calvin sattler":3quw7jmb said:
Some people see colors through sound some how. It's called synethesia. Sounds crazy, but I listened to a podcast with Lasse Lambert and he has it. I'm not sure if the brown sound we know if is actually brown to him though.
Also there is white noise and pink noise. A static build up of specific frequencie curves or something. Not sure if the "brown sound" was based off that somehow
JakeAC5253":3quw7jmb said:
There is Brown Noise as well. White noise is equal volume across every frequency band. Pink noise is white noise with a -3dB/oct rolloff starting at 0Hz. Brown noise has a -6dB/oct rolloff starting at 0Hz.
We have black backgrounds to mixes too, and much-more-commonly these days, grey or white ones. Thriller, the Brothers Johnson's Light Up the Night and perhaps MJ's Off the Wall fall into this category for me. Interestingly, they're all Quincy Jones productions. He had that shit in his back pocket. Also interesting to me is that black-background songs are best heard at night, preferably very-late or at least in the dark.
I wouldn't say I have synaesthesia, but I've always seen certain colours from some songs and artists. The first time I heard Eddie, I can honestly say that I saw his tone as sounding brown. I think Women and Children First (the whole album) exemplifies this. It's so obvious it literally hits me in the face every time.
Prince's Purple Rain album was literally purple. I kid you not. I wonder if he knew this; so much of the movie was lit in purple too.
Funnily to me, Yello's Oh Yeah sounded distinctly yellow to me. Imagine my surprise when I heard the band was thusly named.
I've got an album called Colours, conducted by Vic Lewis and played by the Royal Philharmonic Orchestra. Each piece is named a colour, and I had a lot of fun in my early 20s getting folks to guess which colour each song represented. I learned back then that the mood of music, created both by harmony (chordal and scalar construction) and also playing intentions, obviously, creates distinct coloured impressions. IMHO, this is no different from feeling blue (the blues, anyone?) or being in the pink... or green with envy or red with rage for that matter.
So, IMHO, the moods as well as the sounds and mixing techniques (such as is the case with black backgrounds), lend themselves to helping create impressions of colour. They cannot force this on us, which is probably one reason why so many haven't experienced this, especially in these times of needle-dropping our ways through playlists. IMHO, one has to allow one's self to become swept up in the music, just as we did in the days of vinyl where we'd save our coin for months and dedicate entire evenings to studying liner notes and images whilst savouring those first plays of our new-found delights.
Sorry for the rant. I'm simply inviting those who're sceptical to cast their minds back to these things and perhaps note that upon careful consideration of life experiences listening to music, patterns emerge.