Having visited the room, using the online thing to calculate the RT60 will be a real headache...
Sylvain Briat":17y6gefm said:The room was designed by Michel Deluc of Amadeus France.
There's three distinctives zones: a stone room (very tight), an very open zone due to the wave roof, and a third zone well balanced.
In all the room sounds are distinctives, focused and musicals.
After tests, we place cabs in the wave roof zone. Far mic position is in the "normal" zone. The purpose was to have a beautyfull roomy sound.
Anyway even if I'm a newbie in acoustic measure, I could say is that my brain, my ears and my mixs love this main room.
I've never heard km54, sometimes I find the km184 too harsh, I'll guess the 54 are smoother
Sylvain Briat":27rxr5tv said:#thisispornteasing ... sorry sorry ...
I'll take a look about km54 anf km53
The shure ksm141 that we used fot this batch are very sweet too, they do very good job on a lot of instruments (snare top and bottom, overheads, acoustic guitar, ensemble, piano, guitar amps, percussions)