Donnie B.
Banned
Well-known member
Wasn’t it referred to as a gallop back in the day?
I think the term gallop came along with the NWOBHM and Iron Maiden specifically.
Steve Harris owns the patent!
Wasn’t it referred to as a gallop back in the day?
Yes but that is just the technique/timing. The theme song for Bonanza has a gallop to it. If someone came on here and said "Listen to me chug on my killer amp" and it sounded like Achilles Last Stand he'd get run off of R/T or at least schooled. Again, I LOVE the song and it has a gallop but does not chug imo.Wasn’t it referred to as a gallop back in the day?
To be clear, I only posted Achilles because it came before Barracuda in regard to the gallop beat.If someone came on here and said "Listen to me chug on my killer amp" and it sounded like Achilles Last Stand.
For me it has to have 'that sound'. It doesn't have to be all downstrokes. You can't really gallop without some upstrokes and I still play some Hetfield parts with upstrokes where he may have used all downstrokes (MOP comes to mind) and you can get it close-ish. Kind of like 'djent' is more of a sound than a technique. It has to be thick...thin tone does not chug. This is all just what it means in my head tho.To understand the chug, we first must define the chug.
To me it would be repetitive downstrokes at high tempo on a distorted electric guitar mostly utilizing the low E and/or A strings with or without power chords. Palm muting optional.
Go...
Oh I totally get that. Some of these earlier examples of similar technique and use are great examples of the evolution of it. I thought of Communication Breakdown before I started the thread. To me that song is a great example of something that has almost everything needed except...that it does not chug. It's a kind of a thin, fuzz-like tone and just doesn't have a chuggy tone at all. But again, I'm just going from the definition of chug in my head.To be clear, I only posted Achilles because it came before Barracuda in regard to the gallop beat.
I agree with Communication Breakdown which was well before anything by Sabbath.
Now it comes down a bit to equipment too. If Page had used a Les Paul Custom into a Diezel Herbert on Comm it would have passed the test.It has to be thick...thin tone does not chug.
Super good points.For me it has to have 'that sound'. It doesn't have to be all downstrokes. You can't really gallop without some upstrokes and I still play some Hetfield parts with upstrokes where he may have used all downstrokes (MOP comes to mind) and you can get it close-ish. Kind of like 'djent' is more of a sound than a technique. It has to be thick...thin tone does not chug. This is all just what it means in my head tho.
I was going to say, pretty hard to get that more modern chug that we think of with his gear/tone. Page was just showing us how he does it.Now it comes down a bit to equipment too. If Page had used a Les Paul Custom into a Diezel Herbert on Comm it would have passed the test.
How about immigrant song which has the bass and guitars really cranking the lick in unison?
Look up CHUG in the dictionary!
I still call it that.Wasn’t it referred to as a gallop back in the day?