
Beyond Black
Well-known member
Whatever. That TW in that video would be a cut above a late 60’s Marshall with a ‘59 Burst, or a fucking Hello Kitty guitar.panhead":83kc7h1w said:Real PAF pickups and 60 year old wood cannot be replicated fyi
Whatever. That TW in that video would be a cut above a late 60’s Marshall with a ‘59 Burst, or a fucking Hello Kitty guitar.panhead":83kc7h1w said:Real PAF pickups and 60 year old wood cannot be replicated fyi
RaceU4her":2o8as6ro said:MetalHeadMike":2o8as6ro said:Clips are clips and don't do any amp justice,
i see people say this.. if that is the case why do we give albums credence and not clips?? isnt an album basically just organized clips which most have been highly processed? i think if i held an iphone up next to my head and recorded it would play back something pretty similar to what im actually hearing
This. I know it’s all we have sometimes but clips can be and are deceiving. I always first go by opinions rather than clips, since I’ve been lured into buying amps based on clips only to return/sell the amp immediately.MetalHeadMike":10561ji7 said:RaceU4her":10561ji7 said:MetalHeadMike":10561ji7 said:Clips are clips and don't do any amp justice,
i see people say this.. if that is the case why do we give albums credence and not clips?? isnt an album basically just organized clips which most have been highly processed? i think if i held an iphone up next to my head and recorded it would play back something pretty similar to what im actually hearing
Not saying clips can't sound good and give some representation of an amp, but they're still not gonna be the same tone as if you were in the room.
Any amplifier needs to be in the hands of a someone who can play... that's a given. The TW is no different from any other NMV amplifier of similar design and power. e.g. Ampeg SVT.WGAF":1c2hygcv said:This fully confirms that a TW needs to be in the hands of somebody who truly knows how to 'handle' a guitar.
You may be a great player and a monster shredder but to harness a TW you must also know how to 'handle' a guitar and its controls.
You do know that 2 of those 3 played nvm Marshalls right?Goat":29pbkf22 said:Don't get me wrong here, I love the TW circuit... it's that $30k price tag. But... but... it's collectible!![]()
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Trainwreck tone is far removed from RATT, Dokken, and Steel Panther. As such, 99% of Rig Talk alumni wouldn't dig-it. Not without a MV mod, variac, attenuator, effects... By then, you may as well just buy an AxeFx.
You do know a NMV Marshall is not a Trainwreck, right?Racerxrated":17ih9q37 said:You do know that 2 of those 3 played nvm Marshalls right?Goat":17ih9q37 said:Don't get me wrong here, I love the TW circuit... it's that $30k price tag. But... but... it's collectible!![]()
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Trainwreck tone is far removed from RATT, Dokken, and Steel Panther. As such, 99% of Rig Talk alumni wouldn't dig-it. Not without a MV mod, variac, attenuator, effects... By then, you may as well just buy an AxeFx.
I've played several accurate TW Express clones, so I am familiar with them. That said, I don't care for the way they compress at higher volumes.WGAF":5ic1wgz3 said:Goat":5ic1wgz3 said:Any amplifier needs to be in the hands of a someone who can play... that's a given. The TW is no different from any other NMV amplifier of similar design and power. e.g. Ampeg SVT.WGAF":5ic1wgz3 said:This fully confirms that a TW needs to be in the hands of somebody who truly knows how to 'handle' a guitar.
You may be a great player and a monster shredder but to harness a TW you must also know how to 'handle' a guitar and its controls.
The position of the Express tone stack makes it extremely sensitive to string articulation. You just have to adjust your playing dynamics, postion (in relation to the cabinet), and volume. MV amp players would be out of the element, for sure. Like any NMV Marshall, VOX, Ampeg... The guitar volume pot is used to "drive" the amplifier. e.g. Set guitar volume at 0, amp volume at 10 and scale from there. It's not that a TW is better at "cleaning-up" with the guitar volume backed off than any other NMV amp... This is standard-fare NMV amp operation.
I hear you but when you actually play through a real TW you'll get a better understanding.
This thing ain't NOTHING like the amps you mentioned and this is why it's a TW and sells for $30K.
I have a good stash of decent amps and none of them play like a TW.
SpiderWars":2xycwxli said:I'd love to have a Trainwreck...modded by Cameron.![]()
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Agreed. My experience, exactly.SpiderWars":2xycwxli said:I've built/played clones and it's a cool sound and fun to play for a while but it's just not my favorite tone. I'd rather have a plexi and a pedal anyday. They actually are not as loud as you might think (a 50W plexi would bury it) and don't have a ton of thump. And if you try to increase the bass it gets flubby at high volume pretty fast.
I’ve not had the pleasure yet of trying a real train wreck, but I’ve played several Komet’s, which are probably some of the closer ones to the real deal, and tried a Fuchs Train Wreck clone. Based on my experience with those amps, I’d disagree. The Komet’s were plenty loud. I didn’t have a 50 watt Plexi right next to it, but I’d imagine them being pretty similar in volume. I didn’t find them lacking thump either, but they’re also not metal or hard rock amps. I tried the Komet next to a Cornford head and it had similar amount of thump to that, but much richer, more complex and just better toneSpiderWars":yz7h6nzz said:I'd love to have a Trainwreck...modded by Cameron.![]()
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I've built/played clones and it's a cool sound and fun to play for a while but it's just not my favorite tone. I'd rather have a plexi and a pedal anyday. They actually are not as loud as you might think (a 50W plexi would bury it) and don't have a ton of thump. And if you try to increase the bass it gets flubby at high volume pretty fast. They are legendary and rare and probably should go for $30K (which not for nothing seems like the same amount they went for 10+ years ago).
GK is a really good player and works that volume like nobody's business...I don't (and can't) play like that. I'm more of a VH type volume player where I have 2 settings "all the way up or not all the way up".
Ahh yes. I was merely referring to your assumption about MV amps and the bands that you claimed used them. NMV amps are NMV amps...nothing secret or special about how they are used. TW is an amazing sounding/feeling amp, no doubt. A NMV Marshall reacts in a similar way..but they are certainly different sounding. Those lead players in the 80s bands that you secretly worship grew up on, and continue to use NMV amps. I'd bet that since they have the means, they probably own a TW or two. Along with a Dumble or 3. To go along with their 67 Plexis.Goat":2saevx0e said:You do know a NMV Marshall is not a Trainwreck, right?Racerxrated":2saevx0e said:You do know that 2 of those 3 played nvm Marshalls right?Goat":2saevx0e said:Don't get me wrong here, I love the TW circuit... it's that $30k price tag. But... but... it's collectible!![]()
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Trainwreck tone is far removed from RATT, Dokken, and Steel Panther. As such, 99% of Rig Talk alumni wouldn't dig-it. Not without a MV mod, variac, attenuator, effects... By then, you may as well just buy an AxeFx.
The bands I grew-up on didn't play MV amplifers, because they didn't exist.Racerxrated":3y9su8ec said:Ahh yes. I was merely referring to your assumption about MV amps and the bands that you claimed used them. NMV amps are NMV amps...nothing secret or special about how they are used. TW is an amazing sounding/feeling amp, no doubt. A NMV Marshall reacts in a similar way..but they are certainly different sounding. Those lead players in the 80s bands that you secretly worship grew up on, and continue to use NMV amps. I'd bet that since they have the means, they probably own a TW or two. Along with a Dumble or 3. To go along with their 67 Plexis.Goat":3y9su8ec said:You do know a NMV Marshall is not a Trainwreck, right?Racerxrated":3y9su8ec said:You do know that 2 of those 3 played nvm Marshalls right?Goat":3y9su8ec said:Don't get me wrong here, I love the TW circuit... it's that $30k price tag. But... but... it's collectible!![]()
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Trainwreck tone is far removed from RATT, Dokken, and Steel Panther. As such, 99% of Rig Talk alumni wouldn't dig-it. Not without a MV mod, variac, attenuator, effects... By then, you may as well just buy an AxeFx.
Just saying.
Goat":1zi4c4rr said:The bands I grew-up on didn't play MV amplifers, because they didn't exist.Racerxrated":1zi4c4rr said:Ahh yes. I was merely referring to your assumption about MV amps and the bands that you claimed used them. NMV amps are NMV amps...nothing secret or special about how they are used. TW is an amazing sounding/feeling amp, no doubt. A NMV Marshall reacts in a similar way..but they are certainly different sounding. Those lead players in the 80s bands that you secretly worship grew up on, and continue to use NMV amps. I'd bet that since they have the means, they probably own a TW or two. Along with a Dumble or 3. To go along with their 67 Plexis.Goat":1zi4c4rr said:You do know a NMV Marshall is not a Trainwreck, right?Racerxrated":1zi4c4rr said:You do know that 2 of those 3 played nvm Marshalls right?Goat":1zi4c4rr said:Don't get me wrong here, I love the TW circuit... it's that $30k price tag. But... but... it's collectible!![]()
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Trainwreck tone is far removed from RATT, Dokken, and Steel Panther. As such, 99% of Rig Talk alumni wouldn't dig-it. Not without a MV mod, variac, attenuator, effects... By then, you may as well just buy an AxeFx.
Just saying.![]()
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The first MV amplifier I ever played was a Boogie Mark I. Mike Tobias had one in his shop, which was one of the first Boogie's ever made. He eventually moved it to the back of his shop, so we couldn't "demo" it.One too many renditions of "Breakin The Law"?
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Racerxrated":1ril76a2 said:Goat":1ril76a2 said:The bands I grew-up on didn't play MV amplifers, because they didn't exist.Racerxrated":1ril76a2 said:Ahh yes. I was merely referring to your assumption about MV amps and the bands that you claimed used them. NMV amps are NMV amps...nothing secret or special about how they are used. TW is an amazing sounding/feeling amp, no doubt. A NMV Marshall reacts in a similar way..but they are certainly different sounding. Those lead players in the 80s bands that you secretly worship grew up on, and continue to use NMV amps. I'd bet that since they have the means, they probably own a TW or two. Along with a Dumble or 3. To go along with their 67 Plexis.Goat":1ril76a2 said:You do know a NMV Marshall is not a Trainwreck, right?Racerxrated":1ril76a2 said:You do know that 2 of those 3 played nvm Marshalls right?Goat":1ril76a2 said:Don't get me wrong here, I love the TW circuit... it's that $30k price tag. But... but... it's collectible!![]()
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Trainwreck tone is far removed from RATT, Dokken, and Steel Panther. As such, 99% of Rig Talk alumni wouldn't dig-it. Not without a MV mod, variac, attenuator, effects... By then, you may as well just buy an AxeFx.
Just saying.![]()
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The first MV amplifier I ever played was a Boogie Mark I. Mike Tobias had one in his shop, which was one of the first Boogie's ever made. He eventually moved it to the back of his shop, so we couldn't "demo" it.One too many renditions of "Breakin The Law"?
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That was the first song I ever learned on guitar.
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