Did I just listen to a Malmsteen cover or a pinball machine?

  • Thread starter Thread starter Kapo_Polenton
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Kapo_Polenton

Kapo_Polenton

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lol..damn this guy's covers are sick but a perfect example of over shredding here or there. Impressive in a fun sort of way and he def. got the keys to the Lamborghini! (Batio reference)

 
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That's so five years ago! I love it. Too bad the guy will never ever get to get out of the bedroom and play in a band that tours.
 
Come to think of it, I commented on that vid a while back and I probably also chimed in on a thread somewhere along the way...the good news however, is that if Herman Lee hurts himself, this guy is probably ready to step in!
 
His legato playing is cool. Once he picks it’s not for me.
 
I think those arpeggios might suck. No definition. Not sure if that is because of the speed, would need to slow it down to hear if he nailed it. It presents awful though, especially when that is the only speed he does it at and he does it several times.
But the speed picking is tight tight tight! Too bad he will need to wear that guitar up high above the nipple and lose all coolness on a stage.
 
I'll see your pinball guy clip, and raise you three Roy Clark clips.



 
Goat":2oia30sd said:
I'll see your pinball guy clip, and raise you three Roy Clark clips.




Roy was a monster player. He had fun playing.
 
crankyrayhanky":1duq1svx said:
I think those arpeggios might suck. No definition. Not sure if that is because of the speed, would need to slow it down to hear if he nailed it. It presents awful though, especially when that is the only speed he does it at and he does it several times.
But the speed picking is tight tight tight! Too bad he will need to wear that guitar up high above the nipple and lose all coolness on a stage.
And I think that's even if you like arpeggios. When done like that I don't. There were moments in there where he slowed it down and wrangled something extra from a note and it was really good.
 
I got lost half way through and didn't know where the fuck he was in the solo when I listened the first few times. His timing is rushed in spots but he's definitely got the Impelliteri meets Batio/Romero meets Super Mario bros thing down pat. Agree that his legato is nice and clean. His arpeggios probably are too if he were to slow them down some.
 
Does anyone actually feel there is any musical value to his playing? I mean, there’s some serious skills there but wasn’t the reason we all learned to play was to make music? (Getting laid doesn’t count. It’s a byproduct ?)
 
Findthetone1":2wrohv0g said:
Does anyone actually feel there is any musical value to his playing?
I don't. The musical equivalent of Charlie Sheen on bath salts... :doh:
 
Findthetone1":3hat7tm8 said:
Does anyone actually feel there is any musical value to his playing? I mean, there’s some serious skills there but wasn’t the reason we all learned to play was to make music? (Getting laid doesn’t count. It’s a byproduct ?)
Not really but to be fair I don't think he was trying to demonstrate musical value. I had to try to finish it.
 
Findthetone1":3a1be7eh said:
Does anyone actually feel there is any musical value to his playing? I mean, there’s some serious skills there but wasn’t the reason we all learned to play was to make music? (Getting laid doesn’t count. It’s a byproduct ?)

I wonder if he can write a good song? Listening to that was like smelling a dirty baby’s diaper.
 
not gunna lie, i'm still totally impressed by shit like this. any negative thing i'd have to say would purely come from jealously.
The sweeps were clean given the speed. I don't aspire to play like that because i am lazy, and that is the only reason. i don't want to work that hard because it doesn't impress chicks/sell the way a slower, carefully phrased, singable melody does. :thumbsup:

but if i could play like THAT, anyones approval/disapproval would not mean fuck all to me. :D
 
Do you need to have the guitar hiked up to your chin to play ultra fast like that? Anything strapped down lower restricts speed?

Asking for a friend.
 
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