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I had one in my LP which i sold and it was great, but didn't want to buy the same pickup twice so I've opted for the Air Norton which seems to have a bit more output, to match the SSH+ in the bridge, but a very similar EQ.

The JST SSV is nice, but it can sound a bit "single coil-y"; what p/u do you think would work well with the SSH+ in the bridge? Going for a more liquid, creamy sound. Thanks!

Bump because I know someone here can help me haha!

So the GSP would essentially be in the loop of the JMP? That would make sense as i only need it for mod/delay/verb. Any tips on setting up the MIDI? Thanks again!

Recently bought a JMP-1 exclusively for my amp sounds and I want to now use the GSP for effects. How do I hook these up, so for example Channel 1 is a straight unaffected clean sound and Channel 2 is clean, but with effects from the GSP? I'll be using a Behringer FCB to switch everything too...

That's Metallica at their peak, perfomance and tone-wise, for me. Lars' drum sound is thunderous and the guitars sound massive! Something they haven't got back I don't think.

Vibrato is an area we're ALLOWED to be "snobby" about I think; you can be the fastest most technical player in the world, but if you have that shrill "classical guitar" vibrato, out of tune or just plain none then it doesn't mean anything. Sykes, Yngwie, Clapton, May and Wylde to name just a...

I should say that this is the video I was talking about haha https://www.youtube.com/watch?v=m2xlh1B1U-E

Sounds great as ever and by the way - I put loads of my rock-loving mates onto the Vacation South EP and we all love it, can't wait for more!

I've seen a few videos recently where he's discussing his tone and how he's using the 1 and 3 on stage and how his new Legacy pedal gets the sound of the 1 and 3 very accurately. What happened with the 2? I assume he designed it, so why doesn't he use it does anyone know?

There is ALWAYS talent in every era of music, you just have to be open to finding and looking for stuff and realise artists like Adele aren't for you and that's fine. Spotify and YouTube are your friends in this regard.

Sounds really meaty even with the phone cam!

It didn't have much upwards travel to begin with, so it was more of a hindrance for double bends or if a string broke etc. It was just the regular Suhr trem. The action and setup seem just fine, I didn't have to mess with that at all and it feels as good as ever to play tbh.

It was floating but never added much benefit in the up-pull and I must say the playability and sustain has increased a bit, or at least it FEELS like it has! I blocked it by just screwing the trem to the body tighter, so can still divebomb. Has anyone else had similar results on their Suhr or...

Really puts it into perspective seeing the recent reunion videos. Love all their other vids too, the Queensryche one is awesome!

I used one for a gig once last-minute and I was surprised as to how decent it sounded given its reputation. Wouldn't take it over a DSL though obviously, but it was certainly usable and cut through on stage well.

All sounded very decent apart from the Marshall. I thought the Ibanez was the surprise of that lot - tight low end and some good definition.

I've played loads of chorus pedals over the years and I must say they're all PRETTY similar in my opinion. Borrowing a no-name one from a friend at the last minute that I thought would be rubbish, but it's turned out really good!

Great review! How do you know about what gear they were using btw? I've been a fan since the Nothing re-release and they are just on a different level of heaviness to any other "heavy" band out there. The new album is just amazing!

Fack! Do you ever have to cart that beast to gigs?!