J
JimAnsell2
Well-known member
minimalizing with memes...ok, well its up to you to think about this shit....if you don't, it doesn't bother me. i'm just putting out a factor to be considered.
I use a half stack and a real ďrum set. So I go look at the venue to see if the place is ready for a real band. Some places here expect zero stage volume.It's interesting that it seems to be very regional. I backed a friend of a friend in Clarksdale MS last year and all of us had Twin Reverbs, LOL. The south moves a little more slowly I guess. There are also a lot of venues that don't really have much in the way of F.O.H so that probably is a factor too. A good number of clubs still won't complain if you crank up a bit so I would guess that's also behind some of it.
It's interesting that it seems to be very regional. I backed a friend of a friend in Clarksdale MS last year and all of us had Twin Reverbs, LOL. The south moves a little more slowly I guess. There are also a lot of venues that don't really have much in the way of F.O.H so that probably is a factor too. A good number of clubs still won't complain if you crank up a bit so I would guess that's also behind some of it.
I suppose it depends on the genre. Blues is old school so backline is provided and that usually means a Fender tube amp of some sort. Tbh I don't want to play guitar anymore if I have to use digital crap. That's not why I got into it to begin with. The toggle switches, the dials, the chrome, the beautiful faceplates, the thunder of a loud amp. To me anything digital is a tone suck and a kill joy.I think for most small to medium bar gigs, unless you're in a wedding type cover band covering a wide range of different bands / genres or silent stage digital makes sense IMO, taking a small tube amp rig and effects is easy enough if you're playing a single or similar set of genres.
A global tour and needing to cover decades of your own material, I can see using a digital rig. IIRC correctly Metallica paid or hired someone to program their Fractals, maybe some help from Fractal. I think if Alex called my company wanting to use my digital modeler product, I'd make sure to help, and make sure he's happy with the results.
I think if Alex, Steve Howe, Metallica, etc. thought it sounded like shit, they wouldn't use it.
I suppose it depends on the genre. Blues is old school so backline is provided and that usually means a Fender tube amp of some sort. Tbh I don't want to play guitar anymore if I have to use digital crap. That's not why I got into it to begin with. The toggle switches, the dials, the chrome, the beautiful faceplates, the thunder of a loud amp. To me anything digital is a tone suck and a kill joy.
i had my tonex pedal sounding pretty legit running through my peacemaker half stack.No one has done a good tube digital hybrid. If done right it could be useful. All tube signal path. Full digital control of everything.
I don't think there is a market for it.
I can’t name a SINGLE classic rock/metal artist that started making better (or even equal) music after the year 2000I can't name a SINGLE classic rock/metal artist that started making better (or even equal) music after going all digital.
Not one.
.
I’m not anti digital but this doesn’t sound right at allI used the Tonex one into the Wizard power section
Try to follow along, it’s not that hard.I’m not anti digital but this doesn’t sound right at all
LOL GFYTry to follow along, it’s not that hard.
But I do appreciate you actually play the guitar, cool clipsTry to follow along, it’s not that hard.