V
VESmedic
Well-known member
Well, if most certainly does. But, it also takes a lot of post processing to get there. I thought I would give the black album a shot in the digital world, and mix in some of the analog world with a similar approach as to what bob rock did. As many know, bob used 2 aphex eq’s in the loop of the amp. I simulated this by using my hardware sontec 250 clone: which is a worlds better eq no one will argue that, but it’s not in the loop of the amp, I used it in the DAW. For what it’s worth, EQing an amp wjth an eq in the loop vs in the DAW is very different, as the eq in the loop behaves differently because it’s essentially part of the circuit at that time, if that makes sense. So it’s the same, but different.
I matched the settings for fun that are out there for the 2c+ On the EQ and graphic eq. I used 2 of my favorite IR’s from titan audio ( about all I use these days) of a Marshall BV Cab with a Unidyne 57/421 combo, same setup as that was used on the album.
Then, I sent that to my hardware eq, and used about the same settings as bob used on the aphex eq’s. Then, I used the Korneff audio AIP To widen the guitars just a tad. MDWEQ for high and low pass at roughly the same frequencies bob did the cuts at, and pro MB for some slight taming of the palm mutes, but not too much at all.
Is it close? I mean I guess it’s definitely got the vibe. But rememeber, I didn’t mix in a modded Marshall like they did, I didn’t use 8 tracks of guitars, or a baritone on certain palm mutes added in like they did in the studio, there were no room mics ( I didn’t even add reverb, thought about it because it obviously is everywhere on the guitars), oh, and I’m not James or bob rock.
But , for less than 10 minutes of work? Pretty cool!
https://on.soundcloud.com/bKGcVJcqzfJ8Cw9u8
*added* Cameron atomica mixed in
https://on.soundcloud.com/vgH11oJ8vpmR2w6PA
I matched the settings for fun that are out there for the 2c+ On the EQ and graphic eq. I used 2 of my favorite IR’s from titan audio ( about all I use these days) of a Marshall BV Cab with a Unidyne 57/421 combo, same setup as that was used on the album.
Then, I sent that to my hardware eq, and used about the same settings as bob used on the aphex eq’s. Then, I used the Korneff audio AIP To widen the guitars just a tad. MDWEQ for high and low pass at roughly the same frequencies bob did the cuts at, and pro MB for some slight taming of the palm mutes, but not too much at all.
Is it close? I mean I guess it’s definitely got the vibe. But rememeber, I didn’t mix in a modded Marshall like they did, I didn’t use 8 tracks of guitars, or a baritone on certain palm mutes added in like they did in the studio, there were no room mics ( I didn’t even add reverb, thought about it because it obviously is everywhere on the guitars), oh, and I’m not James or bob rock.
But , for less than 10 minutes of work? Pretty cool!
https://on.soundcloud.com/bKGcVJcqzfJ8Cw9u8
*added* Cameron atomica mixed in
https://on.soundcloud.com/vgH11oJ8vpmR2w6PA
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