G
gregmusi
Member
Beandust":28r9iwso said:I am as well saying I have seen EVH involve himself with peavey and fender and offer us amps and other cool stuff.Would be cool if he would try it with ohh say Marshall, Boogie,Friedman,Diezel,,Bogner,Friedman...etc etc...sorry if I left anyone out. And for the tone remarks about it being in your fingers, have him play eruption thru SRV s rig..Good luck with that..and also check the video out where he starts to play *women in love* the Smithsonian inductee video* and he says** I don't have the effects for this and he doesn't play it...meaning compression I'd guess....things contribute to one's style of playing that further introduce individual tone.ThanksBeandust":28r9iwso said:I just don't get it.No disrespect to anyone who plays likes or binds with the 5153. I tried the 2x12 combo,the 50 watt head,the S100 signature 6l6 head. I just watched the video posted with this thread with the demo.I just figured out why I didn't like the amps.The tone stack is not desire able to my ears.All the gain, channels ,compression ,presence, resonance is great to have but I just can not for the life of me understand the lack of substance and tone with this amp line.I do understand the very user friendly price tag that gets you into a great amplifier.That being said I do not understand the innovative genious of EVH bringing the world of guitar to its knees with the sounds of VH, thru Fair Warning. These amps do a very bad job of representing his sound and his work. I find it very disappointing he has no interest in having a very articulate sounding amp in his design. Sorry if I offend anyone please take it easy with the insults if so. I just find it pathetic with the amp builders of today and mod specialist this is what we get from probably the biggest revelation on the guitar I will see in my lifetime.Cheers,
actually, the Women in Love intro very specifically has dual ping-pong delays and really only sounds right with the delays on and at the right temp