab for "in your face" projection. The change in tone and stage mix will absolutely blow your damn mind. I have a room full of 4x12's, but the Diezel Front Load 4x12 with V30's is the tightest, most articulate cab around and built like a brick shit house. Highly recommended.

Try also a Bogner Uber cab. It has 2-V30's and 2-G1275's in it and gives a really good mono mix of tones without all the flub of a typical rear load V30 cab.

+1 but go with G12k-100's or a V30/G12k-100 mix if going the Diezel route.
 
Mix EVM12Ls with Celestion Golds. Ain't Nothing better, huger, more solid and tight at the bottom, more chewy in the mids, more musical in the highs. It just doesn't get better or more versatile from sparkling cleans to gripping distortion.

I've got Scumbacks, Celestion Heritages, pre-Rola stuff, Fanes and it's just hard to beat the Gold/EV combo.

As for cabs, VERY hard to beat Stone Age for a cab you know will NEVER be the problem in your tone chain. They are super solid and project very well, just like the old Marshalls.
 
Hey_bert_whtcha_doin_bert":1huw4r3k said:
What have you tried that you don't like for starters.
It's not that I didn't "like" them, it's just that I want more of it. I have a Marshall 1960 with 30s, and Orange with I think 30's, and a B-52 cab that is nice and hifi. Surprisely great cab.
The B52 is great with nice tight bass but lacks low low end and the highs are a little sterile at times. Great cab though. The Marshall is alot warmer and sounds nice but is a little less clear than I'd want.
 
Now how is the front loader that different than a rear loaded?
steve_k":2x6ozzi5 said:
You mentioned as a requirement to "project well". Try a front loaded cab for "in your face" projection. The change in tone and stage mix will absolutely blow your damn mind. I have a room full of 4x12's, but the Diezel Front Load 4x12 with V30's is the tightest, most articulate cab around and built like a brick shit house. Highly recommended.

Try also a Bogner Uber cab. It has 2-V30's and 2-G1275's in it and gives a really good mono mix of tones without all the flub of a typical rear load V30 cab.

No opinion on the Scumbacks or EVM's you mention.

Steve
 
BleedingEdge":24nq0a0s said:
Mix EVM12Ls with Celestion Golds. Ain't Nothing better, huger, more solid and tight at the bottom, more chewy in the mids, more musical in the highs. It just doesn't get better or more versatile from sparkling cleans to gripping distortion.

I've got Scumbacks, Celestion Heritages, pre-Rola stuff, Fanes and it's just hard to beat the Gold/EV combo.

As for cabs, VERY hard to beat Stone Age for a cab you know will NEVER be the problem in your tone chain. They are super solid and project very well, just like the old Marshalls.
Hey maybe you can chime in. How do Scumbacks, pre rolas, EVM12ls and the Golds compare? That'd help alot!
:thumbsup:
 
I've not played the Scumbacks, but I've never heard of someone not liking them. I do have a 2x12 loaded with EVM 12L's and here's my take. They are very neutral, uncolored, honest speakers. What you get out is what you put in. If you are counting on speakers to color your tone, they are not for you. They handle power really well, do not break up under load, they do roll off a little high end as they are pushed, but not much.

My cab is a Port City OS 2x12, being fed a healthy dose of VHT D120.

I really like them, but they are definitely not for everyone.
 
Woudl you say that they are HIFI then? If so is it a warm musical hi end?
fetishfrog":1zdkpggu said:
I've not played the Scumbacks, but I've never heard of someone not liking them. I do have a 2x12 loaded with EVM 12L's and here's my take. They are very neutral, uncolored, honest speakers. What you get out is what you put in. If you are counting on speakers to color your tone, they are not for you. They handle power really well, do not break up under load, they do roll off a little high end as they are pushed, but not much.

My cab is a Port City OS 2x12, being fed a healthy dose of VHT D120.

I really like them, but they are definitely not for everyone.
 
Compared to the typical offerings from Celestion/Eminence/Fane, I'd say they are hi-fi ish. They certainly are not full range speakers, but seem to lack gaps/spikes in the frequency response curve. Whether or not you'll like this is another matter altogether. :)

When I first got mine, I was surprised at how my amp's eq was suddenly quite a bit more responsive than before. This was simply the result of the EV not coloring the sound in one particular direction or another and therefore adjustments to the amp were immediately obvious. It took some getting used to.

RE: the high end. The high end is very clear and present, but not at all brittle, harsh, or spikey in any way. It's different than a lot of other guitar speakers in its high end presentation, but I took to it very quickly and now greatly prefer it.
 
psychodave":2x9ifqip said:
fetishfrog":2x9ifqip said:
I've not played the Scumbacks, but I've never heard of someone not liking them. I do have a 2x12 loaded with EVM 12L's and here's my take. They are very neutral, uncolored, honest speakers. What you get out is what you put in. If you are counting on speakers to color your tone, they are not for you. They handle power really well, do not break up under load, they do roll off a little high end as they are pushed, but not much.

My cab is a Port City OS 2x12, being fed a healthy dose of VHT D120.

I really like them, but they are definitely not for everyone.

Mark me as the first person not liking the Scumback G12H30 w/55 hz. I had an original quad of mid 70's Celestions that were all re-coned that I had Weber do his scumback treatment. While they sounded better than the old recones, they didnt sound nearly as good as my originals.
That poses a VERY good question that I've had for some time now. Are weber's version better IYO? Closer to the original? How do the Scumbacks compare to your originals?
 
3 cabs seem to be front runners as of yet. In no particular order... Bogner, Mills Acoustics, and Stoneage. ANy opinions?
Jim.
 
needtopractice1":2qiihlpg said:
Hey maybe you can chime in. How do Scumbacks, pre rolas, EVM12ls and the Golds compare? That'd help alot!
:thumbsup:

Ah, this will be long, and it still won't help that much vs you experiencing them. All I can report is my experience, and we all have different ears. But I can tell you I'm a fan of 70s and 80s hard rock and metal tones (as well as modern metal tones before the cookie monster kicks in), as well as blues stuff. I'm no jazzer, and cleans have their place, but not a big place. Also, I'm no Pro. I'm not gigging out. Family man with kids and responsibilities. I play mostly to Garage Band tracks in a Mac-based basement studio where I can crank it, sometimes with another guitarist friend to the same tracks.

So these are my thoughts. I have the Scumback M75s in a 4x12 Stone Age (which to me is a vintage Marshall reference cab). They really need to be pushed a bit to sound great. For a G12M style speaker, they seem to have a bigger, tighter bottom, and they are noticeably more efficient (though not like EVs or G12H speakers) than the Heritage G12Ms. They sound a bit more modern to me, and they actually work great for more modern metal tones, unlike G12Ms in my experience. I've run my ENGL SE EL34 through it and it works terrific.

Pre-Rola G12Ms - I've played them but don't own a cab with them - seem to play darker too than the Heritage G12Ms, but the comparison isn't very valid. I think a lot of old pre-Rola G12Ms have just been abused - they're not that efficient and they only handle 20-25 watts, and Marshalls pushed through them have stressed them out because they sound best stressed out. That might have been the case with what I played - old, tired speakers. In pre-Rola speakers, I've had a better experience with (and own) pre-rola G12Hs - they are more efficient, are typically less abused as they have higher power handling, and clearly a lot of 70s rock was made with these because they just have that tone. I haven't found any other speaker that matches better with my Soultone amps or my Orange Retro 50 - put a vintage Marshall style EL34 amp through real pre-Rola G12Hs in good condition with a bit of volume, and you're in vintage tone heaven. I also have a lot of Heritage G12Hs, and they are great speakers that come close, but they just don't have that last 5% of the magic of the pre-Rola. I actually play my Soultone amps through the Heritage G12Hs though because they are THAT good, and I've put the same speaker into my Goodsell Super 17. I think pre-Rolas are kinda necessary if you're totally anal and looking to replicate those vintage tones (like I am a lot), but if you're looking forward and just want to rock with a great tone, totally unnecessary.

Now I've tried the EV alone in a thiele, in combo with a pre-Rola G12H, in combo with a G12-65, in combo with Heritage G12H, in combo with a Fane Alnico, in combo with a Gold, in combo with G12T-75s. EV alone leaves me cold, just feels flat, seems to nail everything, but lacks warmth and complexity. Most combos with the EV didn't work. The EV ovepowers most Celestions, but still the EV with the G12-65 was one of my favorites for clean tones - some low mid warmth added to the EV, and I still keep that combo in a halfback config to run my Princeton Reverb through. Well one day I bought a IIC+ with a broken in Celestion Gold in it. When I agreed to buy it, I thought, blech, the amp's mostly for metal and hard rock, why would I want that, I'll switch it out. But it sounded phenomenal. I played it on its own for a while, but then eventually paired it an EV Thiele that I've got and now that's my go-to. Seems to me the bottom is big and tight, the highs are way up there with clarity and complexity but not sharp or piercing, and the mids are chewy and forward. Whenever anyone comes over to play, I have them play through that because I know nothing else I have sounds that good. It's just a wow setup. I've got another IIC+ that I've put through just about every cab I have, but it just seems the Gold/EV combination is light years ahead for a versatile tone that excels at everything, can get very loud, and can sound essentially the same at lower volumes - these speakers take a lot to push, and so when you're dialing in your tone, you're not having to count on needing to push the speaker like you do with the Celestions and my Scumbacks. Nocaster blues, strat cleans, LP classic rock, Explorer metal, from low to higher volumes - seems to work for all these as good as anything else I've tried. Only with LP classic rock can I say that there's something kinda better, but even when I'm going Pagey I still play mostly through the IIC+/Gold/EV set up most of the time. It's just the biggest best tone I'm getting. And it seems to fit the OP's tone requirements to a T.
 
Lot's of good info, thanks!
THat gold EV combo sounds wonderful. Is that what you play through mostly now? I'd be puting it in a 412. As I said I go for a BIG THICK Tight Bottom end with lot's of mids and warm musical hifi-ish high end. Do the golds/EV combo sound like the Rx?
 
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