thegame
Well-known member
I hear Divine Ivermectin is really popular in OTC land
The original Title had “You know, it wouldn’t be so bad to get some” in the front but they ran out of room.Divine Intervention still wouldn’t be that great with actual divine intervention.
Agreed, especially on Divine Intervention. Kerry King would use a frowny faced EQ pedal and slam his Marshall with that mid forwardness, versus Jeff's which didn't have that. They are two opposing tones that create that snarly Slayer tone when combined.if you look up HAUNTING MIDS in the dictionary... there will be an audio clip of slayers guitar tone.
Something about slayers sound makes me want to assault another human.
They really didn't have the luxury of laying down all the tracks in one location, it was rushed, and production suffered. It was slapped together, and all the band members hated it. I personally love most of it. They should remix it.Yeah man, what's not to love?
- from the tone knob on zero guitar tone
- to the shit production
- to the huge step down in lead playing compared to Seasons
- to being the first Slayer album to blatantly regurgitate the Slayer formula
- to being the first Slayer album not to have their signature chaotic lively feel as far as the interaction of the musicians goes
- to the beginning of Araya's less than inspired vocal performances. From here on out he enunciated every word the same most of the time
- to being the first Slayer album not to spawn any classics. It has a few good songs but no classics.
Yeah, it's fuckin' great
That tired me out. Maybe I'll get to chapter 2 later...
I love all the albums .dittohead was the first slayer song i ever heard, as a young 10 year old, on mtv. the speed, the energy, the aggression... i was blown away.
then I shop lifted a copy of show no mercy on cassette a few years later (i was a bad kid )because the cover looked so cheesy, i was like "how is this even the same band!?". Show no mercy is my favorite slayer record. Not only are the riffs killer, but it has a certain swing in the drumming that none of the other slayer records have.
Yeah SOH is their darkest and most ominous album, and their best overall imo.It's the last Slayer album I purchased(later works seemed to have too much"outside" influence....it(Divine Intervention) was good, but it also had the pleasure of delivering what Slayer should, at a time when many in the genre were seemingly trying to adapt to trends of the day(foolishly), and I agree the solos were not great.....the classic stuff up til Seasons is the stuff to get, and Hell Awaits, Reign and South Of Heaven are the trifecta....With South Of Heaven getting the fav. from me, that album is pretty much perfect, it sounds evil, definite vibe there.....they may have hit some groove elements before Pantera did on South Of Heaven.
Seasons production is dry and frailDecade of aggression is the shit…I don’t care if it is a live album. But for me it’s seasons…..for a studio album…
Ya, God Hates Us All is underrated. Has a pretty shitty guitar tone, but the songs are real vicious.While all the purists will certainly point to Reign In Blood as their finest hour, I would ask that we consider Season In The Abyss. It was still plentry heavy, but showed a greater diversity of tempo and song structure. It also had actual hooks, which is a raity in that genre. Just my thoughts. And as an aside: don's sleep on God Hates Us All. Incredibley aggressive and flat out rageful record, start to finish.
Hell Awaits makes SOH sound like Stryper.Yeah SOH is their darkest and most ominous album, and their best overall imo.
I’m laughing but agreeing lolHell Awaits makes SOH sound like Stryper.