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I found and picked up an original 2-input BE100 a few weeks ago and I'm absolutely loving the tones out of this amp. My board is 4CM with a TC G-System running 4CM. Since the amp can't switch from BE to HBE, I have everything running into the BE input, the TC switching between Clean and BE set...

The SigX might be worth a look. They're going for next to nothing on the used market and are absolutely killer amps.

The Boogie store in Hollywood has a bunch of Suhr's in stock

Way more often than I'd care to admit, but I've gotten some awesome gear as a result.

Sylvan Music in SC always has some cool stuff, particularly in the Vintage room and their acoustics.

BIAS sounds good but has the worst feel of any modeler I've played - at least on the ipad, can't speak for the desktop version. Kemper with the new firmware is the exact opposite end - it's getting good enough that it's hard to tell. My tube amps aren't going anywhere, but if I had to tour, I...

It's called a Linear trem: http://www.lineartremolo.com/

Still fire mine up whenever I get the chance.

V1 Koko is my favorite pedal ever, mine is never going anywhere. I haven't found an amp yet that can't be made more versatile with a Koko in front of it.

OD100 SE+. The negative feedback control on the back lets you dial in as much sag as you desire.

I recorded with a TSL once on a friend's demo and got some decent tones out of it. Not Marshall's best effort by any means, but you can get it to cut through a mix easily and it does well fattening up lower output pickups on the 2nd channel. Probably wouldn't choose to record/gig with one if I...

PRS has really hit their stride lately IMO. They are definitely putting out their best guitars now - worked out a lot of usability kinks (like the rotary knobs and control layouts), the new pickups are lightyears ahead of their old designs, tone, sustain, etc etc. New neck profiles are a big...

I really dig the Creamback 75's with the Mark amps.

Aldrich live with Dio in 03. Strat into what I'm assuming was a Cameron Marshall.

Valvequeen, bar-none.

I just went back to my TC G-System that had been collecting dust for a couple years. It's definitely nice not having to tap dance anymore. Just wish there was still a working software editor for it.

I've never liked the screw-in trem arm on the Gotoh - always felt the collar screw on the OFR is a better design. But apparently the Gotoh's are more consistent in terms of quality.

On that budget, I'd swap out the speaker in the combo (V30, Creamback, Lynchback, WGS, etc) and use the remainder on something like a Suhr Riot to get into Metal territory.

Dave Murray

Seconded, I've yet to find a 2x12 that sounds better than the Port City. And that being said, I actually like the regular better than the oversized - tighter on the bottom end, sounds like a good aggressive 4x12 and is easy to move around.