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billboogie
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Paul Kossoff.......
Randy Bachman......
Randy Bachman......
You push the string toward the fret thereby making it go flat...it's somewhat of a finesse technique that takes a little practice to get the hang of (kinda like pinch harmonics in a way...easy once you figure it out but difficult at first).moronmountain":1wnpnxdh said:Ok so Vai does have a decent vibrato I suppose, and he knows WAY more about guitar theory than I will ever care to, BUT!!! How in the heck does he think it's physically possible to push on the string on a fretted instrument, and have the note go flat? Unless I wasn't paying attention in physics, I'm pretty sure you can't make a stringed note go lower without relieving some tension on the string in some way. eg. bending the neck, using a tremolo, detuning while playing, etc.
rupe":2xlyp9je said:You push the string toward the fret thereby making it go flat...it's somewhat of a finesse technique that takes a little practice to get the hang of (kinda like pinch harmonics in a way...easy once you figure it out but difficult at first).moronmountain":2xlyp9je said:Ok so Vai does have a decent vibrato I suppose, and he knows WAY more about guitar theory than I will ever care to, BUT!!! How in the heck does he think it's physically possible to push on the string on a fretted instrument, and have the note go flat? Unless I wasn't paying attention in physics, I'm pretty sure you can't make a stringed note go lower without relieving some tension on the string in some way. eg. bending the neck, using a tremolo, detuning while playing, etc.
Watch a violin player's vibrato. Doing it that way on the guitar allows the note's pitch to be in the center of the vibrato going up and down in pitch. Normal gtr vibrato only goes up in pitch. It's cool either way.moronmountain":2og3pjui said:Ok so I suppose it can be done, but OMG the amount of "dip" in the note is friggin MINIMAL, and you have to really force yourself to hear it. Whatever though, both you and Vai are right, and I'm wrong lol! SORRY!!!!!! ;-)
I guess in the end, being a self taught player that never had an interest in learning jazz or classical, I'm not as concerned about SUCH small details. It can get cork sniffy to me pretty quick. I feel like good emotion, feel and basic control overrides minute details in technique. It's cool to learn something new even at my age though.
Oh and songwriting >>>>>>> ALL
electrophonic.tonic":1gwkdwwj said:Older dudes I'd go Brian May, Hendrix, or Gilmour.
Newer I'd say Lynch or Jake E. Lee.
I think people are just afraid to bring up anything Eddie these days as it degenerates into a shitstorm almost every time.wolf5150":qr6zska3 said:EVH. Can't believe no one's mentioned him.
Wait. Since when is normal guitar vibrato only going up in pitchGreazygeo":qr6zska3 said:Watch a violin player's vibrato. Doing it that way on the guitar allows the note's pitch to be in the center of the vibrato going up and down in pitch. Normal gtr vibrato only goes up in pitch. It's cool either way.
311splawndude":ahob6hfw said:I'd have to go with Lynch from a overall 'feel' perspective.
I think people are just afraid to bring up anything Eddie these days as it degenerates into a shitstorm almost every time.wolf5150":ahob6hfw said:EVH. Can't believe no one's mentioned him.
Wait. Since when is normal guitar vibrato only going up in pitchGreazygeo":ahob6hfw said:Watch a violin player's vibrato. Doing it that way on the guitar allows the note's pitch to be in the center of the vibrato going up and down in pitch. Normal gtr vibrato only goes up in pitch. It's cool either way.![]()