
petejt
Active member
I hit the guitar's strings harder.
I can't argue with this. I tried a Fish and Chips a bit and got some interesting stuff, but the Koko just works.UberschallEL34":cbr7szwa said:boost with Suhr Koko - have a nice day![]()
Rogue":jr6om2k5 said:I can't argue with this. I tried a Fish and Chips a bit and got some interesting stuff, but the Koko just works.UberschallEL34":jr6om2k5 said:boost with Suhr Koko - have a nice day![]()
I am a lower output pickup guy into plexi type amp at. Moderate volume (read gain) for clean/crunch and the Koko for everything else. I used the middle position of the mid boost on my Koko into my jet city modded to a more plexi vibe with some real fun results over the weekend. It's not hard to reach down and flip that switch for some simple EQ work.
I can't do a good a more modern metal type tone real well but it's passable. Everything else is working nicely.
I only run the Koko with the boost side and mid side about 50%, and that is hitting a plexi clone (and Jet City modded to be plexi-ish) and a MCP Nasty Nasty (a lower output pickup compared to most being discussed here) and giving me enough gain to get into some easier leads. It is NOT like a high gain amp, you do have to work for it, but it does push it into a nice lead tone/feel. I haven't run the Koko higher than 50%, but there is more room to go and that may or may not give that type of feel. In any case, I don't think you're going to get a plexi or 800 to get into that super fluid gain without some sort of stomp box that supplies its own gain, and even then it's different than a "high gain" amp.Kapo_Polenton":3bxhblmf said:I had another thread about this but is the koko really able to hit the front end that hard of a moderate gain amp (2204 crunchy or plexi) and give you lead tones or are you the type of player that likes to work for it? I like to work a bit but some runs just need more gain. I like the voicing of that mid switch on the koko though and that is what has me interested. It also seems to add more gain to my ears but maybe that is just because it is pushing certain frequencies that cut more. So let's put it in terms we understand, if you start with a crunchy amp and a relatively hot pickup, do you have enough gain to play any Lynch runs?
I think for what you're talking about, a Timmy would be perfect. I use it in the exact manner you describe above (in bold).Kapo_Polenton":2r1pccma said:I had another thread about this but is the koko really able to hit the front end that hard of a moderate gain amp (2204 crunchy or plexi) and give you lead tones or are you the type of player that likes to work for it? I like to work a bit but some runs just need more gain. I like the voicing of that mid switch on the koko though and that is what has me interested. It also seems to add more gain to my ears but maybe that is just because it is pushing certain frequencies that cut more. So let's put it in terms we understand, if you start with a crunchy amp and a relatively hot pickup, do you have enough gain to play any Lynch runs?
I have had many different (Ibanez, Maxon, Boss, MXR and others) 6 and 7 band graphic Eq's over the years and they all have their character but I feel anyone would pretty much do the same job. My favorite was the very old Ibanez but now prefer the Maxon for true bypass. When I did have the MXR they didn't have any bypass switch so that's why used something else. MXR was great but always on. Now they have a switch on them and haven't tried one.Kapo_Polenton":2dge2r3l said:What tonal differences are there between the 6 band mxr and ge-7 for those of you who have had both?