
pjrake
New member
Okay fellas, please school me on the following: Can a 212 cab give you the same result (or almost close to) as a 412 cab in a live situation? This is for a five piece modern rock band. Playing anywhere from small to mid size clubs, and an occasional large venue (think Highline Ballroom in NYC if anyone knows the venue). I know about getting "distortion" from speakers and pushing the cones and moving air, and all those cool terms... but when it really comes down to it: do we really need 412s where 90% of the time the cabs are mic?
Appreciate everyone's input.
PJ
PS: Bonus question: 50watts vs. 100watts amp (high gain amps). Pros and cons with 212s and 412s, and best configurations on both!
Appreciate everyone's input.
PJ
PS: Bonus question: 50watts vs. 100watts amp (high gain amps). Pros and cons with 212s and 412s, and best configurations on both!