You know I've gathered a pile of mikes over the years, and I think a 57 at the right spot through the right mic-pre can get some great tones. The Royer sounds nice and smooth and big, but not necessarily aggressive. I just add a little bit of the 57 in there to give it a bit of snarl on top of what I like about the royer. Isolate the track, and the 57 by itself dosent really sound good because I have it in a position that is more focused on adding some teeth, but all teeth is not really what I go for either. I've wasted enough money on "do it all" mikes over the years to more than pay for the royer, but I dont think its the magical answer to everything that some do. I dont care for it on acoustics or for overheads on drums, but some people swear by them for that. My AKG 414 Kills it for sheer detail on acoustics and overheads, but sucks at doing 412 cabs.
I'm finding that combo's of mikes can get you more of what your after in the end, but thats just my opinion. If I had to use 1 mike on a 412, it would be a Bock that I got last year, but I prefer the 121/57 combo over that for what we are currently working on. I will say the Bock kills anything I've heard yet as a room mike, its absolutely huge sounding, but its more money than the royer
I think its a great time to get mikes of any type, competition has forced them to come up with some amazing ribbon mikes for not much money.... but I'd likely still add a beat to hell, cheap old 57 in there with it, the things that most people hate about them are the very thing I was looking to add to the body and smoothness of the royer. I'm sure there are some combo's that are less that sound fantastic, but I havent found 1 mike that can do what that combo can.
I'm optimistic though, the mike world is ever changing for the better, as is the other black hole of mike-preamps
It just sucks that I have so little money
Dam......