i found a good backing track of this song and then i wondered "shit, what if Slayer used iic+'s with metallica settings?". well i gave it a fucking whirl. sounds kinda cool
:55 second mark - Man Slayer always found the most haunting and eerie use of those single note tritones shapes...Just plain evil. They are the best at what they do.
i found a good backing track of this song and then i wondered "shit, what if Slayer used iic+'s with metallica settings?". well i gave it a fucking whirl. sounds kinda cool
Agreed, this sounds better than the album’s tone. Much more punch and cut, not as wishy washy in the mids.
Would like to hear this tone on Dittohead, RU4h
Agreed, this sounds better than the album’s tone. Much more punch and cut, not as wishy washy in the mids.
Would like to hear this tone on Dittohead, RU4h
Agreed, this sounds better than the album’s tone. Much more punch and cut, not as wishy washy in the mids.
Would like to hear this tone on Dittohead, RU4h
Agreed, this sounds better than the album’s tone. Much more punch and cut, not as wishy washy in the mids.
Would like to hear this tone on Dittohead, RU4h
One thing Jeff and Kerry were definately known for was pushing those Marshall upper-mids right to the threshold. It's not for everybody, but it cuts and has a lot of attack.