AxeFx Live Video using two 2x12's and direct to FOH

[Mark Day]

Sounds great and was not expecting Oh Sherrie

We do a ton of Journey because the drummer sounds a bit like Perry and the crowds love it


Mark

Shoot Mark, being up in Canada and all Journey is probably just getting well known way up there has a hot new band.

OH SNAP!!!!!!!!!!!!!!!

Come on Mark, no Platinum Blonde??

Not on your life!!! lol

 

[rupe]

Sounded phenomenal!

 

[megamike]

sounds badass,but thats no big surprise

 

[crwnedblasphemy]

One thing that rings true to mark is never too much gain.......and you had a shit load on Oh Sherrie!

 

[Drkorey]

nice man! is that your "standard" patch or a close variation that you've posted before?

 

[Mark Day]

nice man! is that your "standard" patch or a close variation that you've posted before?

In the video there are 3 patches, my main rhythm and main solo, and a spillover preset which is my main rhythm with a redundant delay block. I have a cc modifier on the delay so when I hit that IA on my Ground Control Pro it sends out midi cc10 to the AxeFx which has a modifier programmed on the delay 1 block...it increases the volume, the repeats and the delay time of that block. Works like a charm

Here are my latest patches and I have OUT1 setup for direct with the Cab and poweramp sims. My guitar is STUPID HOT so you may have to increase the gain on the O/D and amp sim. The title of each patch is pretty self explanatory. As always OUT 2 is for the ART SLA2/two 2x12" guitar cabs in stereo.


I have a volume controller connected to the mixer block using cc7. So if you get no sound look there first and just disable the modifier on the mixer block. Cliff would use a Vol/Pan Block instead of the mixer block so I will probably change the mixer block in all the patches to a Vol block instead. In the meantime the mixer block does the trick for the vol pedal assignment

http://files.me.com/samhillband/0lmsqv

 

[Gainiac]

Yessss!!!
Nice an huge!!

 

[Drkorey]

As always - you da' man Mark, thanx for the patches - I'll have to check them out!

 

[Bob Savage]

Oh man, Oh Sherry!!!! Love it! Great backups on the Whitesnake tune.

 

[Crunch Master]

Wow, I'm impressed, that thing really sounds good!

I've thought about getting an AxeFX for a few years now, but I just don't use effects much at all, and I'd only use it for amp tones. I'm not sure it would be worth it for just that.

 

[tweed]

I have a cc modifier on the delay so when I hit that IA on my Ground Control Pro it sends out midi cc10 to the AxeFx which has a modifier programmed on the delay 1 block...it increases the volume, the repeats and the delay time of that block. Works like a charm

Mark your tones kill! But if I start talking like that when I get mine, someone punch me. I started reading these sentences and all I could picture in my mind was Joe Pesci from Leathal Weapon 3 going "okay okay okay..."

 

[Mark Day]

I have a cc modifier on the delay so when I hit that IA on my Ground Control Pro it sends out midi cc10 to the AxeFx which has a modifier programmed on the delay 1 block...it increases the volume, the repeats and the delay time of that block. Works like a charm

Mark your tones kill! But if I start talking like that when I get mine, someone punch me. I started reading these sentences and all I could picture in my mind was Joe Pesci from Leathal Weapon 3 going "okay okay okay..."

I've been talking midi since 92 when I got my Bradshaw rig...lol. Has nothing to do with the AxeFx

Embrace the ancient technology tweed...lol.

Mark

 

[Mark Day]

Oh man, Oh Sherry!!!! Love it! Great backups on the Whitesnake tune.

Thanks Bob!

Mark

 

[tweed]

I have a cc modifier on the delay so when I hit that IA on my Ground Control Pro it sends out midi cc10 to the AxeFx which has a modifier programmed on the delay 1 block...it increases the volume, the repeats and the delay time of that block. Works like a charm

Mark your tones kill! But if I start talking like that when I get mine, someone punch me. I started reading these sentences and all I could picture in my mind was Joe Pesci from Leathal Weapon 3 going "okay okay okay..."

I've been talking midi since 92 when I got my Bradshaw rig...lol. Has nothing to do with the AxeFx

Embrace the ancient technology tweed...lol.

Mark

Oh I plan on it and I will probably be bugging you for help . Gotta sell my Fender Tweed Blues Deluxe first to get the AxeFx Funds rolling.

 

[Mark Day]

I have a cc modifier on the delay so when I hit that IA on my Ground Control Pro it sends out midi cc10 to the AxeFx which has a modifier programmed on the delay 1 block...it increases the volume, the repeats and the delay time of that block. Works like a charm

Mark your tones kill! But if I start talking like that when I get mine, someone punch me. I started reading these sentences and all I could picture in my mind was Joe Pesci from Leathal Weapon 3 going "okay okay okay..."

I've been talking midi since 92 when I got my Bradshaw rig...lol. Has nothing to do with the AxeFx

Embrace the ancient technology tweed...lol.

Mark

Oh I plan on it and I will probably be bugging you for help . Gotta sell my Fender Tweed Blues Deluxe first to get the AxeFx Funds rolling.

RIng for help anytime, dude!

Mark

 

[Inearthed]

Sounded great, what do you think of those Randall cabs with the Celestion Custom 80's? How do they sound with your other amps?

 

[R.D.]

Sounded great, what do you think of those Randall cabs with the Celestion Custom 80's? How do they sound with your other amps?

Hey Mark,

Inearthed's got a great question there ....

What EQ'ing changes did you have to make switching between the Randall cabs and the MESA's with the SEPlus ? Any changes to the Whomp, etc; etc; ? Could just the shear volume between the studio and stage have accounted for the difference ?

Hmmmmm ?

 

[IHateRap]

Goto: 1:27

 

[Mark Day]

Goto: 1:27

that took a lot of effort

 

[Mark Day]

Sounded great, what do you think of those Randall cabs with the Celestion Custom 80's? How do they sound with your other amps?

Hey Mark,

Inearthed's got a great question there ....

What EQ'ing changes did you have to make switching between the Randall cabs and the MESA's with the SEPlus ? Any changes to the Whomp, etc; etc; ? Could just the shear volume between the studio and stage have accounted for the difference ?

Hmmmmm ?

I would only take a little bottom off with the 4x12's when using the Od100. The V30's were definitely a tad harsher though.

I had the little Randall really loud at the rehearsal...stage volume for a little while

Mark